No. 68 (2013)

Articles

• [es] In die purificatione Beata Maria Virginis. Liturgy and Music in Medieval Aragon

  David Andrés-Fernández

  3-16

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• [es] A New Source of Notre Dame Polyphony from Spain. The Music Manuscript 98.28 from Toledo, Biblioteca Capitular (E-Tc)

  Santiago Galán Gómez

  17-46

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• [es] Musical Historiography of the Parishes in Spain: State of the Issue

  Victoriano J. Pérez Mancilla

  47-80

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• [es] Aesthetic Experience and Scientific Formulation: The Case of the Harmonices Mundi by Johannes Kepler

  Carlos Calderón Urreiztieta

  81-132

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• [es] Tracks and Traces of the Musical Circulation in the Viceroyalty of Peru: Copyists from Lima Cathedral in Santiago de Chile

  Alejandro Vera Aguilera

  133-168

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• [es] "From the archive to the concert": a Roadmap for the Theoretical and Practical Recovery of Hispanic Musical Baroque

  Antonio Ezquerro Esteban, Marian Rosa Montagut

  169-202

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• [de] The Importance of Instrumental Playing in the Hell Act from Rameau’s Castor et Pollux

  Fred Büttner

  203-216

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• [es] José de Nebra, devotion and the ῾Santa Capilla de la Virgen del Pilar᾿

  Luis Antonio González Marín

  217-230

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• [es] Compositive Styles and Modality in the Spanish Organ Music of the 18^th Century. A case Study: the Valencia Region

  Alfredo Personat Remolar

  231-262

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• [es] Galant Style and Symphonies by F. J. Haydn in the Music Chapel of Santiago de Compostela Cathedral ruled by the maestro de capilla Melchor Lopez (1783-1822): The Renewal of the Instrumental Repertoire

  F. Javier Garbayo Montabes

  263-292

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• [es] Opera Libretti in Spain as a Source for the Study of Performance Practice: Spanish Libretti from the First Half of 19^th Century

  Marc Heilbron Ferrer

  293-304

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• [es] Colaboradores

  Equipo Editorial

  305-308

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