Music or Magic? The Presentation of Maurice Martenot Musical Waves in Spain
DOI:
https://doi.org/10.3989/anuariomusical.2015.70.09Keywords:
Musical instruments, electronics, waves, Martenot, ether, Andrés Gaos, music criticismAbstract
On 1928, the French musician Maurice Martenot presented at Paris Opera a new electronic musical instrument which he called musical waves. It had success like only a few and attracted the interest of the composers, Martenot strove to spread it with a initial tour that took it all around the world between 1931 and 1932. From the information given by the press –because there are not more references– this article aims to rebuild the presentation of the instrument in Spain all along 1932, to report about the reception by the review and to justify the mystery that involved the instrument because of its unknown electronic running and its performance only with the hands movement on the air.
Downloads
References
Aracil, Alfredo, Música sobre máquinas y máquinas musicales. Desde Arquímedes a los medios electroacústicos. Madrid, Fundación Juan March, 1984.
Arnaus, Ángels, "Maurice Martenot", en: Díaz, M. y Giráldez, A. (coords.): Aportaciones teóricas y metodológicas a la educación musical: Una selección de autores relevantes. Barcelona, Grao, 2007, 55-62.
Bloch, Thomas, The Ondes Martenot. Naxos, 2004. [Booklet del CD de Thomas Bloch "Music for ondes Martenot" (ref.: Naxos 8.555779)].
Brice, R., Music engineering: the electronics of playing and recording. Newnes, Butterworth-Heinemann, 2012.
Cage, John, Silence. Madrid, Árdora, 2007.
Cox, Christoph y Warner, Daniel, Audio culture. Readings in modern music. New York, Continuum, 2008.
Gil Noé, José Vicente, "Haciendo historia. Una ¿genealogía? de la experimentación musical y sonora valenciana. 1922-1983", en: Barber, Ll.; Palacios, M.; Molina, M., et al.: 100 años de arte sonoro valenciano. Valencia, Universitat Politècnica de València, 2013, 94-116.
Glinski, Albert, Theremin: ether music and espionage. Chicago, University of Illinois Press, 2000.
González de Posada, Francisco, "Reflexiones en torno al éter", Anales de la Real Academia Nacional de Medicina. Madrid, Real Academia Nacional de Medicina, 2001, Tomo CXVIII-cuaderno 1, 43-72.
Holmes, Thom, Electronic and Experimental Music: pioneers in Technology and Composition. New York, Routledge, 2002.
Holmes, Thom, Electronic and Experimental Music: Technology, Music and Culture. New York, Routledge, 2008.
Lanza, Andrea, Historia de la música. Vol. 12, "El siglo XX". Madrid, Turner, 1986.
Marco, Tomás, Historia de la música española. Vol. VI, "El siglo XX". Madrid, Alianza Música, 1983.
Marco, Tomás, Pensamiento musical y siglo XX. Madrid, Fundación Autor, 2002.
Prieberg, Fred K., Música y máquina. Barcelona, Zeus, 1964.
Randel, Don (ed.), Diccionario Harvard de Música. Madrid, Alianza, 2001.
Sapena, Sergio, La Sociedad Filarmónica de Valencia (1911-1945): origen y consolidación. Valencia, Tesis doctoral inédita, 2007.
Scholes, Percy A., Diccionario Oxford de la Música. Volumen II. Barcelona, Edhasa, 1984.
Taruskin, Richard, Music in the Late Twentieth Century. New York, Oxford University Press, 2010.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Consejo Superior de Investigaciones Científicas (CSIC)
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the printed and online versions of this Journal are the property of Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.All contents of this electronic edition, except where otherwise noted, are distributed under a “Creative Commons Attribution 4.0 International” (CC BY 4.0) License. You may read here the basic information and the legal text of the license. The indication of the CC BY 4.0 License must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the published by the Editor, is not allowed.