No. 66 (2011)

View No. 66 (2011)

DOI: https://doi.org/10.3989/anuariomusical.2011.i66

Published: 2011-12-30

Articles

[es] Ars Subtilior in Toledo? A hint in the Manuscript M1361 of the Biblioteca Nacional de España

David Catalunya

3-46
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[en] The Stringed Drum and the 16th Century Music: New Iconographical Sources

Jordi Ballester i Gibert

47-60
- PDF
[es] Unpublished Poems of the Vihuelist and Writer Luis Milán and New Considerations about his Identity: the MS 2050 of the Biblioteca de Catalunya

Francesc Villanueva Serrano

61-118
- PDF
[es] Antonio de Cabezón and the Beginning of the Didactical Keyboard Music with an Artistic Value

Stephan Schmitt

119-136
- PDF
[en] Manuscript Évora, Biblioteca Pública, Cód. CLI/1-3: Its Origin and Contents, and the Stemmata of Late-Sixteenth- and Early-Seventeenth- Century Portuguese Sources

João Pedro d’Alvarenga

137-158
- PDF
[es] Two Quartets of Joseph Haydn for the Duke of Alba

Stephanie Klauk

159-164
- PDF
[en] The Principle of the Eternal-Feminine in Rossini’s L’Italiana in Algeri: Isabella as the Italian Super-Woman

Sara Zamir

165-180
- PDF
[es] Wagnerian Controversies in Spain in 19th Century

José Ignacio Suárez García

181-202
- PDF
[de] The Finale of Wagner’s Götterdämmerung and its Relationship with the baroque ‘Licenza’

Fred Büttner

203-210
- PDF
[es] Wagnerian Movement in Murcia (1879-1922)

Enrique Encabo Fernández

211-234
- PDF
[es] The Stay of Isaac Albéniz in Valencia in 1882

Victoria Alemany Ferrer

235-262
- PDf
[es] Con las guitarras abiertas. Neopopulism as a Reaction and Progress in Spanish Songs, 1930s

Thomas Schmitt

263-282
- PDF

[es] Publicaciones

Equipo Editorial

283-288
- PDF
[es] Contributors

Equipo Editorial

289-292
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