Técnica dramática y retórica de las pasiones en el Tratado completo del arte del canto de Manuel García
DOI:
https://doi.org/10.3989/anuariomusical.2007.62.26Keywords:
Musical Treatises, Dramatical technique, Vocal technique, Rhetoric, Poetics, Affects, Passions, Manuel Garcia, Aristotelianism, CiceronianismAbstract
The history of European singing technique, from the Italian origins of the stile rappresentativo and the early Seicento musical drama to the heights of bel canto, seems inextricably related to the classical rhetorical and philosophical theories, later re-interpreted by the humanist and rationalist authors. Manuel García’s Tratado completo del arte del canto inherits this tradition and contributes to it with every single observation or musical example included in this eminently practical work.
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