The contributions of the music of George Fenton to the fi lms of Ken Loach
DOI:
https://doi.org/10.3989/anuariomusical.2017.72.13Keywords:
Ken Loach, George Fenton, film, music, leitmotif, Ladybird, Ldybird, The Angels’ ShareAbstract
Ken Loach is a high profile British film director. Since the mid 1960’s, he has made numerous films for cinema and television. There is already a lot written about his way of filming and yet very little is written about the music for his films. To be able to get inside the music of Ken Loach’s films, we must first talk about George Fenton as he has been Loach’s usual composer since 1994. The object of this article is to fill this gap: to discover what musical characteristics Fenton contributes to Loach’s cinema.
Downloads
References
Attenborough, R. (Film Director). (1993). Shadowlands [film] Attenborough, R. (Film Director). (1982) Gandhi. [film]
Bollaín, I. (1996). Ken Loach. Un observador solitario. Madrid: El País Aguilar.
Brand, N. (1998). Knowing the score. George Fenton. In Dramatic Notes: Foregrounding Music in the Dramatic Experience. (12 127). Luton, Bedfordshire, UK: Univ. of Luton Press.
Dridi, K. (Film Director). (1996). Citizen Ken Loach. [Film] PMCid:PMC2143444
Hill, J. (2011). Ken Loach. The Politics of Film and Television. London: BFI. https://doi.org/10.1007/978-1-349-92473-8
Hill, J. (1997). Interview with Ken Loach. In McKnight, G. (Ed.), The Agent of Challenge and Defiance. The Films of Ken Loach. Wiltshire: Flicks.
Jordan, N. (Film Director). (1984). The Company of Wolves. [film]
Leigh, J. (2002) Ladybird, Ladybird: a melodrama of protest. In The cinema of Ken Loach. Art in the service of the people (pp.150 161). London: Wallfl ower Press.
Les, R. E. E. D. (1968). Delilah: song.
Loach, K. (Film Director). (1965). Up the Junction in The Wednesday Play [documentary series]
Loach, K. (Film Director). (1966). Cathy Come Home in The Wednesday Play [documentary series]
Loach, K. (Film Director). (1994). Ladybird, Ladybird [film]
Loach, K. (Film Director). (2009). Looking for Eric [fim]
Loach, K. (Film Director). (2012). The Angels ? Share [film]
Macnab, G. (November 1994). Sight and sound. London: British Film Institute.
McKnight, G. (Ed.) (1997). The Agent of Challenge and Defiance. The Films of Ken Loach. Wiltshire: Flicks.
Mcroom, A. (1979). The Rose. The Rose [LP]
Munro, C. (November 1994). Sight and Sound. London: British Film Institute
Nitzsche, J., Sainte Marie, B. (1982). Up Where We Belong. BSO de An Officer and a Gentleman [LP].
Ortega, P. (1967). La Felicidad. Un Muchacho Como Yo [LP] Pearce, R. (1990). The long walk home [film]. Hollywood: Miramax.
Reid, C., Reid C. (1988). I'm Gonna Be: Song
Robinson, A. (January 1985). Music: music for jewel in the Crown. In American Cinematographer (pp. 83- 96). Los Angeles, Calif.: American Society of Cinematographers. PMid:3988974
Sánchez Escalonilla, A. (2001). Estrategias de guion cinematográfico. Barcelona: Ariel.
Tennant, A. (Film Director). (1999). Anna and the King. [film]
Zimmerman, J. (2010) Some Chords: Song.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Consejo Superior de Investigaciones Científicas (CSIC)

This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.





