Glimpses of Cabezón: Some Reflections and the Novohispanic Reception of Obras de Música
DOI:
https://doi.org/10.3989/anuariomusical.2014.69.173Keywords:
Antonio, Hernando, Cabezón, Obras de Música, Philip II of Spain, organ, organ building, New Spain (Mexico)Abstract
Commentaries and miscellaneous refl ections are offered on themes related to the keyboard musician and composer Antonio de Cabezón including the state of the organ in Europe and the Hispanic world in his time, the participation of his son Hernando in the compilation and fi nal editing of Obras de música para tecla, arpa y vihuela, and the nature and authorship of certain of the introductory sections. Also treated are the reception of Obras in New Spain in the 16th century, within a context of commercial distribution and cultural circulation of theoretical-practical music texts that extended into the 17th century, especially of instrumental music.
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Published
2014-12-30
How to Cite
Mauleón, G., & Pepe, E. C. (2014). Glimpses of Cabezón: Some Reflections and the Novohispanic Reception of Obras de Música. Anuario Musical, (69), 277–294. https://doi.org/10.3989/anuariomusical.2014.69.173
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