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No. 69 (2014)
No. 69 (2014)
DOI:
https://doi.org/10.3989/anuariomusical.2014.i69
Published:
2014-12-30
[es]
A modo de prólogo
Antonio Ezquerro Esteban, Luis Antonio González Marín, José Luis González Uriol, José V. González Valle
3-4
PDF
Articles
[es]
Antonio de Cabezón, revisited
Javier Artigas Pina, Antonio Ezquerro Esteban
5-50
PDF
[es]
The Tiento in Cabezón. Considerations on the Tiento IV of “Antonio” included in the Venegas de Henestrosa’s
Libro de cifra nueva
Louis Jambou
51-60
PDF
[es]
The
tientos
68, 65 y 67 from
Obras de música:
An Analytical Study of Three Masterpieces by Cabezón
Miguel A. Roig-Francolí
61-72
PDF
[es]
The “Fuga a quatro todas las bozes por vna sexto tono” by Antonio de Cabezón and its partial textualisation by Melchior Franck (
Da pacem Domine
)
Stephan Schmitt
73-82
PDF
[de]
Antonio de Cabezón and the European instrumental music in the 16th and 17th century
Franz Körndle
83-98
PDF
[it]
The
Libro di ricercate a qvattro voci
(1575) by Rocco Rodio and some remarks on the relationship between Naples and Spain in the sixteenth century
Francesco Tasini
99-118
PDF
[es]
The
measure
in Hernando de Cabezón’s
Compendio de Musica
times
José V. González Valle
119-158
PDF
[de]
Ecclesiastical Tones versus Major-minor key. Juan Bermudo: performance Practice and Listening Habits in the 16
th
Century
Stephanie Klauk
159-170
PDF
[es]
Reflection on some problems of
Musica Ficta
in the music by Cabezón from
Vihuela
Sources
Miguel Bernal Ripoll
171-192
PDF
[es]
Fantasy or reality? The
vihuela
in the
Obras
of Cabezón
John Griffiths
193-214
PDF
[es]
A New Pattern for organ music: The Design of “measure and pitch” for an organ in Toledo’s Cathedral of 1584
Louis Jambou
215-224
PDF
[es]
Audire, tangere, mirari
. Notes on Cabezón’s
instrumentarium
Andrés Cea Galán
225-248
PDF
[it]
The characteristics of the Italian organs at the time of Antonio de Cabezón
Pier Paolo Donati
249-258
PDF
[es]
Antonio de Cabezón and the organ in the “New World”
Gustavo Delgado Parra
259-276
PDF
[es]
Glimpses of Cabezón: Some Reflections and the Novohispanic Reception of
Obras de Música
Gustavo Mauleón, Edward C. Pepe
277-294
PDF
[es]
Keyboard Performance Practice, between 16th and 21st Centuries
Luis Antonio González Marín, José Luis González Uriol
295-322
PDF
[es]
Colaboradores
Equipo Editorial
323-328
PDF
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eISSN:
1988-4125
ISSN-L:
0211-3538
DOI:
10.3989/anuariomusical
Language
English
Español (España)
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