No. 70 (2015)

View No. 70 (2015)

DOI: https://doi.org/10.3989/anuariomusical.2015.i70

Published: 2015-12-30

Articles

[es] Polyphonic Modality and Modal Ethos in the Time of the Obras... of Antonio de Cabezón: Pedro Cerone’s Contribution

Álvaro Zaldívar Gracia

3-16
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[ca] The Catalan Pronunciation for Latin

Joan Grimalt i Santacana

17-26
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[es] Lamentations of the Prophet Jeremiah in Ciutadella de Menorca: Study and Analysis of the Polyphonic End of a pre-Tridentine Source

Jaume Escandell Guasch

27-42
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[es] The Earliest Tubular Organs in Mexico

José Antonio Guzmán Bravo

43-62
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[en] Fernando de Almeida (d. 1660): Tradition and Innovation in Mid-Seventeenth-Century Portuguese Sacred Music

João Vaz, João Pedro d’Alvarenga

63-80
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[es] Manuel Martí, Dean of Alicante. A Testimony about the Fandango of the Early 18th Century?

José Francisco Ortega Castejón

81-100
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[es] Music in Oviedo Nineteenth Century’s Rooms: The Salonier World in Clarín’s Town

Mª. Aurelia Díez Huerga

101-116
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[es] Music Criticism and Aesthetic Thought in the Spanish Restoration: José Mª. Esperanza y Sola (1834-1905)

Manuel Sancho García

117-130
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[es] Music or Magic? The Presentation of Maurice Martenot Musical Waves in Spain

José Vicente Gil Noé

131-142
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[es] Fernando Vilches and Aquilino Calzada: The Rise of Flamenco Saxophone during the Second Spanish Republic

Juan Zagalaz

143-160
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[es] The ‘3rd International Conference of Musicology’ (Barcelona, 1936), from the Documentation Preserved in the ‘Fons Higini Anglès’ of the Biblioteca de Catalunya

César Calmell i Piguillem

161-178
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[es] The Middle Way or Béla Bártok in Existentialist Vision René Leibowitz

Mauricio Gómez Gálvez

179-192
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[es] New Contextualized Documents on Fernando Remacha (*1898; †1984)

Marcos Andrés Vierge

193-210
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[es] The Saxophone in the Opera by Luis de Pablo: La señorita Cristina

Francisco Martínez García

211-238
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