No. 71 (2016)

DOI: https://doi.org/10.3989/anuariomusical.2016.i71

Published: 2016-12-30

[es] Josep Pavia i Simó, in memoriam

Equipo Editorial

V
- PDF

Articles

[es] Sacred Music in Castille in the late Middle Ages: Documentation on Choirmasters, Singers, Organs and Organists of the Santa María la Mayor Cathedral in Cuenca (1195-1496)

José Luis de la Fuente Charfolé

3-20
- PDF
[es] Life and Death of a Plain Chant Master of the Cathedral of Seville in the 16th Century: The Theorist Luis de Villafranca

Clara Bejarano Pellicer

21-36
- PDF
[es] Contributions of the Underwater Archeology to the Organological Heritage

Jesús Alonso Yllana

37-44
- PDF
[ca] The Music Archive of La Encarnación monastery from Madrid, in Montserrat

Daniel Codina

45-56
- PDF
[es] America and Europe. Liturgical Music in Hispanic World. Cathedral Las palmas and its Maestro de Capilla Diego Durón (*1653; †1731). Documentation and Watermarks

Francisco Javier Romero Naranjo

57-80
- PDF
[es] Presence and Meaning of the Organ Builder Felipe Uriarte in the Province of Valladolid during the First Half of the Eighteenth Century

José Ignacio Palacios Sanz

81-100
- PDF
[es] Proportions, Allegories and Angels Musicians of the Twin Organs at the Cathedral of Mexico

José Antonio Guzmán Bravo

101-122
- PDF
[es] Brief Study and Spanish Translation of Die Kunst das Clavier zu Spielen by Friedrich Wilhelm Marpurg (Berlin, Henning, 1750)

María de las Nieves Pascual León

123-162
- PDF
[es] The Business of Musical Scores in Barcelona between 1792 and 1834: From Antonio Chueca to Francisco Bernareggi

Oriol Brugarolas Bonet

163-178
- PDF
[es] Jaleo Dances, Direct Precedents of Flamenco Dances

Miguel Ángel Berlanga

179-196
- PDF
[es] Music in Piedra (Stone): Music, Musicians and Singers in the Monastery of Piedra’s Signature Books between 1861 and 1912

Pilar Bosqued Lacambra

197-214
- PDF
[es] Tradition and Melodism in Género Chico: The Musical Scenic Production of José Serrano

José Salvador Blasco Magraner, Francisco Carlos Bueno Camejo, Fernando Torner Feltrer

215-222
- PDF
[es] Music in the Bauhaus (1919-1933): Gertrud Grunow as Teacher of Harmony. The Fusion of Art, Colour and Sound

Marisa Vadillo Rodríguez

223-232
- PDF
[es] A Cinema’s Female Worker in a Musical Key: Ana Satrova

Virginia Sánchez Rodríguez

233-250
- PDF

No. 71 (2016)

[es] Josep Pavia i Simó, in memoriam

Articles

[es] Sacred Music in Castille in the late Middle Ages: Documentation on Choirmasters, Singers, Organs and Organists of the Santa María la Mayor Cathedral in Cuenca (1195-1496)

[es] Life and Death of a Plain Chant Master of the Cathedral of Seville in the 16th Century: The Theorist Luis de Villafranca

[es] Contributions of the Underwater Archeology to the Organological Heritage

[ca] The Music Archive of La Encarnación monastery from Madrid, in Montserrat

[es] America and Europe. Liturgical Music in Hispanic World. Cathedral Las palmas and its Maestro de Capilla Diego Durón (*1653; †1731). Documentation and Watermarks

[es] Presence and Meaning of the Organ Builder Felipe Uriarte in the Province of Valladolid during the First Half of the Eighteenth Century

[es] Proportions, Allegories and Angels Musicians of the Twin Organs at the Cathedral of Mexico

[es] Brief Study and Spanish Translation of Die Kunst das Clavier zu Spielen by Friedrich Wilhelm Marpurg (Berlin, Henning, 1750)

[es] The Business of Musical Scores in Barcelona between 1792 and 1834: From Antonio Chueca to Francisco Bernareggi

[es] Jaleo Dances, Direct Precedents of Flamenco Dances

[es] Music in Piedra (Stone): Music, Musicians and Singers in the Monastery of Piedra’s Signature Books between 1861 and 1912

[es] Tradition and Melodism in Género Chico: The Musical Scenic Production of José Serrano

[es] Music in the Bauhaus (1919-1933): Gertrud Grunow as Teacher of Harmony. The Fusion of Art, Colour and Sound

[es] A Cinema’s Female Worker in a Musical Key: Ana Satrova

Make a Submission

Language

Indexing and quality

Plagiarism Detection Tool

Syndication