Felipe II y Felipe III como patronos musicales
DOI:
https://doi.org/10.3989/anuariomusical.1998.i53.277Abstract
A reflection is made about the concept of musical patronage and about its extent in the Spanish court envioronment of the Habsburg monarchy taking into account the different institutional establishments and the sonorous environments conformed by them. Through the interrelation between such establishments and the monarch image different models of patronage appear: a) the one of Philip II, without a strong parsonal interest, but with a close attirude towards the institutional organization; b) the one of Philip III, personally implied in musical activity, which prompts the institution being conformed and reshaped by the monarch musical tastes.
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