Basque People also Dance. Experimentation and Conflict Around Electronic Music in the Basque Country
DOI:
https://doi.org/10.3989/anuariomusical.2019.74.06Keywords:
Music, Dj, rave, subculture, bakalao, Basque Country, counterculture, electronic music, young culturesAbstract
This paper explores the scenes around electronic music in the Basque Country in relation with the alternative rock scenes. In fact, in the last fifty years, the Basque Country has witnessed major counterculture phenomena. In the 1990s, this countercultural identity and spaces were consolidated, which also originated a symbolic and aesthetic closure around rock music. Thus, the aesthetic experimentation generated some conflicts in these spaces. This paper explores the cultural experimentation around the margins of these contracultural framing and spaces, combining the analysis of interviews and that of the context. In fact, we analyze the Basque scenes around electronic music: from bakalao music of the 1990’s, to the Dj scenes in the 21st century.
Downloads
References
Amezaga Albisu, Josu. Herri kultura: Euskal Kultura eta Kultura popularrak. Leioa: UPV-EHU, 1995.
Bennett, Andy y Keith Kahn-Harris, eds. After Subculture. Critical Studies in Contemporary Youth Culture. Londres: Palgrave, 2004. https://doi.org/10.1007/978-0-230-21467-5
Bennett, Andy y Richard A. Peterson, eds. Music Scenes. Local, Translocal and Virtual. Nashville: Vanderbilt University Press, 2004.
Bennett, Andy. "The post-subcultural turn: some reflections 10 years on". Journal of Youth Studies, 14/5 (2011), pp. 493- 506. https://doi.org/10.1080/13676261.2011.559216
CEIC. Hacia una nueva cultura de la identidad y la política. Tendencias en la juventud vasca. Vitoria-Gasteiz: Servicio Central de Publicaciones del Gobierno Vasco, 2005.
Cohen, Phil. Sub-Cultural Conflict and Working Class Community. Working Papers in Cultural Studies, 2. Birmingham: University of Birmingham, 1972. Publicado también más tarde por el mismo autor en su libro Rethinking the Youth Question. Londres: Palgrave, 1997; capítulo 2: "Subcultural Conflict and Working-class Community". https://doi.org/10.1007/978-1-349-25390-6_3
De Nora, Tia. Music in Everyday Life. Cambridge: Cambridge University Press, 2000.
Del Amo Castro, Ion Andoni. "¿Es que siempre hay que decir algo y decirlo bien? Conservadurismo y experimentación en la contracultura vasca." En IS Working Papers 3.ª Série 42. Oporto: Instituto de Sociología Universidade do Porto, 2016.
Del Amo Castro, Ion Andoni. Party & Borroka. Jóvenes, músicas y conflictos en Euskal Herria. Tafalla: Txalaparta, 2016.
Del Amo Castro, Ion Andoni, Arkaitz Letamendia Onzain y Jason Diaux González. "¿El declive del significado social de la música?". Revista Crítica de Ciências Sociais, 109 (2016), pp. 11-32. https://doi.org/10.4000/rccs.6189
Eyerman, Ron, y Andrew Jamison. Music and Social Movements. Cambridge: Cambridge University Press, 1998. https://doi.org/10.1017/CBO9780511628139
Feixa, Carles y Jordi Nofre. "Culturas juveniles". Sociopedia. isa, 2012.
Fontaine, Astrid y Caroline Fontana. Raver. París: Anthropos, 1996.
Gilbert, Jeremy y Ewan Pearson. Cultura y políticas de la música dance. Barcelona: Paidós, 2003.
Gill, John. Queer Noises: Male and Female Homosexuality in Twentieth-Century Music. Londres: Cassell, 1995.
Griffin, Christine Elisabeth. "The trouble with class: researching youth, class and culture beyond the 'Birmingham School'". Journal of Youth Studies, 14/3 (2010), pp. 245- 259. https://doi.org/10.1080/13676261.2010.533757
Hall, Stuart, y Tony Jefferson, eds. Resistance Through Rituals: Youth Subcultures in Post-war Britain. Londres y Nueva York: Routledge, 2006. https://doi.org/10.4324/9780203357057
Hebdige, Dick. Subcultura. El significado del estilo. Barcelona: Paidós, 2004.
Herreros, Roberto e Isidro López. El estado de las cosas de Kortatu. Lucha, fiesta y guerra sucia. Madrid: Lengua de trapo, 2013.
Hesmondhalgh, David. "Subcultures, Scens or Tribes? None of the Above". Journal of Youth Studies, 8/1 (2005), pp. 21- 40. https://doi.org/10.1080/13676260500063652
Hodkinson, Paul y Wolfgang Deicke, eds. Youth Cultures. Scenes, Subcultures and Tribes. Nueva York y Londres: Routledge, 2007. https://doi.org/10.4324/9780203941737
Kyrou, Ariel. Techno Rebelde. Un siglo de músicas electrónicas. Madrid: Traficantes de sueños, 2006.
Lahusen, Christian. "The aesthetic of radicalism: the relationship between punk and the patriotic nationalist movement of the Basque country". Popular Music, 12/2 (1993), pp. 263- 280. https://doi.org/10.1017/S0261143000005717
Larrinaga Arza, Josu. Euskal musika kosmikoak. Euskal musika popularra gizartearen isla eta aldatzailea. Mungia: Baga-biga, 2016.
Lasén Díaz, Amparo. "Notas de felicidad extrema". Papeles del CEIC, 9 (2003).
Leste, Eduardo. "Memoria y nostalgia en la industria cultural: el caso de la música electrónica". Tesis doctoral, Universidad Complutense de Madrid, 2018.
Maffesoli, Michel. "Dans l'extase des raves". Libération, 23 de agosto de 2001.
Moso, Roberto. Flores en la basura. Los días del Rock Radikal. Algorta: Hilargi Ediciones, 2004.
Muggleton, David y Rupert Weinzierl, eds. The Post-Subcultural Reader. Oxford: Berg, 2003.
Muggleton, David. "From classlessness to clubculture. A geneaology of post-war British youth cultural analysis". Young, 12/2 (2010), pp. 205-19. https://doi.org/10.1177/1103308805051322
Pascual, Jakue. "Movimiento de resistencia juvenil en los años ochenta en Euskal Herria". Tesis doctoral, Universidad del País Vasco / Euskal Herriko Unibertsitatea (UPV-EHU), 2010.
Redhead, Steve et al, eds. The Clubcultures Reader. Oxford y Malden: Blackwell, 1997.
Reynolds, Simon. "Prefacio". En Loops. Una historia de la música electrónica, coordinado por J. Blazquez y O. Morera. Barcelona: Reservoir Books. Mondadori, 2002, pp. 15-37.
Reynolds, Simon. Energy Flash. Barcelona: Contra, 2014.
Sáenz de Viguera Erkiaga, Luis. "Dena ongi dabil! ¡Todo va dabuten! Tensión y heterogeneidad de la cultura radical vasca en el límite del estado democrático (1978-…)". Tesis doctoral, Duke University, 2007. Consultado el 30 de diciembre de 2017 en el Duke Space http://dukespace. lib.duke.edu/dspace/handle/10161/390.
Shildrick, Tracy y Robert MacDonald. "In Defence of Subculture: Young People, Leisure and Social Divisions". Journal of Youth Studies, 9/2 (2006), pp. 125-40. https://doi.org/10.1080/13676260600635599
St John, Graham, ed. Rave Culture and Religion. Londres: Routledge, 2004. https://doi.org/10.4324/9780203507964 PMCid:PMC1470892
Thornton, Sarah. Club Cultures. Music, Media and Subcultural Capital. Cambridge: Polity, 1995.
Urla, Jacqueline. "We are all Malcolm X!: Negu Gorriak, Hip- Hop and the Basque political imaginary". En Global Noise: Rap and hip-hop outside the USA, editado por T. Mitchell. Middletown: Wesleyan University Press, 2001, pp. 171-193.
Zallo, Ramón. "Camus Bergareche, Bruno: Para entender la cultura vasca". Revista Internacional de los Estudios Vascos, RIEV, 58/1 (2013), pp 227-236.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.
