No. 77 (2022)

View No. 77 (2022)

DOI: https://doi.org/10.3989/anuariomusical.2022.i77

Published: 2022-12-30

Editorial

[es] What we owe each other. Musicology between personal biography and social contract in the Anthropocene

Emilio Ros-Fábregas

7-10
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Articles

[en] Iberian and Latin American Music Scholarship on the Ascent: Reflections from the United States

Carol A. Hess

11-27
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[es] Musica and Scolica Enchiriadis. Towards an Iconic Representation of the Sound Space in Two Carolingian Musical Treatises

Pablo Massa

29-49
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[en] Kircherizers and Trisectors: Athanasius Kircher’s Automatic Composition System in the Spanish Empire

Andrew A. Cashner

51-75
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[es] Liturgical Polyphonies in the Colonial Atlantic World: The Riscos

Javier Marín-López

77-119
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[es] «Between Liturgy and Teaching»: Mozart’s Keyboard Music Arranged by Francisco Olivares during the First Decades of the 19th Century

Héctor Eulogio Santos Conde

121-148
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[es] Manuel de Falla and L’acoustique nouvelle, a Case of Proto-Spectralism in Spanish Nationalism

José Benjamín González Gomis

149-167
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The Value of Silence or the History of Sinfonía en tres tiempos (1925) by Fernando Remacha (1898-1984)

Marcos Andrés Vierge

169-190
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[es] El viaje a Simorgh (2007) by José María Sánchez-Verdú: A Scenic- Musical Tableau of an Inner Exodus

Carmen Noheda Tirado

191-207
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[es] The Musical Whistle as a Queer Space

M. Teresa López Castilla

209-223
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[es] The Beginning of the Golden Age of Music in Salamanca: The Chapelmaster Antonio Gallego and the Organist Pedro Catalán

Javier Cruz Rodríguez

227-238
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[es] Provisions, Mandates and Testamentary Practices Granted by Salaried and Rationer Musicians of the Valladolid Collegiate-Cathedral (1562-1818)

José Ignacio Palacios Sanz

239-258
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[es] Contributors

Equipo Editorial

259-260
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[es] Publicaciones recibidas

Equipo Editorial

261-262
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[es] Publicaciones sobre música dirigidas desde la Institución Milá y Fontanals de Investigación en Humanidades (IMF‑CSIC), Barcelona

Equipo Editorial

269-271
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