Antonio de Cabezón, revisited
DOI:
https://doi.org/10.3989/anuariomusical.2014.69.158Keywords:
Antonio de Cabezon, 16th century, Keyboard, harp, vihuela, Philip II of Spain, Organ, Historical MusicologyAbstract
In 2010 we celebrated the fifth centenary of the birth of the great sixteenth-century Spanish musician, organist Philip II, Antonio de Cabezon. The present work aims to compile the history and meaning of his musical output again albeit briefly, while as a reminder and reflection background to his work raises at present (as discussed in the articles that follow it immediately), in an attempt to claim the best music for keyboard, harp and vihuela dating from the historic period of maximum splendor and projection in the Hispanic world.
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