Antonio de Cabezón, redivivo

Javier Artigas Pina; Antonio Ezquerro Esteban

doi:10.3989/anuariomusical.2014.69.158

Antonio de Cabezón, revisited

Authors

Javier Artigas Pina Conservatorio Superior de Música “Manuel Masotti Littel”, Murcia - Escola Superior de Música de Catalunya, Barcelona
Antonio Ezquerro Esteban DCH-Musicología, IMF, CSIC, Barcelona

DOI:

https://doi.org/10.3989/anuariomusical.2014.69.158

Keywords:

Antonio de Cabezon, 16th century, Keyboard, harp, vihuela, Philip II of Spain, Organ, Historical Musicology

Abstract

In 2010 we celebrated the fifth centenary of the birth of the great sixteenth-century Spanish musician, organist Philip II, Antonio de Cabezon. The present work aims to compile the history and meaning of his musical output again albeit briefly, while as a reminder and reflection background to his work raises at present (as discussed in the articles that follow it immediately), in an attempt to claim the best music for keyboard, harp and vihuela dating from the historic period of maximum splendor and projection in the Hispanic world.

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Published

2014-12-30

How to Cite

Artigas Pina, J., & Ezquerro Esteban, A. (2014). Antonio de Cabezón, revisited. Anuario Musical, (69), 5–50. https://doi.org/10.3989/anuariomusical.2014.69.158

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Issue

No. 69 (2014)

Section

Articles

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