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	<front>
		<journal-meta>
			<journal-id journal-id-type="publisher-id">AMUS</journal-id>
			<journal-title-group>
				<journal-title>Anuario Musical</journal-title>
				<abbrev-journal-title abbrev-type="publisher">Anu. music.</abbrev-journal-title>
			</journal-title-group>
			<issn publication-format="print">0211-3538</issn>
			<issn publication-format="electronic">1988-4125</issn>
			<publisher>
				<publisher-name>Consejo Superior de Investigaciones Cient&#xed;ficas</publisher-name>
			</publisher>
		</journal-meta>
		<article-meta>
			<article-id pub-id-type="publisher-id">anuariomusical.2025.80.637</article-id>
			<article-id pub-id-type="doi">10.3989/anuariomusical.2025.80.637</article-id>
			<article-categories>
				<subj-group subj-group-type="heading">
					<subject>Noticias de la Redacci&#xf3;n</subject>
				</subj-group>
				<subj-group subj-group-type="category-toc-heading">
					<subject>Noticias sobre documentaci&#xf3;n y publicaciones dirigidas desde el &#xe1;rea de musicolog&#xed;a de la IMF-CSIC</subject>
				</subj-group>
			</article-categories>
			<title-group>
				<article-title>Donaci&#xf3;n de la Biblioteca de Manuel Garc&#xed;a Matos (1912-1974) a la IMF-CSIC e inventario de su contenido</article-title>
			</title-group>
			<contrib-group>
				<contrib contrib-type="author">
					<name>
						<surname>Ros-F&#xe1;bregas</surname>
						<given-names>Emilio</given-names>
					</name>
					<aff id="aff-1-637">
						<institution content-type="institute">IMF</institution>
						<institution content-type="council">CSIC</institution>
						<addr-line>Barcelona</addr-line>
						<country country="ES">Espa&#xf1;a</country>
					</aff>
				</contrib>
			</contrib-group>
			<pub-date pub-type="epub">
				<day>19</day>
				<month>01</month>
				<year>2026</year>
			</pub-date>
			<pub-date pub-type="collection">
				<day>30</day>
				<month>12</month>
				<year>2025</year>
			</pub-date>
			<issue>80</issue>
			<elocation-id>637</elocation-id>
			<permissions>
				<copyright-statement>&#xa9; 2025 CSIC</copyright-statement>
				<copyright-year>2025</copyright-year>
				<license license-type="open-access" xlink:href="https://creativecommons.org/licenses/by/4.0/">
					<license-p>Este es un art&#xed;culo de acceso abierto distribuido bajo los t&#xe9;rminos de la licencia de uso y distribuci&#xf3;n Creative Commons Reconocimiento 4.0 Internacional (CC BY 4.0).</license-p>
				</license>
			</permissions>
			<self-uri xlink:href="https://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/XXXX/XXXX"/>
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				<fig-count count="2"/>
				<table-count count="0"/>
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				<ref-count count="0"/>
				<page-count count="31"/>
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		</article-meta>
	</front>
	<body>
		<p>A principios de 2025 la familia del conocido folclorista Manuel Garc&#xed;a Matos (1912-1974) contact&#xf3; con la IMF-CSIC para expresar el deseo de donar a esta instituci&#xf3;n la biblioteca personal de dicho investigador. Garc&#xed;a Matos tuvo una estrecha relaci&#xf3;n con el antiguo Instituto Espa&#xf1;ol de Musicolog&#xed;a del CSIC en Barcelona con motivo de las &#xab;misiones folcl&#xf3;ricas&#xbb; organizadas entre 1944 y 1960 para recoger repertorio de tradici&#xf3;n oral por toda Espa&#xf1;a; los materiales que recogi&#xf3; Garc&#xed;a Matos, catalogados y digitalizados, pueden consultarse en la web del <italic>Fondo de M&#xfa;sica Tradicional IMF-CSIC</italic> (<italic>FMT</italic>): <ext-link ext-link-type="uri" xlink:href="https://musicatradicional.imf.csic.es/es/researcher/27" id="exl-1-637">https://musicatradicional.imf.csic.es/es/researcher/27</ext-link>. La aceptaci&#xf3;n oficial de la donaci&#xf3;n por parte del CSIC fue firmada el pasado 3 de junio de 2025, y desde entonces la biblioteca Garc&#xed;a Matos en la IMF-CSIC ha pasado a formar parte del Inventario General de Bienes Hist&#xf3;rico-Culturales del CSIC. </p>
		<p>La biblioteca de Garc&#xed;a Matos, de enorme inter&#xe9;s cient&#xed;fico, est&#xe1; integrada por 758 libros, 313 fasc&#xed;culos de revistas, 651 partituras, 382 discos y documentaci&#xf3;n diversa directamente relacionada con temas de inter&#xe9;s musicol&#xf3;gico: folclore, cancioneros, bailes y danzas tradicionales, flamenco, instrumentos musicales, etnolog&#xed;a y antropolog&#xed;a. La donaci&#xf3;n de los materiales de Manuel Garc&#xed;a Matos, conservados por su familia, es de particular inter&#xe9;s para el estudio y mejor conocimiento de la extraordinaria labor desarrollada por el propio investigador y su relaci&#xf3;n con el CSIC, y constituye adem&#xe1;s un material cient&#xed;fico de gran valor para las tareas desarrolladas en torno al Fondo de M&#xfa;sica Tradicional de la IMF-CSIC. Siguiendo el deseo de la familia, esta biblioteca y los documentos vinculados a ella mantendr&#xe1;n su unidad en la IMF-CSIC y han sido instalados en el despacho 309B de la instituci&#xf3;n para su catalogaci&#xf3;n. Los materiales in&#xe9;ditos ser&#xe1;n incorporados progresivamente en acceso abierto a la web del Fondo de M&#xfa;sica Tradicional. Presentamos a continuaci&#xf3;n un primer inventario de esta importante colecci&#xf3;n.</p>
		<sec id="sec-1-637">
			<title>Impresos - Libros</title>
			<p>Colecci&#xf3;n de 758 libros relativos a temas musicol&#xf3;gicos -folclore (cancioneros, bailes y danzas folcl&#xf3;ricas), organolog&#xed;a-, de etnolog&#xed;a y antropolog&#xed;a.</p>
			<table-wrap id="taw-1-637">
				<table>
					<colgroup>
						<col/>
						<col/>
						<col/>
						<col/>
						<col/>
					</colgroup>
					<thead>
						<tr>
							<th align="left">N.&#xba;</th>
							<th align="left">Autor</th>
							<th align="left">A&#xf1;o</th>
							<th align="left">Editorial</th>
							<th align="left">T&#xed;tulo</th>
						</tr>
					</thead>
					<tbody>
						<tr>
							<td align="left">1</td>
							<td align="left">Louis, Maurice A.L.</td>
							<td align="left">1965</td>
							<td align="left">Maisonneuve et Larose, Paris</td>
							<td align="left">Danses Populaires et Ballets d&#x2019;Opera</td>
						</tr>
						<tr>
							<td align="left">2</td>
							<td align="left">Louis, Maurice A.L.</td>
							<td align="left">1965</td>
							<td align="left">Maisonneuve et Larose, Paris</td>
							<td align="left">Le Folklore et la Danse</td>
						</tr>
						<tr>
							<td align="left">3</td>
							<td align="left">Sachs, Curt</td>
							<td align="left">1943</td>
							<td align="left">Ediciones Centuri&#xf3;n. Buenos Aires</td>
							<td align="left">Historia Universal de la Danza</td>
						</tr>
						<tr>
							<td align="left">4</td>
							<td align="left">Prudhommeau, Germaine</td>
							<td align="left">1965</td>
							<td align="left">Centre National de la Recherche Scientifique. Paris</td>
							<td align="left">La Danse Grecque Antique. Tomo I</td>
						</tr>
						<tr>
							<td align="left">5</td>
							<td align="left">Prudhommeau, Germaine</td>
							<td align="left">1965</td>
							<td align="left">Centre National de la Recherche Scientifique</td>
							<td align="left">La Danse Grecque Antique. Tomo II</td>
						</tr>
						<tr>
							<td align="left">6</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">1956</td>
							<td align="left">Ricordi-Americana Buenos Aires</td>
							<td align="left">El origen de las danzas folkl&#xf3;ricas</td>
						</tr>
						<tr>
							<td align="left">7</td>
							<td align="left">Capmany, Aureli</td>
							<td align="left">1930</td>
							<td align="left">Edit. Barcino. Barcelona</td>
							<td align="left">La dansa a Catalunya. Vol. I</td>
						</tr>
						<tr>
							<td align="left">8</td>
							<td align="left">Capmany, Aureli</td>
							<td align="left">1930</td>
							<td align="left">Edit. Barcino. Barcelona</td>
							<td align="left">La dansa a Catalunya. Vol. II</td>
						</tr>
						<tr>
							<td align="left">9</td>
							<td align="left">Ambrose, Kay</td>
							<td align="left">1965</td>
							<td align="left">London</td>
							<td align="left">Classical Dances &amp; Costumes of India</td>
						</tr>
						<tr>
							<td align="left">10</td>
							<td align="left">Jobit, Pierre</td>
							<td align="left">1954</td>
							<td align="left">Edit. Du Tambourinaire. Paris</td>
							<td align="left">Le ballet des Six, (El Baile de los Seises)</td>
						</tr>
						<tr>
							<td align="left">11</td>
							<td align="left">Dufresne, Jean</td>
							<td align="left">1945</td>
							<td align="left">Edit. Anaquel, Buenos Aires</td>
							<td align="left">Los estilos en el Ballet</td>
						</tr>
						<tr>
							<td align="left">12</td>
							<td align="left">Mille, Agnes de</td>
							<td align="left">1964</td>
							<td align="left">Edit. Flamari&#xf3;n. Paris</td>
							<td align="left">L&#x2019;Ame de la Danse</td>
						</tr>
						<tr>
							<td align="left">13</td>
							<td align="left">Castellanos de Losada, Basilio S.</td>
							<td align="left">1854</td>
							<td align="left">Imp. Antonio P&#xe9;rez Dubrull, Madrid</td>
							<td align="left">Discursos sobre la m&#xfa;sica y el baile espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">14</td>
							<td align="left">Capmany, Aurelio</td>
							<td align="left">1931</td>
							<td align="left">Edit. Alberto Mart&#xed;n. Barcelona</td>
							<td align="left">El baile y la danza</td>
						</tr>
						<tr>
							<td align="left">15</td>
							<td align="left">Arte de Baylar. Traducido por Gregorio Sanz</td>
							<td align="left">1791</td>
							<td align="left">Imprenta de Sancha. Madrid</td>
							<td align="left">Arte de Baylar</td>
						</tr>
						<tr>
							<td align="left">16</td>
							<td align="left">Lamartini&#xe8;re Honorat, Michel</td>
							<td align="left">1955</td>
							<td align="left">Port-au Prince, Haiti</td>
							<td align="left">Les Danses Folkloriques Haitiennes</td>
						</tr>
						<tr>
							<td align="left">17</td>
							<td align="left">Puig, Claramunt, Alfonso</td>
							<td align="left">1964</td>
							<td align="left">Edit. Montaner y Sim&#xf3;n, Barcelona</td>
							<td align="left">Ballet y Baile Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">18</td>
							<td align="left">Mulet, Antonio</td>
							<td align="left">1956</td>
							<td align="left">Imp. Moss&#xe8;n Alcover. Palma de Mallorca</td>
							<td align="left">El baile popular en Mallorca</td>
						</tr>
						<tr>
							<td align="left">19</td>
							<td align="left">Vaillat, L&#xe9;andre</td>
							<td align="left">1942</td>
							<td align="left">Libraire Plon. Paris</td>
							<td align="left">Histoire de la Danse</td>
						</tr>
						<tr>
							<td align="left">20</td>
							<td align="left">Nadejdina</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">B&#xe9;irozka Danse (Ensemble de danses folkloriques russes)</td>
						</tr>
						<tr>
							<td align="left">21</td>
							<td align="left">Mart&#xed;, Samuel</td>
							<td align="left">1961</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Canto, danza y m&#xfa;sica precolombinas</td>
						</tr>
						<tr>
							<td align="left">22</td>
							<td align="left">&#xa0;</td>
							<td align="left">1807</td>
							<td align="left">Barcelona</td>
							<td align="left">Danza de la Muerte</td>
						</tr>
						<tr>
							<td align="left">23</td>
							<td align="left">Monsalvatje y Castany, Jorge</td>
							<td align="left">1895</td>
							<td align="left">Imp. Juan Bonet. Olot</td>
							<td align="left">La Sardana; su historia...</td>
						</tr>
						<tr>
							<td align="left">24</td>
							<td align="left">Capmany, Aurelio</td>
							<td align="left">1922</td>
							<td align="left">Edit. Pol&#xed;glota. Barcelona</td>
							<td align="left">El Contrap&#xe1;s</td>
						</tr>
						<tr>
							<td align="left">25</td>
							<td align="left">Schneider, Marius</td>
							<td align="left">1948</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La danza de espadas y la tarantela</td>
						</tr>
						<tr>
							<td align="left">26</td>
							<td align="left">Larrea Palacin, Arcadio de</td>
							<td align="left">1952</td>
							<td align="left">Editorial Marroqu&#xed;, Tetu&#xe1;n</td>
							<td align="left">El Dance aragon&#xe9;s y las representaciones de moros y cristianos</td>
						</tr>
						<tr>
							<td align="left">27</td>
							<td align="left">Reyna, Ferdinando</td>
							<td align="left">1965</td>
							<td align="left">Ediciones Daimon. Madrid</td>
							<td align="left">Historia del Ballet</td>
						</tr>
						<tr>
							<td align="left">28</td>
							<td align="left">Capmany, Aureli</td>
							<td align="left">1948</td>
							<td align="left">Edit. Mill&#xe0;, Barcelona</td>
							<td align="left">El ball i la dansa popular a Catalunya</td>
						</tr>
						<tr>
							<td align="left">29</td>
							<td align="left">Galanti, Bianca Maria</td>
							<td align="left">1952</td>
							<td align="left">Edizione Italiane. Roma</td>
							<td align="left">La Danza della spada in Italia</td>
						</tr>
						<tr>
							<td align="left">30</td>
							<td align="left">Jorda, Enrique</td>
							<td align="left">1978</td>
							<td align="left">La Gran Enciclopedia Vasca, Bilbao</td>
							<td align="left">De canciones, danzas y m&#xfa;sicos del Pa&#xed;s Vasco</td>
						</tr>
						<tr>
							<td align="left">31</td>
							<td align="left">Comes, Juan Bautista</td>
							<td align="left">1952</td>
							<td align="left">Instituto Valenciano de Musicolog&#xed;a. Valencia</td>
							<td align="left">Danzas del Sant&#xed;simo Corpus Cristi</td>
						</tr>
						<tr>
							<td align="left">32</td>
							<td align="left">Noverre, Juan Jorge</td>
							<td align="left">1946</td>
							<td align="left">Ediciones Centuri&#xf3;n. Buenos Aires</td>
							<td align="left">Cartas sobre la danza y sobre los ballets</td>
						</tr>
						<tr>
							<td align="left">33</td>
							<td align="left">Moraleda y Esteban, Juan</td>
							<td align="left">1911</td>
							<td align="left">Gutemberg, Imp. Toledo</td>
							<td align="left">Los Seises de la Catedral de Toledo</td>
						</tr>
						<tr>
							<td align="left">34</td>
							<td align="left">Karsavina, Tamara</td>
							<td align="left">1953</td>
							<td align="left">Edit. Schapire, Buenos Aires</td>
							<td align="left">Los ballets rusos</td>
						</tr>
						<tr>
							<td align="left">35</td>
							<td align="left">Z&#xfa;garo, Roberto E.</td>
							<td align="left">1969</td>
							<td align="left">Buenos Aires</td>
							<td align="left">Gu&#xed;a para la ense&#xf1;anza de las danzas en la escuela primaria</td>
						</tr>
						<tr>
							<td align="left">36</td>
							<td align="left">Capmany, Aureli</td>
							<td align="left">1948</td>
							<td align="left">Montaner i Sim&#xf3;n, S.A. Barcelona</td>
							<td align="left">La Sardana a Catalunya</td>
						</tr>
						<tr>
							<td align="left">37</td>
							<td align="left">Humphrey, Doris</td>
							<td align="left">1965</td>
							<td align="left">Edit. Eudeba. Buenos Aires</td>
							<td align="left">El arte de crear danzas</td>
						</tr>
						<tr>
							<td align="left">38</td>
							<td align="left">Lifar, Serge</td>
							<td align="left">1943</td>
							<td align="left">Pierre Lagrange</td>
							<td align="left">Terpsicore dans le cortege des Muses</td>
						</tr>
						<tr>
							<td align="left">39</td>
							<td align="left">Etxebarria y Goiri, J.L.</td>
							<td align="left">1969</td>
							<td align="left">Edit. Vizcaina, S.A. Bilbao</td>
							<td align="left">Danzas de Vizcaya</td>
						</tr>
						<tr>
							<td align="left">40</td>
							<td align="left">Ribera y Tarrag&#xf3;, Juli&#xe1;n</td>
							<td align="left">1928</td>
							<td align="left">Inst&#xb0;. Valencia de don Juan. Madrid</td>
							<td align="left">La m&#xfa;sica de la jota aragonesa</td>
						</tr>
						<tr>
							<td align="left">41</td>
							<td align="left">Aragon&#xe9;s Subero, Antonio</td>
							<td align="left">1973</td>
							<td align="left">Instituci&#xf3;n Marques de Santillana. Guadalajara</td>
							<td align="left">Danzas, rondas y m&#xfa;sica popular de Guadalajara</td>
						</tr>
						<tr>
							<td align="left">42</td>
							<td align="left">Lifar, Serge</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">La Danza</td>
						</tr>
						<tr>
							<td align="left">43</td>
							<td align="left">Lifar, Serge</td>
							<td align="left">1955</td>
							<td align="left">Escelicer, S.A. Madrid</td>
							<td align="left">Danza Acad&#xe9;mica</td>
						</tr>
						<tr>
							<td align="left">44</td>
							<td align="left">Franks, A.H.</td>
							<td align="left">1955</td>
							<td align="left">Edit. A.H.R. Barcelona</td>
							<td align="left">El ballet en el siglo XX</td>
						</tr>
						<tr>
							<td align="left">45</td>
							<td align="left">Lifar, Serge</td>
							<td align="left">1947</td>
							<td align="left">Ediciones Siglo XX. Buenos Aires</td>
							<td align="left">La Danza</td>
						</tr>
						<tr>
							<td align="left">46</td>
							<td align="left">Cosentino, Elbio</td>
							<td align="left">1967</td>
							<td align="left">&#xa0;</td>
							<td align="left">Nueva forma de la Escuela Cl&#xe1;sica del ballet</td>
						</tr>
						<tr>
							<td align="left">47</td>
							<td align="left">Nettl, Paul</td>
							<td align="left">1966</td>
							<td align="left">Payot, Paris</td>
							<td align="left">Histoire de la Danse et de la musique de Ballet</td>
						</tr>
						<tr>
							<td align="left">48</td>
							<td align="left">Dumond, Theodor</td>
							<td align="left">1954</td>
							<td align="left">Edit. Fama. Barcelona</td>
							<td align="left">El Ballet: historia, evoluci&#xf3;n y t&#xe9;cnica</td>
						</tr>
						<tr>
							<td align="left">49</td>
							<td align="left">Ghi, Deny, y Dasseville, Luc</td>
							<td align="left">1970</td>
							<td align="left">Edit. Marabout Service. Verviers (B&#xe9;lgica)</td>
							<td align="left">Toutes les Danses</td>
						</tr>
						<tr>
							<td align="left">50</td>
							<td align="left">Friedrich Regner, Otto</td>
							<td align="left">1965</td>
							<td align="left">Edit. Universitaria. Buenos Aires</td>
							<td align="left">El nuevo libro del Ballet</td>
						</tr>
						<tr>
							<td align="left">51</td>
							<td align="left">Kriner, Dora, y Garc&#xed;a Morillo, Roberto</td>
							<td align="left">1948</td>
							<td align="left">Edic. Centuri&#xf3;n. Buenos Aires</td>
							<td align="left">Estudios sobre Danza</td>
						</tr>
						<tr>
							<td align="left">52</td>
							<td align="left">Caballero Donald, Jos&#xe9; M&#xaa;</td>
							<td align="left">1957</td>
							<td align="left">Edit. Noguer. Barcelona</td>
							<td align="left">El baile andaluz</td>
						</tr>
						<tr>
							<td align="left">53</td>
							<td align="left">Andresco, Victor</td>
							<td align="left">1954</td>
							<td align="left">Edit. Alambra, S.A. Madrid</td>
							<td align="left">Historia del ballet ruso</td>
						</tr>
						<tr>
							<td align="left">54</td>
							<td align="left">Nettl, Paul</td>
							<td align="left">1945</td>
							<td align="left">Espasa Calpe, S.A. Argentina</td>
							<td align="left">La m&#xfa;sica en la danza</td>
						</tr>
						<tr>
							<td align="left">55</td>
							<td align="left">Rameau, Jean Philippe</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edic. Centuri&#xf3;n. Buenos Aires</td>
							<td align="left">El maestro de danza</td>
						</tr>
						<tr>
							<td align="left">56</td>
							<td align="left">Sakharoff, Alejandro</td>
							<td align="left">1949</td>
							<td align="left">Emec&#xe9; Editores. Buenos Aires</td>
							<td align="left">Reflexiones sobre la danza y la m&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">57</td>
							<td align="left">Michel, George Michel</td>
							<td align="left">1923</td>
							<td align="left">Edit. Du Monde Nouveau. Par&#xed;s</td>
							<td align="left">Ballets Rusos</td>
						</tr>
						<tr>
							<td align="left">58</td>
							<td align="left">Vicenta Arnal, J</td>
							<td align="left">1953</td>
							<td align="left">CSIC, Madrid</td>
							<td align="left">Teatro y Danza en el Jap&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">59</td>
							<td align="left">Itzueta, Juan Ignacio de</td>
							<td align="left">1968</td>
							<td align="left">Edit. La Gran Enciclopedia Vasca. Bilbao</td>
							<td align="left">Danzas de Guip&#xfa;zcoa</td>
						</tr>
						<tr>
							<td align="left">60</td>
							<td align="left">&#xa0;</td>
							<td align="left">1946</td>
							<td align="left">Emec&#xe9; Editores, S.A. Buenos Aires</td>
							<td align="left">Gu&#xed;a del Ballet</td>
						</tr>
						<tr>
							<td align="left">61</td>
							<td align="left">Borrull, Trina</td>
							<td align="left">1965</td>
							<td align="left">Meseguer Editor. Barcelona</td>
							<td align="left">La Danza Espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">62</td>
							<td align="left">Esquivel Navarro, Juan</td>
							<td align="left">1947</td>
							<td align="left">&#xa0;</td>
							<td align="left">Discurso sobre el arte del Danzado (1642) (ejemplar facs&#xed;mil)</td>
						</tr>
						<tr>
							<td align="left">63</td>
							<td align="left">Esmeralda, Lucrecia</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. La Vida Literaria. Barcelona</td>
							<td align="left">El arte de la Danza</td>
						</tr>
						<tr>
							<td align="left">64</td>
							<td align="left">L&#xf3;pez Moya, Diego</td>
							<td align="left">&#xa0;</td>
							<td align="left">Establecimiento Tipogr&#xe1;fico J. Yag&#xfc;es. Madrid</td>
							<td align="left">La Argentinita</td>
						</tr>
						<tr>
							<td align="left">65</td>
							<td align="left">Z&#xe1;rate, Nicasio de</td>
							<td align="left">1742</td>
							<td align="left">Imprenta y Lib de Manuel Fern&#xe1;ndez. Madrid</td>
							<td align="left">Bailes Mal Defendidos, y Se&#xf1;or sin Razon Impugnado</td>
						</tr>
						<tr>
							<td align="left">66</td>
							<td align="left">Paula Valladar, Francisco de</td>
							<td align="left">1886</td>
							<td align="left">Imp. De la Lealtad Granada</td>
							<td align="left">Fiestas del Corpus en Granada</td>
						</tr>
						<tr>
							<td align="left">67</td>
							<td align="left">Levinson, Andr&#xe9;</td>
							<td align="left">1924</td>
							<td align="left">Librairie Bloud, Paris</td>
							<td align="left">La Danse au Th&#xe9;atre</td>
						</tr>
						<tr>
							<td align="left">68</td>
							<td align="left">Sorley Walker, Kathrine</td>
							<td align="left">1963</td>
							<td align="left">Edit. Ler&#xfa;, S.A. Argentina</td>
							<td align="left">La danza y sus creadores</td>
						</tr>
						<tr>
							<td align="left">69</td>
							<td align="left">Marrero Suarez, Victor</td>
							<td align="left">1952</td>
							<td align="left">Edit. Esplandian. Esplandian</td>
							<td align="left">El acierto de la danza espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">70</td>
							<td align="left">Otero, Jos&#xe9;</td>
							<td align="left">1912</td>
							<td align="left">&#xa0;</td>
							<td align="left">Tratado de Bailes</td>
						</tr>
						<tr>
							<td align="left">71</td>
							<td align="left">Garrido, Pablo</td>
							<td align="left">1943</td>
							<td align="left">Edic. Ercilla. Santiago de Chile</td>
							<td align="left">Biograf&#xed;a de la Cueca</td>
						</tr>
						<tr>
							<td align="left">72</td>
							<td align="left">Esteban Cabrera, Nieves</td>
							<td align="left">1993</td>
							<td align="left">Edit. Librer&#xed;as Depotivas. Madrid</td>
							<td align="left">Nacimiento de un arte</td>
						</tr>
						<tr>
							<td align="left">73</td>
							<td align="left">Salazar, Adolfo</td>
							<td align="left">1950</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. Buenos Aires</td>
							<td align="left">La danza y el ballet</td>
						</tr>
						<tr>
							<td align="left">74</td>
							<td align="left">Salazar, Adolfo</td>
							<td align="left">1922</td>
							<td align="left">Edit. Mundo Latino, Madrid</td>
							<td align="left">Sinfon&#xed;a y Ballet</td>
						</tr>
						<tr>
							<td align="left">75</td>
							<td align="left">Manuel de la Danse, Le Cotillon</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Ouach&#xe9;e, Paris</td>
							<td align="left">Manuel de la Danse</td>
						</tr>
						<tr>
							<td align="left">76</td>
							<td align="left">Bourgat, Marcelle</td>
							<td align="left">1948</td>
							<td align="left">Edit. Presses Universitaires. Paris</td>
							<td align="left">Technique de la danse</td>
						</tr>
						<tr>
							<td align="left">77</td>
							<td align="left">Michaut, Pierre</td>
							<td align="left">1948</td>
							<td align="left">Edit. Presses Universitaires. Paris</td>
							<td align="left">Histoire du Ballet</td>
						</tr>
						<tr>
							<td align="left">78</td>
							<td align="left">Machabey, Armand</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Presses Universitaires.</td>
							<td align="left">La Musique de Danse</td>
						</tr>
						<tr>
							<td align="left">79</td>
							<td align="left">Icaza, F.A. de</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">La Danza de la Muerte (C&#xf3;dice del Escorial)</td>
						</tr>
						<tr>
							<td align="left">80</td>
							<td align="left">Aguilera, Emiliano M</td>
							<td align="left">1947</td>
							<td align="left">Edit. Iberia, S.A. Barcelona</td>
							<td align="left">Pasi&#xf3;n y tragedia de Isadora Duncan</td>
						</tr>
						<tr>
							<td align="left">81</td>
							<td align="left">Aguilera, Emiliano M</td>
							<td align="left">1969</td>
							<td align="left">Edic. Zeus. Barcelona</td>
							<td align="left">Isadora pasi&#xf3;n y tragedia</td>
						</tr>
						<tr>
							<td align="left">82</td>
							<td align="left">Hern&#xe1;ndez Garc&#xed;a, Vicenc</td>
							<td align="left">1961</td>
							<td align="left">Edic. Studium. Madrid</td>
							<td align="left">El Baile</td>
						</tr>
						<tr>
							<td align="left">83</td>
							<td align="left">Kriner, Dora</td>
							<td align="left">1964</td>
							<td align="left">Ricordi-Americana. Buenos Aires</td>
							<td align="left">Ensayos sobre el ballet</td>
						</tr>
						<tr>
							<td align="left">84</td>
							<td align="left">Wright, Stanley</td>
							<td align="left">1969</td>
							<td align="left">Edit. de Vecchi. Barcelona</td>
							<td align="left">Como aprender a bailar en ocho d&#xed;as</td>
						</tr>
						<tr>
							<td align="left">85</td>
							<td align="left">Barandiaran, Gaizka S.J. de</td>
							<td align="left">1969</td>
							<td align="left">Edit. Au&#xf1;amendi, Zarauz</td>
							<td align="left">Danzas de Euskalerri. Vol. I</td>
						</tr>
						<tr>
							<td align="left">86</td>
							<td align="left">Barandiaran, Gaizka S.J. de</td>
							<td align="left">1969</td>
							<td align="left">Edit. Au&#xf1;amendi, Zarauz</td>
							<td align="left">Danzas de Euskalerri. Vol. II</td>
						</tr>
						<tr>
							<td align="left">87</td>
							<td align="left">Barandiaran, Gaizka S.J. de</td>
							<td align="left">1969</td>
							<td align="left">Edit. Au&#xf1;amendi, Zarauz</td>
							<td align="left">Danzas de Euskalerri. Vol. III</td>
						</tr>
						<tr>
							<td align="left">88</td>
							<td align="left">Itzueta, Juan Ignacio de</td>
							<td align="left">&#xa0;</td>
							<td align="left">Imprim. L&#xf3;pez Enean. Tolosan</td>
							<td align="left">Gipuzkoako Dantzac</td>
						</tr>
						<tr>
							<td align="left">89</td>
							<td align="left">Schaichkevitch, A.</td>
							<td align="left">1942</td>
							<td align="left">Edit. Luis Mera. Buenos Aires</td>
							<td align="left">Mitolog&#xed;a del Ballet</td>
						</tr>
						<tr>
							<td align="left">90</td>
							<td align="left">Garc&#xed;a Jim&#xe9;nez, Francisco</td>
							<td align="left">1965</td>
							<td align="left">Edit. Losada, S.A. Buenos Aires</td>
							<td align="left">As&#xed; nacieron los Tangos</td>
						</tr>
						<tr>
							<td align="left">91</td>
							<td align="left">S&#xe1;bato, Ernesto</td>
							<td align="left">1968</td>
							<td align="left">Edit. Losada, S.A. Buenos Aires</td>
							<td align="left">Tango: discusi&#xf3;n y clave</td>
						</tr>
						<tr>
							<td align="left">92</td>
							<td align="left">Garmendia Arruebarrena, Jos&#xe9;</td>
							<td align="left">1968</td>
							<td align="left">Edit. La Gran Enciclopedia Vasca. Bilbao</td>
							<td align="left">Obras in&#xe9;ditas de Iztueta</td>
						</tr>
						<tr>
							<td align="left">93</td>
							<td align="left">Iztueta, Juan Ignacio de</td>
							<td align="left">1968</td>
							<td align="left">Edit. La Gran Enciclopedia Vasca. Bilbao</td>
							<td align="left">Danzas de Guip&#xfa;zcoa</td>
						</tr>
						<tr>
							<td align="left">94</td>
							<td align="left">Baigneres, Claude</td>
							<td align="left">1965</td>
							<td align="left">Ediciones Ave. Barcelona</td>
							<td align="left">Ballets de ayer y de hoy</td>
						</tr>
						<tr>
							<td align="left">95</td>
							<td align="left">Arma, Deme</td>
							<td align="left">1946</td>
							<td align="left">Henry Lemoine &amp; C. Par&#xed;s</td>
							<td align="left">Voyez comme on danse...</td>
						</tr>
						<tr>
							<td align="left">96</td>
							<td align="left">Ensenyat, B</td>
							<td align="left">1953</td>
							<td align="left">Editions Clumba. Palma de Majorque</td>
							<td align="left">Chant a Majorque</td>
						</tr>
						<tr>
							<td align="left">97</td>
							<td align="left">Garc&#xed;a Mercadal, J</td>
							<td align="left">1963</td>
							<td align="left">E. Taurus. Madrid</td>
							<td align="left">La Jota aragonesa</td>
						</tr>
						<tr>
							<td align="left">98</td>
							<td align="left">Armstrong, Lucile</td>
							<td align="left">1950</td>
							<td align="left">Edit. Max Parrish. London</td>
							<td align="left">Dances of Spain. Vol I</td>
						</tr>
						<tr>
							<td align="left">99</td>
							<td align="left">Armstrong, Lucile</td>
							<td align="left">1950</td>
							<td align="left">Edit. Max Parrish. London</td>
							<td align="left">Dances of Spain. Vol II</td>
						</tr>
						<tr>
							<td align="left">100</td>
							<td align="left">Rio, &#xc1;ngel del, y Maroto, G. G. Garc&#xed;a Lorca, Federico, y On&#xed;s, Federico de</td>
							<td align="left">1930</td>
							<td align="left">Inst. de Las Espa&#xf1;as. New York</td>
							<td align="left">Antonia Merc&#xe9; La Argentina</td>
						</tr>
						<tr>
							<td align="left">101</td>
							<td align="left">Flores, Elsa Mercedes</td>
							<td align="left">1965</td>
							<td align="left">Ricordi-Americana. Buenos Aires</td>
							<td align="left">Danzas Cl&#xe1;sicas. I</td>
						</tr>
						<tr>
							<td align="left">102</td>
							<td align="left">Flores, Elsa Mercedes</td>
							<td align="left">1965</td>
							<td align="left">Ricordi-Americana. Buenos Aires</td>
							<td align="left">Danzas Cl&#xe1;sicas. II</td>
						</tr>
						<tr>
							<td align="left">103</td>
							<td align="left">Gal&#xe1;n Vergua, Demetrio</td>
							<td align="left">1960</td>
							<td align="left">Zaragoza</td>
							<td align="left">Arag&#xf3;n en la jota y la jota en Arag&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">104</td>
							<td align="left">Ivanova, Ana</td>
							<td align="left">1972</td>
							<td align="left">Editora Nacional, Madrid</td>
							<td align="left">El alma espa&#xf1;ola y el baile</td>
						</tr>
						<tr>
							<td align="left">105</td>
							<td align="left">R&#xed;o Velasco, Justo del</td>
							<td align="left">1959</td>
							<td align="left">Burgos</td>
							<td align="left">Danzas T&#xed;picas Burgalesas</td>
						</tr>
						<tr>
							<td align="left">106</td>
							<td align="left">Moreno, Segundo Luis</td>
							<td align="left">1949</td>
							<td align="left">Edit. Fray Jodoco Ricke. Quito</td>
							<td align="left">M&#xfa;sica y danzas aut&#xf3;ctonas del Ecuador</td>
						</tr>
						<tr>
							<td align="left">107</td>
							<td align="left">Anuario del Ballet en Latinoam&#xe9;rica</td>
							<td align="left">1967</td>
							<td align="left">Lima-Per&#xfa;</td>
							<td align="left">Anuario del Ballet en Latinoam&#xe9;rica</td>
						</tr>
						<tr>
							<td align="left">108</td>
							<td align="left">Puerto Mezquita, Gonzalo</td>
							<td align="left">1956</td>
							<td align="left">Castell&#xf3;n de la Plana</td>
							<td align="left">Danzas procesionales de Morella y del Maestrazgo</td>
						</tr>
						<tr>
							<td align="left">109</td>
							<td align="left">Capmany, Aurelio</td>
							<td align="left">1947</td>
							<td align="left">Edic. Librer&#xed;a Milla, Barcelona</td>
							<td align="left">Un siglo de baile en Barcelona</td>
						</tr>
						<tr>
							<td align="left">110</td>
							<td align="left">Murray, Arthur</td>
							<td align="left">1961</td>
							<td align="left">Edit. Bruguera, S.A. Barcelona</td>
							<td align="left">Bailar es f&#xe1;cil</td>
						</tr>
						<tr>
							<td align="left">111</td>
							<td align="left">Palacios, Francisco Antonio de</td>
							<td align="left">1791</td>
							<td align="left">Pamplona</td>
							<td align="left">Palacios contra Bailes</td>
						</tr>
						<tr>
							<td align="left">112</td>
							<td align="left">Sasportes, Jos&#xe9;</td>
							<td align="left">1970</td>
							<td align="left">Funda&#xe7;&#xe3;o Calouste Gulbenkian. Lisboa</td>
							<td align="left">Historia de la Dan&#xe7;a en Portugal</td>
						</tr>
						<tr>
							<td align="left">113</td>
							<td align="left">Gasch, Sebasti&#xe1;n, y Pruna, Pedro</td>
							<td align="left">1946</td>
							<td align="left">Edit. Barna. S.A. Barcelona</td>
							<td align="left">De la Danza</td>
						</tr>
						<tr>
							<td align="left">114</td>
							<td align="left">Love, Paul</td>
							<td align="left">1964</td>
							<td align="left">Edit. Universitaria de Buenos Aires</td>
							<td align="left">Terminolog&#xed;a de la danza moderna</td>
						</tr>
						<tr>
							<td align="left">115</td>
							<td align="left">Horst, Louis</td>
							<td align="left">1966</td>
							<td align="left">Edit. Universitaria. Buenos Aires</td>
							<td align="left">Formas Precl&#xe1;sicas de la danza</td>
						</tr>
						<tr>
							<td align="left">116</td>
							<td align="left">Escudero, Vicente</td>
							<td align="left">1970</td>
							<td align="left">Montaner y Simon, S.A. Barcelona</td>
							<td align="left">Mi baile</td>
						</tr>
						<tr>
							<td align="left">117</td>
							<td align="left">Monreal</td>
							<td align="left">1971</td>
							<td align="left">Madrid</td>
							<td align="left">Colecci&#xf3;n de bailes espa&#xf1;oles</td>
						</tr>
						<tr>
							<td align="left">118</td>
							<td align="left">Escudero, Vicente</td>
							<td align="left">1950</td>
							<td align="left">Edit. Afrodisio Aguado, Madrid</td>
							<td align="left">Pintura que baila</td>
						</tr>
						<tr>
							<td align="left">119</td>
							<td align="left">Calahorra, Pedro, Lacasta, Jes&#xfa;s y Zaldivar, &#xc1;lvaro</td>
							<td align="left">1993</td>
							<td align="left">Diputaci&#xf3;n de Zaragoza</td>
							<td align="left">Iconograf&#xed;a Musical del Rom&#xe1;nico Aragon&#xe9;s</td>
						</tr>
						<tr>
							<td align="left">120</td>
							<td align="left">Fuentes-Gu&#xed;o, Pedro</td>
							<td align="left">1990</td>
							<td align="left">Edit. Fundamentos. Madrid</td>
							<td align="left">Antonio, la verdad de su vida</td>
						</tr>
						<tr>
							<td align="left">121</td>
							<td align="left">Borr&#xe1;s Tom&#xe1;s</td>
							<td align="left">1931</td>
							<td align="left">Edit. C.I. A.P. Madrid</td>
							<td align="left">Tam Tam: pantomimas, bailetes, cuentos coreogr&#xe1;ficos</td>
						</tr>
						<tr>
							<td align="left">123</td>
							<td align="left">Arrebola S&#xe1;nchez, Alfredo</td>
							<td align="left">1998</td>
							<td align="left">Universidad de M&#xe1;laga</td>
							<td align="left">Perfiles est&#xe9;ticos y biogr&#xe1;ficos de cantaores flamencos</td>
						</tr>
						<tr>
							<td align="left">124</td>
							<td align="left">Gaspar editores</td>
							<td align="left">1868-69</td>
							<td align="left">Madrid</td>
							<td align="left">El Pueblo Andaluz: sus costumbres, sus cantes</td>
						</tr>
						<tr>
							<td align="left">125</td>
							<td align="left">Cantes Flamencos</td>
							<td align="left">&#xa0;</td>
							<td align="left">Biblioteca del Mot&#xed;n, Madrid</td>
							<td align="left">Cantes Flamencos</td>
						</tr>
						<tr>
							<td align="left">126</td>
							<td align="left">Cansino Assens, Rafael</td>
							<td align="left">1976</td>
							<td align="left">Ediciones Dem&#xf3;filo, Madrid</td>
							<td align="left">La copla andaluza</td>
						</tr>
						<tr>
							<td align="left">127</td>
							<td align="left">Manuel, Machado</td>
							<td align="left">1923</td>
							<td align="left">Edit. Mundo Latino, Madrid</td>
							<td align="left">Cante Jondo: Sevilla</td>
						</tr>
						<tr>
							<td align="left">128</td>
							<td align="left">Manfredi, Domingo</td>
							<td align="left">1955</td>
							<td align="left">Colecci&#xf3;n El Grif&#xf3;n, Madrid</td>
							<td align="left">Geograf&#xed;a del Cante Jondo</td>
						</tr>
						<tr>
							<td align="left">129</td>
							<td align="left">Butler, Augusto</td>
							<td align="left">1964</td>
							<td align="left">Jerez de la Frontera</td>
							<td align="left">Javier Molina jerezano y tocaor</td>
						</tr>
						<tr>
							<td align="left">130</td>
							<td align="left">Guerrero, Rafael</td>
							<td align="left">1900</td>
							<td align="left">Casa Edit. Maucci, Barcelona</td>
							<td align="left">Canciones Populares Espa&#xf1;olas</td>
						</tr>
						<tr>
							<td align="left">131</td>
							<td align="left">Cruces Rold&#xe1;n, Cristina</td>
							<td align="left">1998</td>
							<td align="left">Escandon Impresores, Sevilla</td>
							<td align="left">La Bibliograf&#xed;a Flamenca a debate</td>
						</tr>
						<tr>
							<td align="left">132</td>
							<td align="left">Molina, Ricardo</td>
							<td align="left">1965</td>
							<td align="left">Taurus edic., Madrid</td>
							<td align="left">Cante Flamenco</td>
						</tr>
						<tr>
							<td align="left">133</td>
							<td align="left">El Bachiller Katak&#xe1;</td>
							<td align="left">1907</td>
							<td align="left">Imp. Moderna, Logro&#xf1;o</td>
							<td align="left">Cantes Gitanos</td>
						</tr>
						<tr>
							<td align="left">134</td>
							<td align="left">Gonzalez Climent, Anselmo</td>
							<td align="left">1965</td>
							<td align="left">Escelicer, S.A., Madrid</td>
							<td align="left">Bibliograf&#xed;a Flamenca</td>
						</tr>
						<tr>
							<td align="left">135</td>
							<td align="left">Blas Vega, Jos&#xe9;</td>
							<td align="left">1967</td>
							<td align="left">Librer&#xed;a El Guadalhorce, M&#xe1;laga</td>
							<td align="left">Las Tonas</td>
						</tr>
						<tr>
							<td align="left">136</td>
							<td align="left">Chicano Mu&#xf1;oz, Fernando</td>
							<td align="left">1958</td>
							<td align="left">C&#xf3;rdoba</td>
							<td align="left">Canto y M&#xfa;sica de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">137</td>
							<td align="left">Barrios, Manuel</td>
							<td align="left">1972</td>
							<td align="left">Sevilla</td>
							<td align="left">Ese dif&#xed;cil mundo del Flamenco</td>
						</tr>
						<tr>
							<td align="left">138</td>
							<td align="left">Curao, Manuel</td>
							<td align="left">2007</td>
							<td align="left">Coria Gr&#xe1;fica, S.L., Sevilla</td>
							<td align="left">Los Flamencos hablan de s&#xed; mismos</td>
						</tr>
						<tr>
							<td align="left">139</td>
							<td align="left">Ortiz Nuevo, Jos&#xe9; Luis</td>
							<td align="left">1984</td>
							<td align="left">Jerez de la Frontera</td>
							<td align="left">Tio Gregorio &#xab;Borrico de Jerez&#xbb;</td>
						</tr>
						<tr>
							<td align="left">140</td>
							<td align="left">Rioja, Eusebio</td>
							<td align="left">1998</td>
							<td align="left">Lucena</td>
							<td align="left">Paco el de Lucena &#xf3; la redonda encrucijada</td>
						</tr>
						<tr>
							<td align="left">141</td>
							<td align="left">Rojo Guerrero, Gonzalo</td>
							<td align="left">2004</td>
							<td align="left">Edic. Giralda, S.L.</td>
							<td align="left">Mujeres malague&#xf1;as en el flamenco</td>
						</tr>
						<tr>
							<td align="left">142</td>
							<td align="left">Guti&#xe9;rrez, Balbino</td>
							<td align="left">1996</td>
							<td align="left">Edici. SGAE, Madrid</td>
							<td align="left">Enrique Morente</td>
						</tr>
						<tr>
							<td align="left">143</td>
							<td align="left">Gonz&#xe1;lez Climent, Anselmo</td>
							<td align="left">1961</td>
							<td align="left">Edit. Jerez Industrial. Jerez de la Frontera</td>
							<td align="left">Buler&#xed;as</td>
						</tr>
						<tr>
							<td align="left">144</td>
							<td align="left">Machado y &#xc1;lvarez, Antonio</td>
							<td align="left">1975</td>
							<td align="left">Edic. Dem&#xf3;filo. Madrid</td>
							<td align="left">Colecci&#xf3;n de cantes Flamencos</td>
						</tr>
						<tr>
							<td align="left">145</td>
							<td align="left">Ortiz Nuevo, Jos&#xe9; Luis</td>
							<td align="left">1975</td>
							<td align="left">Edic. Dem&#xf3;filo. Madrid</td>
							<td align="left">Pepe el de la Matrona</td>
						</tr>
						<tr>
							<td align="left">146</td>
							<td align="left">Molina, Ricardo y Mairena, Antonio</td>
							<td align="left">1963</td>
							<td align="left">&#xab;Revista de Occidente&#xbb;, Madrid</td>
							<td align="left">Mundo y Formas del Cante Flamenco</td>
						</tr>
						<tr>
							<td align="left">147</td>
							<td align="left">D&#xed;az de Quijano, M&#xe1;ximo</td>
							<td align="left">1960</td>
							<td align="left">Edit. Cultura Cl&#xe1;sica y Moderna, Madrid</td>
							<td align="left">Tonadilleras y Cupletistas</td>
						</tr>
						<tr>
							<td align="left">148</td>
							<td align="left">Leblon, Bernard</td>
							<td align="left">1987</td>
							<td align="left">Edit. Gedisa, Barcelona</td>
							<td align="left">Los Gitanos de Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">149</td>
							<td align="left">Villares Gil, Jos&#xe9; Luis</td>
							<td align="left">2004</td>
							<td align="left">Indugr&#xe1;fic, S.L., Badajoz</td>
							<td align="left">Los Gitanos de Badajoz</td>
						</tr>
						<tr>
							<td align="left">150</td>
							<td align="left">Rioja, Eusebio y Zafra, David</td>
							<td align="left">2005</td>
							<td align="left">M&#xe1;laga</td>
							<td align="left">El caf&#xe9; de La Loba</td>
						</tr>
						<tr>
							<td align="left">151</td>
							<td align="left">Salinas Rodr&#xed;guez, Jose Luis</td>
							<td align="left">1994</td>
							<td align="left">Edit. Catriel, S.L., Madrid</td>
							<td align="left">Jazz, Flamenco, Tango</td>
						</tr>
						<tr>
							<td align="left">152</td>
							<td align="left">Iglesias Segura, Manuel</td>
							<td align="left">&#xa0;</td>
							<td align="left">Diput. de Badajoz</td>
							<td align="left">La barber&#xed;a de las Sonantas</td>
						</tr>
						<tr>
							<td align="left">153</td>
							<td align="left">Arrebola, Alfredo</td>
							<td align="left">1994</td>
							<td align="left">Edic. Edinford S.A. M&#xe1;laga</td>
							<td align="left">Presencia de la mujer en el cante flamenco</td>
						</tr>
						<tr>
							<td align="left">154</td>
							<td align="left">&#xa0;</td>
							<td align="left">1991</td>
							<td align="left">Sevilla</td>
							<td align="left">Tres visiones de Manuel Vallejo: Conferencias para un centenario</td>
						</tr>
						<tr>
							<td align="left">155</td>
							<td align="left">Chuse, Loren</td>
							<td align="left">&#xa0;</td>
							<td align="left">Signatura Ediciones de Andaluc&#xed;a, S.L., Sevilla</td>
							<td align="left">Mujer y Flamenco</td>
						</tr>
						<tr>
							<td align="left">156</td>
							<td align="left">Soler Guevara, Luis &amp; Soler D&#xed;az, Ram&#xf3;n</td>
							<td align="left">2004</td>
							<td align="left">Ediciones Tartessos, Sevilla</td>
							<td align="left">Los Cantes de Antonio Mairena</td>
						</tr>
						<tr>
							<td align="left">157</td>
							<td align="left">Gonz&#xe1;lez Climent, Anselmo</td>
							<td align="left">1957</td>
							<td align="left">&#xa0;</td>
							<td align="left">Cante en C&#xf3;rdoba</td>
						</tr>
						<tr>
							<td align="left">158</td>
							<td align="left">Rodr&#xed;guez Guti&#xe9;rrez, Felix</td>
							<td align="left">&#xa0;</td>
							<td align="left">C&#xe1;diz</td>
							<td align="left">El arte en la sangre</td>
						</tr>
						<tr>
							<td align="left">159</td>
							<td align="left">Cruces Rold&#xe1;n, Cristina</td>
							<td align="left">&#xa0;</td>
							<td align="left">Signatura Ediciones, Sevilla</td>
							<td align="left">Antropolog&#xed;a y Flamenco. M&#xe1;s all&#xe1; de la M&#xfa;sica II</td>
						</tr>
						<tr>
							<td align="left">160</td>
							<td align="left">Pemartin, Julian</td>
							<td align="left">1966</td>
							<td align="left">Gu&#xed;as Afrod&#xed;sio Aguado, S.A., Madrid</td>
							<td align="left">El cante flamenco: gu&#xed;a alfab&#xe9;tica</td>
						</tr>
						<tr>
							<td align="left">161</td>
							<td align="left">Sala&#xfc;n, Serge</td>
							<td align="left">1990</td>
							<td align="left">Colecci&#xf3;n Austral, Madrid</td>
							<td align="left">El Cupl&#xe9; 1900-1936</td>
						</tr>
						<tr>
							<td align="left">162</td>
							<td align="left">Qui&#xf1;ones, Fernando</td>
							<td align="left">1964</td>
							<td align="left">Seix Barral Hnos., Barcelona</td>
							<td align="left">C&#xe1;diz y sus cantes</td>
						</tr>
						<tr>
							<td align="left">163</td>
							<td align="left">Cinnorra, Clemente</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Schapire, Buenos Aires</td>
							<td align="left">El Cante</td>
						</tr>
						<tr>
							<td align="left">164</td>
							<td align="left">George, David</td>
							<td align="left">1969</td>
							<td align="left">Society of Spanish Studies, Madrid</td>
							<td align="left">The Flamenco Guitar</td>
						</tr>
						<tr>
							<td align="left">165</td>
							<td align="left">Pohren, D.E.</td>
							<td align="left">1962</td>
							<td align="left">Edit. Cat&#xf3;lica Espa&#xf1;ola, Sevilla</td>
							<td align="left">L&#x2019;Art Flamenco</td>
						</tr>
						<tr>
							<td align="left">166</td>
							<td align="left">Sales Mayo, Francisco de</td>
							<td align="left">1970</td>
							<td align="left">Librer&#xed;a Victoriano Su&#xe1;rez, Madrid</td>
							<td align="left">El gitanismo, historia, costumbres...etc.</td>
						</tr>
						<tr>
							<td align="left">167</td>
							<td align="left">Jim&#xe9;nez, Augusto</td>
							<td align="left">1870</td>
							<td align="left">Imp. del Conciliador, Sevilla</td>
							<td align="left">Vocabulario del dialecto gitano</td>
						</tr>
						<tr>
							<td align="left">168</td>
							<td align="left">N&#xfa;&#xf1;ez de Prado, G.</td>
							<td align="left">1904</td>
							<td align="left">Edit. Maucci, Barcelona</td>
							<td align="left">Cantaores Andaluces</td>
						</tr>
						<tr>
							<td align="left">169</td>
							<td align="left">Calderon, Esteban (El Solitario)</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Escenas Andaluzas</td>
						</tr>
						<tr>
							<td align="left">170</td>
							<td align="left">Triana, Fernando el de</td>
							<td align="left">1935</td>
							<td align="left">Imp Hel&#xe9;nica, Madrid</td>
							<td align="left">Arte y artistas flamencos</td>
						</tr>
						<tr>
							<td align="left">171</td>
							<td align="left">Borrow, George</td>
							<td align="left">1932</td>
							<td align="left">Edic. La Nave, Madrid</td>
							<td align="left">Los Zinkali (Los gitanos de Espa&#xf1;a)</td>
						</tr>
						<tr>
							<td align="left">172</td>
							<td align="left">Belade Barbe, Francine &amp; Gelardo, Jos&#xe9;</td>
							<td align="left">1978</td>
							<td align="left">Edic. Dem&#xf3;filo, S.A., Murcia</td>
							<td align="left">La copla popular flamenca</td>
						</tr>
						<tr>
							<td align="left">173</td>
							<td align="left">Queivreux, Louis</td>
							<td align="left">1959</td>
							<td align="left">L&#x2019;Imprimerie Sofadi, S.A., Bruxelles</td>
							<td align="left">Art Flamenco</td>
						</tr>
						<tr>
							<td align="left">174</td>
							<td align="left">Molina, Romualdo &amp; Espin, Miguel</td>
							<td align="left">1992</td>
							<td align="left">Guadalquivir Ediciones, S.L., Sevilla</td>
							<td align="left">Flamenco de Ida y vuelta</td>
						</tr>
						<tr>
							<td align="left">175</td>
							<td align="left">Luna, Jos&#xe9; Carlos</td>
							<td align="left">1942</td>
							<td align="left">Edit. Escelicer, S.L., Madrid</td>
							<td align="left">De la taberna de los tres reyes</td>
						</tr>
						<tr>
							<td align="left">176</td>
							<td align="left">Luna, Jos&#xe9; Carlos</td>
							<td align="left">1942</td>
							<td align="left">Edit. Escelicer, S.L., Madrid</td>
							<td align="left">De cante grande y cante chico</td>
						</tr>
						<tr>
							<td align="left">177</td>
							<td align="left">Gonz&#xe1;lez Climent, Anselmo</td>
							<td align="left">1956</td>
							<td align="left">Escelicer, S.A., Madrid</td>
							<td align="left">Andaluc&#xed;a de los Quintero</td>
						</tr>
						<tr>
							<td align="left">178</td>
							<td align="left">Manzano, Rafael</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Barna, S.A., Barcelona</td>
							<td align="left">Cante Jondo: historia e int&#xe9;rpretes</td>
						</tr>
						<tr>
							<td align="left">179</td>
							<td align="left">Besses, Luis</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Argot espa&#xf1;ol, o lenguaje jergal gitano</td>
						</tr>
						<tr>
							<td align="left">180</td>
							<td align="left">Gil Benumeya, Rodolfo</td>
							<td align="left">1943</td>
							<td align="left">Edic. Educaci&#xf3;n Popular, Madrid</td>
							<td align="left">Marruecos Andaluz</td>
						</tr>
						<tr>
							<td align="left">181</td>
							<td align="left">G&#xf3;mez, Agust&#xed;n</td>
							<td align="left">2001</td>
							<td align="left">Ediciones Carena, Barcelona</td>
							<td align="left">De est&#xe9;tica flamenca</td>
						</tr>
						<tr>
							<td align="left">182</td>
							<td align="left">R&#xed;os Ruiz, Manuel</td>
							<td align="left">1973</td>
							<td align="left">Edici. Picazo, Barcelona</td>
							<td align="left">Rumbos del cante flamenco</td>
						</tr>
						<tr>
							<td align="left">183</td>
							<td align="left">Fern&#xe1;ndez Blanco, Ricardo</td>
							<td align="left">1909</td>
							<td align="left">&#xa0;</td>
							<td align="left">Con la guitarra</td>
						</tr>
						<tr>
							<td align="left">184</td>
							<td align="left">Luque Navajas, Jos&#xe9;</td>
							<td align="left">1965</td>
							<td align="left">Librer&#xed;a el Guadalhorce, M&#xe1;laga</td>
							<td align="left">M&#xe1;laga en el cante</td>
						</tr>
						<tr>
							<td align="left">185</td>
							<td align="left">Valencina, Diego de</td>
							<td align="left">1947</td>
							<td align="left">Edit. Cat&#xf3;lica Espa&#xf1;ola, S.A., Sevilla</td>
							<td align="left">La Saeta y los Campanilleros</td>
						</tr>
						<tr>
							<td align="left">186</td>
							<td align="left">Real, Manuel (Realito)</td>
							<td align="left">1946</td>
							<td align="left">Gr&#xe1;ficas Sevillanas, Sevilla</td>
							<td align="left">Poema de la danza y la copla</td>
						</tr>
						<tr>
							<td align="left">187</td>
							<td align="left">Pantoja Ant&#xfa;nez, Jos&#xe9; Luis</td>
							<td align="left">1963</td>
							<td align="left">Edit. Asta Regis, Sevilla</td>
							<td align="left">Evocaci&#xf3;n de las grandes figuras del flamenco</td>
						</tr>
						<tr>
							<td align="left">188</td>
							<td align="left">Vela, Manuel</td>
							<td align="left">1968</td>
							<td align="left">Grafic. Salesiana, Sevilla</td>
							<td align="left">La casta&#xf1;uela flamenca</td>
						</tr>
						<tr>
							<td align="left">189</td>
							<td align="left">Serrano Garc&#xed;a, Pedro</td>
							<td align="left">&#xa0;</td>
							<td align="left">Imp. La Xilograf&#xed;a, Madrid</td>
							<td align="left">Cal&#xf3; delincuente</td>
						</tr>
						<tr>
							<td align="left">190</td>
							<td align="left">Monleon, Jos&#xe9;</td>
							<td align="left">1967</td>
							<td align="left">Edit. Gregorio del Toro, Madrid</td>
							<td align="left">Lo que sabemos del flamenco</td>
						</tr>
						<tr>
							<td align="left">191</td>
							<td align="left">Guerra Valdenebro, Pepa</td>
							<td align="left">1986</td>
							<td align="left">Edit. Confederaci&#xf3;n Cajas de Ahorros, M&#xe1;laga</td>
							<td align="left">As&#xed; canta y baila Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">192</td>
							<td align="left">Ortiz Nuevo, Jos&#xe9; Luis</td>
							<td align="left">1975</td>
							<td align="left">Ediciones Dem&#xf3;filo, S.A., Madrid</td>
							<td align="left">Las mil y una historias de Peric&#xf3;n de C&#xe1;diz</td>
						</tr>
						<tr>
							<td align="left">193</td>
							<td align="left">Almendros, Carlos</td>
							<td align="left">1973</td>
							<td align="left">Ediciones Mundilibro, S.A., Barcelona</td>
							<td align="left">Todo lo b&#xe1;sico sobre el flamenco</td>
						</tr>
						<tr>
							<td align="left">194</td>
							<td align="left">Aguilar y Tejera, Agust&#xed;n</td>
							<td align="left">&#xa0;</td>
							<td align="left">Compa&#xf1;&#xed;a Ibero-Americana Publicaciones, Madrid</td>
							<td align="left">Saetas</td>
						</tr>
						<tr>
							<td align="left">195</td>
							<td align="left">Qui&#xf1;&#xf3;nez, Fernando</td>
							<td align="left">1971</td>
							<td align="left">Plaza &amp; Janes, S.A., Barcelona</td>
							<td align="left">El flamenco vida y muerte</td>
						</tr>
						<tr>
							<td align="left">196</td>
							<td align="left">Fern&#xe1;ndez de Castillejo, Federico</td>
							<td align="left">1944</td>
							<td align="left">Edit. C.L.Y.D.O.C., Buenos Aires</td>
							<td align="left">Andaluc&#xed;a: lo andaluz, lo flamenco lo gitano</td>
						</tr>
						<tr>
							<td align="left">197</td>
							<td align="left">Monreal</td>
							<td align="left">1972</td>
							<td align="left">&#xa0;</td>
							<td align="left">Cancionero de los gitanos de Granada</td>
						</tr>
						<tr>
							<td align="left">198</td>
							<td align="left">Vilches, Salvador</td>
							<td align="left">1925</td>
							<td align="left">Casa Velazquez, Sevilla</td>
							<td align="left">Los romeros de Triana</td>
						</tr>
						<tr>
							<td align="left">199</td>
							<td align="left">Jim&#xe9;nez Quesada, Mateo</td>
							<td align="left">1974</td>
							<td align="left">Edic. IberoAmericanas, S.A., Madrid</td>
							<td align="left">Autenticidad del cante flamenco</td>
						</tr>
						<tr>
							<td align="left">200</td>
							<td align="left">Lafuente, Rafael</td>
							<td align="left">1955</td>
							<td align="left">Edic. Barna, S.A., Barcelona</td>
							<td align="left">Los gitanos, el flamenco y los flamencos</td>
						</tr>
						<tr>
							<td align="left">201</td>
							<td align="left">Butler, Augusto</td>
							<td align="left">1962</td>
							<td align="left">Jerez de la Frontera</td>
							<td align="left">Jerez en la canci&#xf3;n popular andaluza</td>
						</tr>
						<tr>
							<td align="left">202</td>
							<td align="left">Rossy, Hipolito</td>
							<td align="left">1966</td>
							<td align="left">Credsa Ediciones y Publicaciones, Barcelona</td>
							<td align="left">Teor&#xed;a del cante jondo</td>
						</tr>
						<tr>
							<td align="left">203</td>
							<td align="left">Garc&#xed;a Lorca, Federico</td>
							<td align="left">1948</td>
							<td align="left">Edit. Losada, S.A., Buenos Aires</td>
							<td align="left">Romancero Gitano</td>
						</tr>
						<tr>
							<td align="left">204</td>
							<td align="left">Garc&#xed;a Lorca, Federico</td>
							<td align="left">1944</td>
							<td align="left">Edit. Losada, S.A., Buenos Aires</td>
							<td align="left">Poema del cante jondo</td>
						</tr>
						<tr>
							<td align="left">205</td>
							<td align="left">Enrique Trujillo</td>
							<td align="left">1844</td>
							<td align="left">Imp. Enrique Trujillo, Madrid</td>
							<td align="left">Vocabulario del dialecto gitano</td>
						</tr>
						<tr>
							<td align="left">206</td>
							<td align="left">Dem&#xf3;filo</td>
							<td align="left">1881</td>
							<td align="left">Sevilla</td>
							<td align="left">Colecci&#xf3;n de Cantes Flamencos recogidos y anotados por Dem&#xf3;filo</td>
						</tr>
						<tr>
							<td align="left">207</td>
							<td align="left">Balouch, Az&#xed;z</td>
							<td align="left">1955</td>
							<td align="left">Edcs. Ensayos, Madrid</td>
							<td align="left">Cante Jondo: su origen y evoluci&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">208</td>
							<td align="left">Paban&#xf3;, F.M</td>
							<td align="left">1915</td>
							<td align="left">Edit. Montaner y Sim&#xf3;n, Barcelona</td>
							<td align="left">Historia y costumbres de los gitanos</td>
						</tr>
						<tr>
							<td align="left">209</td>
							<td align="left">Gonz&#xe1;lez Climent, Anselmo</td>
							<td align="left">1966</td>
							<td align="left">Librer&#xed;a Anticuaria, M&#xe1;laga</td>
							<td align="left">Segunda bibliograf&#xed;a flamenca</td>
						</tr>
						<tr>
							<td align="left">210</td>
							<td align="left">Claver&#xed;a, Carlos</td>
							<td align="left">1951</td>
							<td align="left">Inst&#xba;. Miguel de Cervantes, CSIC, Madrid</td>
							<td align="left">Estudios sobre los gitanismos del espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">211</td>
							<td align="left">Sevillano Miralles, Antonio</td>
							<td align="left">1996</td>
							<td align="left">Inst&#xba;. Estudios Almerienses, Almer&#xed;a</td>
							<td align="left">Almer&#xed;a por tarantas</td>
						</tr>
						<tr>
							<td align="left">212</td>
							<td align="left">Soler Guevara, Luis &amp; Soler D&#xed;az, Ram&#xf3;n</td>
							<td align="left">1992</td>
							<td align="left">Fundaci&#xf3;n A. Mairena, M&#xe1;laga</td>
							<td align="left">Antonio Mairena en el mundo de la seguiriya y la sole&#xe1;</td>
						</tr>
						<tr>
							<td align="left">213</td>
							<td align="left">Blas Vega, Jos&#xe9; &amp; Cobo, Eugenio</td>
							<td align="left">1981</td>
							<td align="left">Sociedad dirigida por A. Machado y &#xc1;lvarez, Colc. Alta&#xed;r</td>
							<td align="left">El Folklore Andaluz</td>
						</tr>
						<tr>
							<td align="left">214</td>
							<td align="left">L&#xf3;pez Rodr&#xed;guez, Manuel</td>
							<td align="left">1994</td>
							<td align="left">Edic. Giralda, S.L., Estepona</td>
							<td align="left">El Flamenco: las onomatopeyas en su l&#xe9;xico</td>
						</tr>
						<tr>
							<td align="left">215</td>
							<td align="left">Gonz&#xe1;lez Climent, Anselmo</td>
							<td align="left">1960</td>
							<td align="left">Talleres Escelicer, S.A., Madrid</td>
							<td align="left">&#xa1;O&#xed;do al cante!</td>
						</tr>
						<tr>
							<td align="left">216</td>
							<td align="left">Borr&#xe1;s, Tom&#xe1;s</td>
							<td align="left">1936</td>
							<td align="left">Librer. Fernando F&#xe9;, Madrid</td>
							<td align="left">Palmas Flamencas (poes&#xed;as)</td>
						</tr>
						<tr>
							<td align="left">217</td>
							<td align="left">Jim&#xe9;nez Caballero, E.</td>
							<td align="left">1927</td>
							<td align="left">Edit. Caro Raggio, Madrid</td>
							<td align="left">Los toros, las casta&#xf1;uelas y la virgen</td>
						</tr>
						<tr>
							<td align="left">218</td>
							<td align="left">Luna, Jos&#xe9; Carlos de</td>
							<td align="left">1942</td>
							<td align="left">Edit. Escelicer, S.L., Madrid</td>
							<td align="left">El caf&#xe9; de Chinitas</td>
						</tr>
						<tr>
							<td align="left">219</td>
							<td align="left">Luna, Jos&#xe9; Carlos de</td>
							<td align="left">1942</td>
							<td align="left">Edit. Escelicer, S.L., Madrid</td>
							<td align="left">El Cristo de los Gitanos</td>
						</tr>
						<tr>
							<td align="left">220</td>
							<td align="left">Cl&#xe9;bert, J.P.</td>
							<td align="left">1965</td>
							<td align="left">A.Y.M.A Editora, Madrid</td>
							<td align="left">Los Gitanos</td>
						</tr>
						<tr>
							<td align="left">221</td>
							<td align="left">Manfredi Cano, Domingo</td>
							<td align="left">1961</td>
							<td align="left">Publicaciones Espa&#xf1;olas, Madrid</td>
							<td align="left">Silueta folcl&#xf3;rica de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">222</td>
							<td align="left">Romero Murube, J</td>
							<td align="left">1943</td>
							<td align="left">Edit. L. Miracle, Barcelona</td>
							<td align="left">Sevilla en los labios</td>
						</tr>
						<tr>
							<td align="left">223</td>
							<td align="left">Gallego y Burin, Antonio</td>
							<td align="left">1949</td>
							<td align="left">Edit. Andaluc&#xed;a, Granada</td>
							<td align="left">Gitanos de Granada</td>
						</tr>
						<tr>
							<td align="left">224</td>
							<td align="left">Hidalgo Montoya, Juan</td>
							<td align="left">1971</td>
							<td align="left">Carmona Editor, Madrid</td>
							<td align="left">Cancionero de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">225</td>
							<td align="left">P&#xe9;rez Ortiz, Miguel</td>
							<td align="left">1963</td>
							<td align="left">&#xa0;</td>
							<td align="left">Caminos del cante</td>
						</tr>
						<tr>
							<td align="left">226</td>
							<td align="left">Grellmann, H.M.G</td>
							<td align="left">1810</td>
							<td align="left">Chaumerot, Joseph, Libraire, Paris</td>
							<td align="left">Histoire des Boh&#xe9;miens</td>
						</tr>
						<tr>
							<td align="left">227</td>
							<td align="left">Rebolledo, Tineo</td>
							<td align="left">1900</td>
							<td align="left">Granada</td>
							<td align="left">A Chipicall (La lengua gitana)</td>
						</tr>
						<tr>
							<td align="left">228</td>
							<td align="left">P&#xe9;rez Olivares, Rogelio</td>
							<td align="left">1941</td>
							<td align="left">Gr&#xe1;ficas Ugina, Madrid</td>
							<td align="left">Sevilla!</td>
						</tr>
						<tr>
							<td align="left">229</td>
							<td align="left">Vela, Manuel</td>
							<td align="left">1970</td>
							<td align="left">Imp. Gr&#xe1;fic Salasianas, Sevilla</td>
							<td align="left">Historia y poemas de la casta&#xf1;uela</td>
						</tr>
						<tr>
							<td align="left">230</td>
							<td align="left">Duran Mu&#xf1;oz, Garc&#xed;a</td>
							<td align="left">1970</td>
							<td align="left">Edit. A. Caffarena, M&#xe1;laga</td>
							<td align="left">Los toros y el flamenco</td>
						</tr>
						<tr>
							<td align="left">231</td>
							<td align="left">Cobo, Eugenio</td>
							<td align="left">1996</td>
							<td align="left">Aqu&#xed;+Multimedia</td>
							<td align="left">El flamenco en los escritores de la Restauraci&#xf3;n (1876-1996)</td>
						</tr>
						<tr>
							<td align="left">232</td>
							<td align="left">Salillas, Rafael</td>
							<td align="left">1898</td>
							<td align="left">Librer&#xed;a Victoriano Su&#xe1;rez, Madrid</td>
							<td align="left">HAMPA, (Antropolog&#xed;a Picaresca)</td>
						</tr>
						<tr>
							<td align="left">233</td>
							<td align="left">Walter, Starkie</td>
							<td align="left">1944</td>
							<td align="left">Ediciones, Pal.las, Barcelona</td>
							<td align="left">Los Gitanos</td>
						</tr>
						<tr>
							<td align="left">234</td>
							<td align="left">Walter, Starkie</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. M. Aguilar, Madrid</td>
							<td align="left">Trotamundos y Gitanos</td>
						</tr>
						<tr>
							<td align="left">235</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n</td>
							<td align="left">1929</td>
							<td align="left">&#xa0;</td>
							<td align="left">El alma de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">236</td>
							<td align="left">D&#xe1;vila, Barsaly &amp; P&#xe9;rez Blas</td>
							<td align="left">1943</td>
							<td align="left">Artes. Gr&#xe1;ficas Larra, Madrid</td>
							<td align="left">Apuntes del dialecto cal&#xf3; &#xf3; gitano puro</td>
						</tr>
						<tr>
							<td align="left">237</td>
							<td align="left">Salaverr&#xed;a, Jos&#xe9; Mar&#xed;a</td>
							<td align="left">&#xa0;</td>
							<td align="left">Gustavo Gili, Editores, Barcelona</td>
							<td align="left">Sevilla y el andalucismo</td>
						</tr>
						<tr>
							<td align="left">238</td>
							<td align="left">Amaya, J.</td>
							<td align="left">&#xa0;</td>
							<td align="left">Dux Ediciones, Barcelona</td>
							<td align="left">Gitanos y cante jondo</td>
						</tr>
						<tr>
							<td align="left">239</td>
							<td align="left">Guti&#xe9;rrez Ballesteros, Jos&#xe9; Mar&#xed;a</td>
							<td align="left">1957</td>
							<td align="left">Tipogra. Moderna, Madrid</td>
							<td align="left">Paremolog&#xed;a Flamenca</td>
						</tr>
						<tr>
							<td align="left">240</td>
							<td align="left">Salillas, Rafael</td>
							<td align="left">1896</td>
							<td align="left">Libra. Victoriano Su&#xe1;rez, Madrid</td>
							<td align="left">El Lenguaje</td>
						</tr>
						<tr>
							<td align="left">241</td>
							<td align="left">Narbona, Vicente</td>
							<td align="left">1948</td>
							<td align="left">Madrid</td>
							<td align="left">Un libro de cantares de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">242</td>
							<td align="left">Mu&#xf1;oz San Roman, J.</td>
							<td align="left">1929</td>
							<td align="left">Sevilla</td>
							<td align="left">Sevilla la bien amada</td>
						</tr>
						<tr>
							<td align="left">243</td>
							<td align="left">Surroca Grau, Jos&#xe9;</td>
							<td align="left">1912</td>
							<td align="left">Granada</td>
							<td align="left">Granada y sus costumbres</td>
						</tr>
						<tr>
							<td align="left">244</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1927</td>
							<td align="left">Edit. Peu&#xf1;o, Madrid</td>
							<td align="left">Cuentos Escogidos</td>
						</tr>
						<tr>
							<td align="left">245</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1927</td>
							<td align="left">Edit. P&#xe1;ez, Madrid</td>
							<td align="left">Miscel&#xe1;nea de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">246</td>
							<td align="left">Rivero, Agust&#xed;n &amp; Caballero, Basilio</td>
							<td align="left">&#xa0;</td>
							<td align="left">Madrid</td>
							<td align="left">Fragua Gitana</td>
						</tr>
						<tr>
							<td align="left">247</td>
							<td align="left">Lobo Garc&#xed;a, Ces&#xe1;reo</td>
							<td align="left">1961</td>
							<td align="left">Valencia</td>
							<td align="left">El cante jondo a trav&#xe9;s de los tiempos</td>
						</tr>
						<tr>
							<td align="left">248</td>
							<td align="left">Garc&#xed;a Ulecia, Alberto</td>
							<td align="left">&#xa0;</td>
							<td align="left">Universidad de Sevilla</td>
							<td align="left">Las confesiones de Antonio Mairena</td>
						</tr>
						<tr>
							<td align="left">249</td>
							<td align="left">Hegner, Verlag &amp; B&#xfc;cherei</td>
							<td align="left">1970</td>
							<td align="left">K&#xf6;ln</td>
							<td align="left">Flamenco Lieder</td>
						</tr>
						<tr>
							<td align="left">250</td>
							<td align="left">Bloch, Jules</td>
							<td align="left">1953</td>
							<td align="left">Presses Universitaires de France, Paris</td>
							<td align="left">Les Tsiganes</td>
						</tr>
						<tr>
							<td align="left">251</td>
							<td align="left">Donnier, Philippe</td>
							<td align="left">1985</td>
							<td align="left">Edit. Virgilio M&#xe1;rquez, C&#xf3;rdoba</td>
							<td align="left">El duende tiene que ser matem&#xe1;tico</td>
						</tr>
						<tr>
							<td align="left">252</td>
							<td align="left">Gonz&#xe1;lez L&#xf3;pez, Luis</td>
							<td align="left">1936</td>
							<td align="left">S&#xe1;nchez Impresor, Ja&#xe9;n</td>
							<td align="left">La Jaenera</td>
						</tr>
						<tr>
							<td align="left">253</td>
							<td align="left">Burgos, Segu&#xed;, Carmen de</td>
							<td align="left">1901</td>
							<td align="left">Impta. Fernando F&#xe9;, Madrid</td>
							<td align="left">Notas del alma: Cantares</td>
						</tr>
						<tr>
							<td align="left">254</td>
							<td align="left">Blas Vega, Jos&#xe9;</td>
							<td align="left">1990</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">Vida y cante de don Antonio Chac&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">255</td>
							<td align="left">Garc&#xed;a Matos, Manuel</td>
							<td align="left">1987</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">Sobre el Flamenco</td>
						</tr>
						<tr>
							<td align="left">256</td>
							<td align="left">Blas Vega, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit Cinterco, S.L., Madrid</td>
							<td align="left">Los caf&#xe9;s cantantes de Sevilla</td>
						</tr>
						<tr>
							<td align="left">257</td>
							<td align="left">Rosales, Luis</td>
							<td align="left">1987</td>
							<td align="left">Edit Cinterco, S.L., Madrid</td>
							<td align="left">Esa angustia llamada Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">258</td>
							<td align="left">Pineda Novo, Daniel</td>
							<td align="left">1991</td>
							<td align="left">Edit Cinterco, Madrid</td>
							<td align="left">Antonio Machado y &#xc1;lvarez, Dem&#xf3;filo</td>
						</tr>
						<tr>
							<td align="left">259</td>
							<td align="left">Qui&#xf1;ones, Fernando</td>
							<td align="left">1989</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">Antonio Mairena, su obra su significado</td>
						</tr>
						<tr>
							<td align="left">260</td>
							<td align="left">R&#xed;os Ruiz, Manuel</td>
							<td align="left">1987</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">De cantes y cantaores de Jerez</td>
						</tr>
						<tr>
							<td align="left">261</td>
							<td align="left">&#xc1;lvarez Caballero, &#xc1;ngel</td>
							<td align="left">1988</td>
							<td align="left">Edit. Cinterco, Madrid</td>
							<td align="left">Gitanos, payos y flamencos en los or&#xed;genes del Flamenco</td>
						</tr>
						<tr>
							<td align="left">262</td>
							<td align="left">Leblon, Bernard</td>
							<td align="left">1991</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">El cante flamenco entre las m&#xfa;sicas gitanas y las tradiciones andaluzas</td>
						</tr>
						<tr>
							<td align="left">263</td>
							<td align="left">Guti&#xe9;rrez Carbajo, Francisco</td>
							<td align="left">1990</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">La copla flamenca y la l&#xed;rica popular. Vol. I</td>
						</tr>
						<tr>
							<td align="left">264</td>
							<td align="left">Guti&#xe9;rrez Carbajo, Francisco</td>
							<td align="left">1990</td>
							<td align="left">Edit. Cinterco, S.L., Madrid</td>
							<td align="left">La copla flamenca y la l&#xed;rica popular. Vol. II</td>
						</tr>
						<tr>
							<td align="left">266</td>
							<td align="left">Franz, Boas</td>
							<td align="left">1947</td>
							<td align="left">Edt. Lautaro, Buenos Aires</td>
							<td align="left">Cuestiones Fundamentales de Antropolog&#xed;a Cultural</td>
						</tr>
						<tr>
							<td align="left">267</td>
							<td align="left">Barandiar&#xe1;n, Jos&#xe9; Miguel</td>
							<td align="left">1933</td>
							<td align="left">Eusko-folklore</td>
							<td align="left">Breve Historia del hombre primitivo</td>
						</tr>
						<tr>
							<td align="left">268</td>
							<td align="left">Waldo, Franck</td>
							<td align="left">1930</td>
							<td align="left">Revista de Occidente. Madrid</td>
							<td align="left">Espa&#xf1;a virgen</td>
						</tr>
						<tr>
							<td align="left">269</td>
							<td align="left">Mauduit, J.A.</td>
							<td align="left">1960</td>
							<td align="left">Biblioth&#xe8;que Scientifique. Payot. Par&#xed;s</td>
							<td align="left">Manuel d&#x2019;Ethnographie</td>
						</tr>
						<tr>
							<td align="left">270</td>
							<td align="left">Maringer, Johannes</td>
							<td align="left">1962</td>
							<td align="left">Edic. Destino. Barcelona</td>
							<td align="left">Los dioses de la Prehistoria</td>
						</tr>
						<tr>
							<td align="left">271</td>
							<td align="left">P&#xe9;rez de Barradas, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Madrid</td>
							<td align="left">La infancia de la Humanidad</td>
						</tr>
						<tr>
							<td align="left">272</td>
							<td align="left">Vallois, Henri-V.</td>
							<td align="left">1960</td>
							<td align="left">Eudeba Edit. Buenos Aires</td>
							<td align="left">Las razas humanas</td>
						</tr>
						<tr>
							<td align="left">273</td>
							<td align="left">Adamson, Hoebel. E</td>
							<td align="left">1961</td>
							<td align="left">Edi. Omega. Barcelona</td>
							<td align="left">El hombre en el mundo primitivo</td>
						</tr>
						<tr>
							<td align="left">274</td>
							<td align="left">Howells, William</td>
							<td align="left">1961</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">M&#xe1;s all&#xe1; de la historia</td>
						</tr>
						<tr>
							<td align="left">275</td>
							<td align="left">Hobermiaer y Garc&#xed;a Bellido, Antonio</td>
							<td align="left">1944</td>
							<td align="left">Rv. de Occidente. Madrid</td>
							<td align="left">El hombre prehist&#xf3;rico y los or&#xed;genes de la Humanidad</td>
						</tr>
						<tr>
							<td align="left">276</td>
							<td align="left">Kunstt, Jaaps</td>
							<td align="left">1955</td>
							<td align="left">Amsterdam</td>
							<td align="left">Ethno-Musicology</td>
						</tr>
						<tr>
							<td align="left">277</td>
							<td align="left">Mead, Margaret</td>
							<td align="left">1971</td>
							<td align="left">Payot, Par&#xed;s</td>
							<td align="left">L&#x2019;anthropologie comme science humaine</td>
						</tr>
						<tr>
							<td align="left">278</td>
							<td align="left">Boas, Franz</td>
							<td align="left">1947</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Arte Primitivo</td>
						</tr>
						<tr>
							<td align="left">279</td>
							<td align="left">Labiosa, Pia</td>
							<td align="left">1958</td>
							<td align="left">Ediciones Omega. Barcelona</td>
							<td align="left">Origen y difusi&#xf3;n de la civilizaci&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">280</td>
							<td align="left">Pericot Garc&#xed;a, Luis</td>
							<td align="left">1950</td>
							<td align="left">Edit. Baran, S.A. Barcelona</td>
							<td align="left">La Espa&#xf1;a primitiva</td>
						</tr>
						<tr>
							<td align="left">281</td>
							<td align="left">Malinowski, Branislaw</td>
							<td align="left">1948</td>
							<td align="left">Edit. Sudamericana Buenos Aires</td>
							<td align="left">Una teor&#xed;a cient&#xed;fica de la cultura</td>
						</tr>
						<tr>
							<td align="left">282</td>
							<td align="left">Sol, Tax</td>
							<td align="left">1964</td>
							<td align="left">&#xc9;dit. Norma. Colombia</td>
							<td align="left">Antropolog&#xed;a: una nueva visi&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">283</td>
							<td align="left">Morgan, Jacques de</td>
							<td align="left">1947</td>
							<td align="left">Edit. Cervantes. Barcelona</td>
							<td align="left">La humanidad prehist&#xf3;rica</td>
						</tr>
						<tr>
							<td align="left">284</td>
							<td align="left">Benedict, Ruth</td>
							<td align="left">1944</td>
							<td align="left">Edit Sudamericana. Buenos Aires</td>
							<td align="left">El hombre y la cultura</td>
						</tr>
						<tr>
							<td align="left">285</td>
							<td align="left">Frobenius, Leo</td>
							<td align="left">1934</td>
							<td align="left">Espasa Calpe, S.A. Madrid</td>
							<td align="left">La Cultura como ser viviente</td>
						</tr>
						<tr>
							<td align="left">286</td>
							<td align="left">Gobineau, el Conde de</td>
							<td align="left">1937</td>
							<td align="left">Edit. Apolo. Barcelona</td>
							<td align="left">Ensayo sobre las desigualdades de las razas humanas</td>
						</tr>
						<tr>
							<td align="left">287</td>
							<td align="left">Elliot Smith, G.</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Nova. Buenos Aires</td>
							<td align="left">En el comienzo de la civilizaci&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">288</td>
							<td align="left">Vansina, Jan</td>
							<td align="left">1966</td>
							<td align="left">Edit. Labor, S.A. Madrid</td>
							<td align="left">La tradici&#xf3;n oral</td>
						</tr>
						<tr>
							<td align="left">289</td>
							<td align="left">Murdock, G. P.</td>
							<td align="left">1956</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Nuestros contempor&#xe1;neos primitivos</td>
						</tr>
						<tr>
							<td align="left">290</td>
							<td align="left">Guiart, Jean</td>
							<td align="left">1971</td>
							<td align="left">Editions Seghers. Par&#xed;s</td>
							<td align="left">Clefs pour l&#x2019;Ethnologie</td>
						</tr>
						<tr>
							<td align="left">291</td>
							<td align="left">Lubbock, Sir John</td>
							<td align="left">1888</td>
							<td align="left">Progreso Editorial. Madrid</td>
							<td align="left">Los or&#xed;genes de la civilizaci&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">292</td>
							<td align="left">Funke, Friedrich W.</td>
							<td align="left">1965</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">Crep&#xfa;sculo sobre Indonesia</td>
						</tr>
						<tr>
							<td align="left">293</td>
							<td align="left">Julien, Paul</td>
							<td align="left">1968</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">Pigmeos</td>
						</tr>
						<tr>
							<td align="left">294</td>
							<td align="left">Smith, Birket</td>
							<td align="left">1965</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">Los Esquimales</td>
						</tr>
						<tr>
							<td align="left">295</td>
							<td align="left">Mountford, Charles P.</td>
							<td align="left">1965</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">Rostros bronceados y arenas rojas</td>
						</tr>
						<tr>
							<td align="left">296</td>
							<td align="left">Dittmer, Kuntz</td>
							<td align="left">1960</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Etnolog&#xed;a general</td>
						</tr>
						<tr>
							<td align="left">297</td>
							<td align="left">Eliade, Mircea</td>
							<td align="left">1960</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">El Chamanismo</td>
						</tr>
						<tr>
							<td align="left">298</td>
							<td align="left">Lowie, Robert H.</td>
							<td align="left">1946</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Historia de la Etnolog&#xed;a</td>
						</tr>
						<tr>
							<td align="left">299</td>
							<td align="left">Ortega, Manuel L.</td>
							<td align="left">1934</td>
							<td align="left">Edic. Nuestra Raza. Madrid</td>
							<td align="left">Los Hebreos en Marruecos</td>
						</tr>
						<tr>
							<td align="left">300</td>
							<td align="left">Tarde, G.</td>
							<td align="left">1907</td>
							<td align="left">Daniel Jorro Editor. Madrid</td>
							<td align="left">Las Leyes de la imitaci&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">301</td>
							<td align="left">Jord&#xe1; Cerd&#xe1;, Francisco</td>
							<td align="left">1951</td>
							<td align="left">Edit. Seix y Barral, S.A. Barcelona</td>
							<td align="left">Resumen de Etnolog&#xed;a</td>
						</tr>
						<tr>
							<td align="left">302</td>
							<td align="left">Mill&#xe1;s Vallicrosa, Jose M&#xaa;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Barna, S.A. Barcelona</td>
							<td align="left">Espa&#xf1;a y Marruecos</td>
						</tr>
						<tr>
							<td align="left">303</td>
							<td align="left">Caro Baroja, Julio</td>
							<td align="left">1958</td>
							<td align="left">Ediciones Minotauro. Madrid</td>
							<td align="left">Los Vascos</td>
						</tr>
						<tr>
							<td align="left">304</td>
							<td align="left">Linton, Ralph</td>
							<td align="left">1970</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Estudio del hombre</td>
						</tr>
						<tr>
							<td align="left">305</td>
							<td align="left">Forde, Daryll. C</td>
							<td align="left">1965</td>
							<td align="left">Ediciones oikos-tau. Barcelona</td>
							<td align="left">H&#xe1;bitat, econom&#xed;a y sociedad</td>
						</tr>
						<tr>
							<td align="left">306</td>
							<td align="left">Castiglioni, Arturo</td>
							<td align="left">1947</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Encantamiento y magia</td>
						</tr>
						<tr>
							<td align="left">307</td>
							<td align="left">Ramos, Arthur</td>
							<td align="left">1943</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Las Culturas Negras en el Nuevo Mundo</td>
						</tr>
						<tr>
							<td align="left">308</td>
							<td align="left">Bastide, Roger</td>
							<td align="left">1948</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Arte y Sociedad</td>
						</tr>
						<tr>
							<td align="left">309</td>
							<td align="left">Almagro, Mart&#xed;n</td>
							<td align="left">1967</td>
							<td align="left">Edit. Guadarrama. Madrid</td>
							<td align="left">Introducci&#xf3;n al estudio de la Prehistoria y de la Arqueolog&#xed;a de Campo</td>
						</tr>
						<tr>
							<td align="left">310</td>
							<td align="left">Mauss, Marcel</td>
							<td align="left">1947</td>
							<td align="left">Payot. Par&#xed;s</td>
							<td align="left">Manuel d&#x2019;Etnographie</td>
						</tr>
						<tr>
							<td align="left">311</td>
							<td align="left">Caro Baroja, Julio</td>
							<td align="left">1965</td>
							<td align="left">Edit. Taurus. Madrid</td>
							<td align="left">El Carnaval</td>
						</tr>
						<tr>
							<td align="left">312</td>
							<td align="left">Caro Baroja, Julio</td>
							<td align="left">1968</td>
							<td align="left">Edic. Revista de Occidente. Madrid</td>
							<td align="left">Ensayo sobre la Literatura de Cordel</td>
						</tr>
						<tr>
							<td align="left">313</td>
							<td align="left">Caro Baroja, Julio</td>
							<td align="left">1949</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">An&#xe1;lisis de la Cultura</td>
						</tr>
						<tr>
							<td align="left">314</td>
							<td align="left">ETNOGRAF&#xcd;A</td>
							<td align="left">1964</td>
							<td align="left">Enciclopedia moderna del conocimiento Universal. Buenos Aires</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">315</td>
							<td align="left">Linton, Ralph</td>
							<td align="left">1945</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Cultura y personalidad</td>
						</tr>
						<tr>
							<td align="left">316</td>
							<td align="left">Beals, Ralph L &amp; Hojier Harry</td>
							<td align="left">1963</td>
							<td align="left">Edit. Aguilar. Madrid</td>
							<td align="left">Introducci&#xf3;n a la Antropolog&#xed;a</td>
						</tr>
						<tr>
							<td align="left">317</td>
							<td align="left">Levi-Strauss, Claude</td>
							<td align="left">1970</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">El pensamiento salvaje</td>
						</tr>
						<tr>
							<td align="left">318</td>
							<td align="left">Brodrick, Houghton. A</td>
							<td align="left">1964</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica, M&#xe9;xico</td>
							<td align="left">El hombre prehist&#xf3;rico</td>
						</tr>
						<tr>
							<td align="left">319</td>
							<td align="left">Mair, Lucy</td>
							<td align="left">1969</td>
							<td align="left">Edci. Guadarrama. Madrid</td>
							<td align="left">La brujer&#xed;a en los pueblos primitivos actuales</td>
						</tr>
						<tr>
							<td align="left">320</td>
							<td align="left">Bastide, Roger</td>
							<td align="left">1970</td>
							<td align="left">Payot. Par&#xed;s</td>
							<td align="left">Anthropologie appliqu&#xe9;e</td>
						</tr>
						<tr>
							<td align="left">321</td>
							<td align="left">Malinowski, Bronislaw</td>
							<td align="left">1970</td>
							<td align="left">Payot. Par&#xed;s</td>
							<td align="left">La vie sexuelle des sauvages</td>
						</tr>
						<tr>
							<td align="left">322</td>
							<td align="left">Besson, Maurice</td>
							<td align="left">1931</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">Totemismo</td>
						</tr>
						<tr>
							<td align="left">323</td>
							<td align="left">Scotti, Pietro</td>
							<td align="left">1967</td>
							<td align="left">Edic. Credsa. Barcelona</td>
							<td align="left">Religi&#xf3;n y magia en los pueblos primitivos</td>
						</tr>
						<tr>
							<td align="left">324</td>
							<td align="left">Haberlandt, Michael</td>
							<td align="left">1929</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">Etnograf&#xed;a</td>
						</tr>
						<tr>
							<td align="left">325</td>
							<td align="left">Scotti, Pietro</td>
							<td align="left">1968</td>
							<td align="left">Ediciones Credsa. Barcelona</td>
							<td align="left">La vida social de los pueblos primitivos</td>
						</tr>
						<tr>
							<td align="left">326</td>
							<td align="left">Granet, Marcel</td>
							<td align="left">1968</td>
							<td align="left">Edit. Albin Michel. Par&#xed;s</td>
							<td align="left">La pens&#xe9;e chinoise</td>
						</tr>
						<tr>
							<td align="left">327</td>
							<td align="left">James Frazer, Sir George</td>
							<td align="left">1942</td>
							<td align="left">Edit. Emece. Buenos Aires</td>
							<td align="left">Mitos sobre el origen del fuego</td>
						</tr>
						<tr>
							<td align="left">328</td>
							<td align="left">Caro Baroja, Julio</td>
							<td align="left">1968</td>
							<td align="left">Edic. Pen&#xed;nsula. Barcelona</td>
							<td align="left">Estudios sobre la vida tradicional espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">329</td>
							<td align="left">Sonneville-Bordes, Dense</td>
							<td align="left">1965</td>
							<td align="left">Presse Universitaires. Par&#xed;s</td>
							<td align="left">L&#x2019;age de la pierre</td>
						</tr>
						<tr>
							<td align="left">330</td>
							<td align="left">Day, Michael H.</td>
							<td align="left">1961</td>
							<td align="left">Edit. Bruguera. Italia</td>
							<td align="left">El hombre f&#xf3;sil</td>
						</tr>
						<tr>
							<td align="left">331</td>
							<td align="left">Jord&#xe1; Cerd&#xe1;, Francisco</td>
							<td align="left">1947</td>
							<td align="left">Edit. Seix y Barral. Barcelona</td>
							<td align="left">El hombre F&#xf3;sil</td>
						</tr>
						<tr>
							<td align="left">332</td>
							<td align="left">Laming-Emperaire, Annette</td>
							<td align="left">1968</td>
							<td align="left">Edit. Mart&#xed;nez Roca. Barcelona</td>
							<td align="left">La Arqueolog&#xed;a Prehist&#xf3;rica</td>
						</tr>
						<tr>
							<td align="left">333</td>
							<td align="left">Acevedo y Huelves, B</td>
							<td align="left">1915</td>
							<td align="left">Oviedo</td>
							<td align="left">Los Vaqueiros de Alzada en Asturias</td>
						</tr>
						<tr>
							<td align="left">334</td>
							<td align="left">Cabal, Constantino</td>
							<td align="left">1925</td>
							<td align="left">Talleres Voluntad. Madrid</td>
							<td align="left">Las costumbres asturianas: El Individuo</td>
						</tr>
						<tr>
							<td align="left">335</td>
							<td align="left">Cabal, Constantino</td>
							<td align="left">1925</td>
							<td align="left">Imp. Juan Pueyo. Madrid</td>
							<td align="left">La mitolog&#xed;a asturiana</td>
						</tr>
						<tr>
							<td align="left">336</td>
							<td align="left">Cabal, Constantino</td>
							<td align="left">&#xa0;</td>
							<td align="left">Talles. Voluntad. Madrid</td>
							<td align="left">Del Folklore de Asturias</td>
						</tr>
						<tr>
							<td align="left">337</td>
							<td align="left">Cabal, Constantino</td>
							<td align="left">1931</td>
							<td align="left">Madrid</td>
							<td align="left">Las costumbres asturianas: su significaci&#xf3;n y sus or&#xed;genes</td>
						</tr>
						<tr>
							<td align="left">338</td>
							<td align="left">G&#xf3;mez-Tabanera, Jos&#xe9; Manuel</td>
							<td align="left">1967</td>
							<td align="left">1&#xba;. Espa&#xf1;ol de Antropolog&#xed;a Aplicada. Madrid</td>
							<td align="left">Las ra&#xed;ces de Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">339</td>
							<td align="left">L&#xe9;vi-Strauss</td>
							<td align="left">1969</td>
							<td align="left">Edit. Universitaria de Buenos Aires</td>
							<td align="left">Antropolog&#xed;a estructural</td>
						</tr>
						<tr>
							<td align="left">340</td>
							<td align="left">Jense, AD.E</td>
							<td align="left">1966</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Mito y culto entre pueblos primitivos</td>
						</tr>
						<tr>
							<td align="left">341</td>
							<td align="left">Krickeberg, Walter</td>
							<td align="left">1966</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Etnolog&#xed;a de Am&#xe9;rica</td>
						</tr>
						<tr>
							<td align="left">342</td>
							<td align="left">Lowie, Robert H.</td>
							<td align="left">1940</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica de M&#xe9;xico</td>
							<td align="left">Antropolog&#xed;a Cultural</td>
						</tr>
						<tr>
							<td align="left">343</td>
							<td align="left">Llovet, Enrique</td>
							<td align="left">1956</td>
							<td align="left">Editora Nacional Madrid</td>
							<td align="left">Magia y milagro de la poes&#xed;a popular</td>
						</tr>
						<tr>
							<td align="left">344</td>
							<td align="left">Caro Baroja, Julio</td>
							<td align="left">1946</td>
							<td align="left">Edit. Barna, S.A. Barcelona</td>
							<td align="left">Los pueblos de Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">345</td>
							<td align="left">Mart&#xed;nez Torner, Eduardo M.</td>
							<td align="left">1966</td>
							<td align="left">Edit. Castalia. Madrid</td>
							<td align="left">L&#xed;rica Hisp&#xe1;nica: relaciones entre lo popular y lo culto</td>
						</tr>
						<tr>
							<td align="left">346</td>
							<td align="left">Sim&#xf3;n D&#xed;az, Jos&#xe9;</td>
							<td align="left">1964</td>
							<td align="left">It&#xba;. de Estudios Madrile&#xf1;os, Madrid</td>
							<td align="left">Fuentes para la historia de Madrid y su provincia</td>
						</tr>
						<tr>
							<td align="left">347</td>
							<td align="left">Levy-Bruhl, Lucien</td>
							<td align="left">1922</td>
							<td align="left">Ediciones Leviat&#xe1;n. Buenos Aires</td>
							<td align="left">La mentalidad primitiva</td>
						</tr>
						<tr>
							<td align="left">348</td>
							<td align="left">Kardiner, Abram</td>
							<td align="left">1966</td>
							<td align="left">&#xc9;ditions Gallimard</td>
							<td align="left">Introduction &#xe0; l&#x2019;Ethnologie</td>
						</tr>
						<tr>
							<td align="left">349</td>
							<td align="left">Scheler, Max</td>
							<td align="left">1934</td>
							<td align="left">Revista de Occidente, Madrid</td>
							<td align="left">El saber y la cultura</td>
						</tr>
						<tr>
							<td align="left">350</td>
							<td align="left">Houssay, Bernardo A.</td>
							<td align="left">1960</td>
							<td align="left">Edit. Columba, Buenos Aires</td>
							<td align="left">La investigaci&#xf3;n cient&#xed;fica</td>
						</tr>
						<tr>
							<td align="left">351</td>
							<td align="left">Sibirsky, Sa&#xfa;l</td>
							<td align="left">1966</td>
							<td align="left">Edit. Columba, Buenos Aires</td>
							<td align="left">&#xbf;Qu&#xe9; es la Cultura?</td>
						</tr>
						<tr>
							<td align="left">352</td>
							<td align="left">Babini, Jos&#xe9;</td>
							<td align="left">1960</td>
							<td align="left">Edit. Columba, Buenos Aires</td>
							<td align="left">&#xbf;Qu&#xe9; es la Ciencia?</td>
						</tr>
						<tr>
							<td align="left">353</td>
							<td align="left">M&#xe1;rquez Miranda, Fernando</td>
							<td align="left">1958</td>
							<td align="left">Edit. Columba, Buenos Aires</td>
							<td align="left">El arte primitivo</td>
						</tr>
						<tr>
							<td align="left">354</td>
							<td align="left">Eliot, T.S.</td>
							<td align="left">1949</td>
							<td align="left">Emec&#xe9;, Editores. Buenos Aires</td>
							<td align="left">Notas para la definici&#xf3;n de la Cultura</td>
						</tr>
						<tr>
							<td align="left">355</td>
							<td align="left">Rubi&#xf3; y Balaguer, J.</td>
							<td align="left">1943</td>
							<td align="left">Edit. Alberto Mart&#xed;n. Barcelona</td>
							<td align="left">La vida espa&#xf1;ola en la &#xe9;poca g&#xf3;tica</td>
						</tr>
						<tr>
							<td align="left">356</td>
							<td align="left">Valbuena Prat, Angel</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Alberto Mart&#xed;n.</td>
							<td align="left">La vida espa&#xf1;ola en la Edad de Oro</td>
						</tr>
						<tr>
							<td align="left">357</td>
							<td align="left">Albar, Manuel</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Porrua, S.A.</td>
							<td align="left">Poes&#xed;a Tradicional de los jud&#xed;os espa&#xf1;oles</td>
						</tr>
						<tr>
							<td align="left">358</td>
							<td align="left">Rodr&#xed;guez Rivera, Virginia</td>
							<td align="left">1967</td>
							<td align="left">Universidad Aut&#xf3;noma de M&#xe9;xico</td>
							<td align="left">Mujeres Folkloristas</td>
						</tr>
						<tr>
							<td align="left">359</td>
							<td align="left">Gil del R&#xed;o, Alfredo</td>
							<td align="left">1972</td>
							<td align="left">Imp. Tipo-L&#xed;nea, Zaragoza</td>
							<td align="left">La Rioja y sus albores</td>
						</tr>
						<tr>
							<td align="left">360</td>
							<td align="left">Bejarano Robles, Francisco</td>
							<td align="left">1949</td>
							<td align="left">Imprenta del Majzen. Tetu&#xe1;n</td>
							<td align="left">Fiestas de moros y cristianos en la provincia de M&#xe1;laga</td>
						</tr>
						<tr>
							<td align="left">361</td>
							<td align="left">L&#x2019;Art Populaire Hongrois</td>
							<td align="left">1928</td>
							<td align="left">Imprim. Universit&#xe9; Royale. Budapest</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">362</td>
							<td align="left">Zavala, Antonio S.I.</td>
							<td align="left">1964</td>
							<td align="left">Edit. Au&#xf1;amendi. Zarauz</td>
							<td align="left">Bosquejo Hist&#xf3;rico del Bersolarismo</td>
						</tr>
						<tr>
							<td align="left">363</td>
							<td align="left">Wundt, W.</td>
							<td align="left">1926</td>
							<td align="left">Edit. Daniel Jorro. Madrid</td>
							<td align="left">Elementos de psicolog&#xed;a de los pueblos</td>
						</tr>
						<tr>
							<td align="left">364</td>
							<td align="left">Etnolog&#xed;a y Tradiciones Populares</td>
							<td align="left">1969</td>
							<td align="left">Insti. Fernando el Cat&#xf3;lico - CSIC Zaragoza</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">365</td>
							<td align="left">Vansina, Jan</td>
							<td align="left">1966</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">La tradici&#xf3;n oral</td>
						</tr>
						<tr>
							<td align="left">366</td>
							<td align="left">M&#xe1;rquez Miranda, Fernando</td>
							<td align="left">1958</td>
							<td align="left">Edit. Columba. Buenos Aires</td>
							<td align="left">El arte primitivo</td>
						</tr>
						<tr>
							<td align="left">367</td>
							<td align="left">Babini, Jos&#xe9;</td>
							<td align="left">1960</td>
							<td align="left">Edit. Columba, Buenos Aires</td>
							<td align="left">Qu&#xe9; es la Ciencia</td>
						</tr>
						<tr>
							<td align="left">368</td>
							<td align="left">Sibirsky, Sa&#xfa;l</td>
							<td align="left">1966</td>
							<td align="left">Edit. Columba, Buenos Aires</td>
							<td align="left">Qu&#xe9; es la Ciencia</td>
						</tr>
						<tr>
							<td align="left">369</td>
							<td align="left">Houssay, Bernardo A.</td>
							<td align="left">1960</td>
							<td align="left">Edit Columba, Buenos Aires</td>
							<td align="left">La investigaci&#xf3;n cient&#xed;fica</td>
						</tr>
						<tr>
							<td align="left">370</td>
							<td align="left">Frobenius, Leo</td>
							<td align="left">1934</td>
							<td align="left">Espasa Calpe, S.A. Madrid</td>
							<td align="left">La Cultura como ser viviente</td>
						</tr>
						<tr>
							<td align="left">371</td>
							<td align="left">Elliot Smith, G</td>
							<td align="left">1945</td>
							<td align="left">Edit. Nova, Buenos Aires</td>
							<td align="left">En el comienzo de la civilizaci&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">372</td>
							<td align="left">Macabich Llobet, Isidoro</td>
							<td align="left">1970</td>
							<td align="left">Imp. Alfa, Palma de Mallorca</td>
							<td align="left">Historia de Ibiza, Tomo I</td>
						</tr>
						<tr>
							<td align="left">373</td>
							<td align="left">Macabich Llobet, Isidoro</td>
							<td align="left">&#xa0;</td>
							<td align="left">Imp. Alfa, Palma de Mallorca</td>
							<td align="left">Historia de Ibiza, Tomo II</td>
						</tr>
						<tr>
							<td align="left">374</td>
							<td align="left">Barandiaran, Jos&#xe9; M&#xaa; de</td>
							<td align="left">1960</td>
							<td align="left">Edic. Minotauro. Madrid</td>
							<td align="left">Mitolog&#xed;a Vasca</td>
						</tr>
						<tr>
							<td align="left">375</td>
							<td align="left">Violant y Simorra, Ram&#xf3;n</td>
							<td align="left">1949</td>
							<td align="left">Edit. Plus Ultra, Madrid</td>
							<td align="left">El Pirineo Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">377</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1941</td>
							<td align="left">Diputaci&#xf3;n Provincial de Barcelona</td>
							<td align="left">La M&#xfa;sica de las Cantigas de Santa Mar&#xed;a del rey Alfonso el Sabio</td>
						</tr>
						<tr>
							<td align="left">378</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1958</td>
							<td align="left">Diputaci&#xf3;n Provincial de Barcelona</td>
							<td align="left">La M&#xfa;sica de las Cantigas de Santa Mar&#xed;a del rey Alfonso el Sabio. Estudio cr&#xed;tico</td>
						</tr>
						<tr>
							<td align="left">379</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1958</td>
							<td align="left">Diputaci&#xf3;n de Barcelona</td>
							<td align="left">La M&#xfa;sica de las Cantigas de Santa Mar&#xed;a del rey Alfonso el Sabio Vol. III. Transcripci&#xf3;n y estudio cr&#xed;tico</td>
						</tr>
						<tr>
							<td align="left">380</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">La M&#xfa;sica de las Cantigas de Santa Mar&#xed;a del Rey Alfonso el Sabio</td>
						</tr>
						<tr>
							<td align="left">381</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1949</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Cancionero Musical de la Casa de Medinaceli. Vol. I</td>
						</tr>
						<tr>
							<td align="left">382</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">&#xa0;</td>
							<td align="left">CSIC</td>
							<td align="left">Cancionero Musical de la Casa de Medinaceli. Vol. II</td>
						</tr>
						<tr>
							<td align="left">383</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1941</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La M&#xfa;sica en la Corte de los Reyes Cat&#xf3;licos. Vol.</td>
						</tr>
						<tr>
							<td align="left">384</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1947</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La M&#xfa;sica en la Corte de los Reyes Cat&#xf3;licos. Vol. II</td>
						</tr>
						<tr>
							<td align="left">385</td>
							<td align="left">Romeu Figueras, Jos&#xe9;</td>
							<td align="left">1951</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La M&#xfa;sica en la Corte de los Reyes Cat&#xf3;licos. Vol. III</td>
						</tr>
						<tr>
							<td align="left">386</td>
							<td align="left">Romeu Figueras, Jos&#xe9;</td>
							<td align="left">1965</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La M&#xfa;sica en la Corte de los Reyes Cat&#xf3;licos. Vol. IV.1</td>
						</tr>
						<tr>
							<td align="left">387</td>
							<td align="left">Romeu Figueras, Jos&#xe9;</td>
							<td align="left">1965</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La M&#xfa;sica en la Corte de los Reyes Cat&#xf3;licos. Vol. IV.2</td>
						</tr>
						<tr>
							<td align="left">388</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1944</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">La M&#xfa;sica en la Corte de Carlos V</td>
						</tr>
						<tr>
							<td align="left">389</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1971</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Cancionero Musical de la Colombina</td>
						</tr>
						<tr>
							<td align="left">390</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1970</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">M&#xfa;sica Barroca Espa&#xf1;ola. Polifon&#xed;a Profana</td>
						</tr>
						<tr>
							<td align="left">391</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1956</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Romances y Letras a tres voces (siglo XVII) Vol.I</td>
						</tr>
						<tr>
							<td align="left">392</td>
							<td align="left">Pujol, Emilio</td>
							<td align="left">1965</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Libro de m&#xfa;sica de Vihuela intitulado Silva de Sirenas Vol I</td>
						</tr>
						<tr>
							<td align="left">393</td>
							<td align="left">Pujol, Emilio</td>
							<td align="left">1965</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Libro de m&#xfa;sica de Vihuela intitulado Silva de Sirenas Vol.II</td>
						</tr>
						<tr>
							<td align="left">394</td>
							<td align="left">Pujol, Emilio</td>
							<td align="left">1945</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Los seys libros del Delphin de m&#xfa;sica de cifra para ta&#xf1;er vihuela</td>
						</tr>
						<tr>
							<td align="left">395</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1946</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Juan V&#xe1;squez, sonetos y villancicos</td>
						</tr>
						<tr>
							<td align="left">396</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1946</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Crist&#xf3;bal de Morales, &#xf3;pera omnia</td>
						</tr>
						<tr>
							<td align="left">397</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1955</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Francisco Guerrero, &#xf3;pera omnia. Vol.I</td>
						</tr>
						<tr>
							<td align="left">398</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1957</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Francisco Guerrero, &#xf3;pera omnia. Vol. II</td>
						</tr>
						<tr>
							<td align="left">399</td>
							<td align="left">Pujol, Emilio</td>
							<td align="left">1949</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Tres libros de m&#xfa;sica en cifra para vihuela</td>
						</tr>
						<tr>
							<td align="left">400</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1966</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Antonio de Cabez&#xf3;n. Obra de m&#xfa;sica para tecla, arpa y vihuela</td>
						</tr>
						<tr>
							<td align="left">401</td>
							<td align="left">Angl&#xe8;s, Higinio</td>
							<td align="left">1955</td>
							<td align="left">Diputaci&#xf3;n de Barcelona</td>
							<td align="left">Mateo Flecha: LAS ENSALADAS</td>
						</tr>
						<tr>
							<td align="left">402</td>
							<td align="left">Sampedro y Folgar, Casto</td>
							<td align="left">1942</td>
							<td align="left">El Museo de Pontevedra</td>
							<td align="left">Cancionero Musical de Galicia, Tomo I</td>
						</tr>
						<tr>
							<td align="left">403</td>
							<td align="left">Sampedro y Folgar, Casto</td>
							<td align="left">1942</td>
							<td align="left">El Museo de Pontevedra</td>
							<td align="left">Cancionero Musical de Galicia. Tomo II</td>
						</tr>
						<tr>
							<td align="left">404</td>
							<td align="left">Torner, Eduardo M., y Bal y Gay, Jes&#xfa;s</td>
							<td align="left">1973</td>
							<td align="left">Fundaci&#xf3;n Barr&#xed;e de la Maza. La Coru&#xf1;a</td>
							<td align="left">Cancionero Gallego. Tomo I</td>
						</tr>
						<tr>
							<td align="left">405</td>
							<td align="left">Torner, Eduardo M., y Bal y Gay, Jes&#xfa;s</td>
							<td align="left">1973</td>
							<td align="left">Fundaci&#xf3;n Barr&#xed;e de la Maza. La Coru&#xf1;a</td>
							<td align="left">Cancionero Gallego. Tomo.II</td>
						</tr>
						<tr>
							<td align="left">406</td>
							<td align="left">Bal y Gay, Men&#xe9;ndez Pidal, y Juan Ram&#xf3;n Jim&#xe9;nez</td>
							<td align="left">1935</td>
							<td align="left">Residencia de Estudiantes. Madrid</td>
							<td align="left">Treinta Canciones de Lope de Vega</td>
						</tr>
						<tr>
							<td align="left">407</td>
							<td align="left">Garc&#xed;a Barriuso, Patrocinio</td>
							<td align="left">1941</td>
							<td align="left">Artes Gr&#xe1;ficas Bosc&#xe1;. Larache</td>
							<td align="left">La M&#xfa;sica Hispano-Musulmana en Marruecos</td>
						</tr>
						<tr>
							<td align="left">408</td>
							<td align="left">Monreal</td>
							<td align="left">&#xa0;</td>
							<td align="left">Editora Horno de la Mata. Madrid</td>
							<td align="left">Colecci&#xf3;n de Jotas Navarras</td>
						</tr>
						<tr>
							<td align="left">409</td>
							<td align="left">Men&#xe9;ndez Esteban, Jos&#xe9;, y Flamarique, Pedro M&#xaa;</td>
							<td align="left">1967</td>
							<td align="left">Dipu. Foral de Navarra. Pamplona</td>
							<td align="left">Colecci&#xf3;n de Jotas Navarras</td>
						</tr>
						<tr>
							<td align="left">410</td>
							<td align="left">Hern&#xe1;ndez, Isidoro</td>
							<td align="left">1888</td>
							<td align="left">Uni&#xf3;n Musical Espa&#xf1;ola</td>
							<td align="left">La gracia de Andaluc&#xed;a</td>
						</tr>
						<tr>
							<td align="left">411</td>
							<td align="left">Hern&#xe1;ndez, Isidoro</td>
							<td align="left">1888</td>
							<td align="left">Uni&#xf3;n Musical Espa&#xf1;ola</td>
							<td align="left">Flores de Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">412</td>
							<td align="left">Mendoza, Vicente</td>
							<td align="left">1954</td>
							<td align="left">&#xa0;</td>
							<td align="left">Folklore de San Pedro Piedragorda</td>
						</tr>
						<tr>
							<td align="left">413</td>
							<td align="left">Benedito, Rafael</td>
							<td align="left">1962</td>
							<td align="left">Uni&#xf3;n Musical Espa&#xf1;ola. Madrid</td>
							<td align="left">Canciones Folkl&#xf3;ricas Espa&#xf1;olas</td>
						</tr>
						<tr>
							<td align="left">414</td>
							<td align="left">Mitjana, Rafael</td>
							<td align="left">1918</td>
							<td align="left">&#xa0;</td>
							<td align="left">Don Fernando de las Infantas: te&#xf3;logo y m&#xfa;sico</td>
						</tr>
						<tr>
							<td align="left">415</td>
							<td align="left">Morales, Rafael</td>
							<td align="left">&#xa0;</td>
							<td align="left">Ediciones Sacromonte, Granada</td>
							<td align="left">M&#xe9;todo de Guitarra</td>
						</tr>
						<tr>
							<td align="left">416</td>
							<td align="left">Monreal</td>
							<td align="left">&#xa0;</td>
							<td align="left">Editora Horno de la Mata. Madrid</td>
							<td align="left">Colecci&#xf3;n de Sevillanas</td>
						</tr>
						<tr>
							<td align="left">417</td>
							<td align="left">Gaspar Sanz</td>
							<td align="left">1966</td>
							<td align="left">Instituci&#xf3;n Fernando el Cat&#xf3;lico. Zaragoza</td>
							<td align="left">Instrucci&#xf3;n de m&#xfa;sica sobre la Guitarra Espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">418</td>
							<td align="left">A.S. I. Arista</td>
							<td align="left">&#xa0;</td>
							<td align="left">Editor. Ildefonso Alier. Barcelona-Madrid</td>
							<td align="left">Dos colecciones de Bailes Populares Espa&#xf1;oles</td>
						</tr>
						<tr>
							<td align="left">419</td>
							<td align="left">Santiago Kastner, Macario</td>
							<td align="left">1957</td>
							<td align="left">Association Internationales des Bibliotheques Musicales. Kassel und Basel</td>
							<td align="left">Fray Bermudo: Declaraci&#xf3;n de Instrumentos Musicales</td>
						</tr>
						<tr>
							<td align="left">420</td>
							<td align="left">Mitjana, Rafael; Bal y Gay, Jes&#xfa;s; Isabel Pope</td>
							<td align="left">1944</td>
							<td align="left">El Colegio de M&#xe9;jico</td>
							<td align="left">Cancionero de Upsala</td>
						</tr>
						<tr>
							<td align="left">421</td>
							<td align="left">Fern&#xe1;ndez Rojas, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. M&#xfa;sica Mundana</td>
							<td align="left">La Rioja en sus danzas y canciones. Tomo I</td>
						</tr>
						<tr>
							<td align="left">422</td>
							<td align="left">Fern&#xe1;ndez Rojas, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. M&#xfa;sica Mundana</td>
							<td align="left">La Rioja en sus danzas y canciones. Tomo II</td>
						</tr>
						<tr>
							<td align="left">423</td>
							<td align="left">Garc&#xed;a Barriuso, Patrocinio</td>
							<td align="left">1940</td>
							<td align="left">T&#xe1;nger</td>
							<td align="left">Ecos del Magrib</td>
						</tr>
						<tr>
							<td align="left">424</td>
							<td align="left">Larrea Palac&#xed;n, Arcaido</td>
							<td align="left">1956</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Canciones Juglarescas de Ifni</td>
						</tr>
						<tr>
							<td align="left">425</td>
							<td align="left">Monreal</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Cancionero Murciano</td>
						</tr>
						<tr>
							<td align="left">426</td>
							<td align="left">Salvat Editores, S.A.</td>
							<td align="left">1958</td>
							<td align="left">&#xa0;</td>
							<td align="left">El Mundo de los Ni&#xf1;os (El ni&#xf1;o y la m&#xfa;sica)</td>
						</tr>
						<tr>
							<td align="left">427</td>
							<td align="left">Hidalgo Montoya, Juan</td>
							<td align="left">1969</td>
							<td align="left">A. Carmona Editor. Madrid</td>
							<td align="left">Cancionero Popular Infantil Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">428</td>
							<td align="left">Orue Matia, Juan de</td>
							<td align="left">1970</td>
							<td align="left">A. Carmona Editor. Madrid</td>
							<td align="left">Canciones Populares Bilba&#xed;nas</td>
						</tr>
						<tr>
							<td align="left">429</td>
							<td align="left">Orue Matia, Juan de</td>
							<td align="left">1970</td>
							<td align="left">A. Carmona Editor. Madrid</td>
							<td align="left">Cancionero del Pa&#xed;s Vasco</td>
						</tr>
						<tr>
							<td align="left">430</td>
							<td align="left">Hidalgo Montoya, Juan</td>
							<td align="left">1971</td>
							<td align="left">A. Carmona Editor. Madrid</td>
							<td align="left">Cancionero de las dos Castillas</td>
						</tr>
						<tr>
							<td align="left">431</td>
							<td align="left">Llongueras, Joan</td>
							<td align="left">1928</td>
							<td align="left">&#xa0;</td>
							<td align="left">Els Cants de la Passi&#xf3;</td>
						</tr>
						<tr>
							<td align="left">432</td>
							<td align="left">Donostia J.A. y Madina F.</td>
							<td align="left">1943</td>
							<td align="left">Editorial Vasca EKIN. Buenos Aires</td>
							<td align="left">De M&#xfa;sica Vasca</td>
						</tr>
						<tr>
							<td align="left">433</td>
							<td align="left">Los dos F&#xf3;scari, de Verdi</td>
							<td align="left">1873</td>
							<td align="left">Edit. M&#xfa;sica Mundana. Barcelona</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">434</td>
							<td align="left">Asenjo Barbieri</td>
							<td align="left">1864</td>
							<td align="left">Edit. M&#xfa;sica Mundana. Barcelona</td>
							<td align="left">La Zarzuela</td>
						</tr>
						<tr>
							<td align="left">435</td>
							<td align="left">Bret&#xf3;n, Tom&#xe1;s</td>
							<td align="left">1896</td>
							<td align="left">Edit. M&#xfa;sica Mundana. Barcelona</td>
							<td align="left">La &#xd3;pera Nacional</td>
						</tr>
						<tr>
							<td align="left">436</td>
							<td align="left">Pedrell Felipe</td>
							<td align="left">1891</td>
							<td align="left">Edit. M&#xfa;sica Mundana. Barcelona</td>
							<td align="left">Por Nuestra M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">437</td>
							<td align="left">Gil Garc&#xed;a, Bonifacio</td>
							<td align="left">1958</td>
							<td align="left">Edit. M&#xfa;sica Mundana. Madrid</td>
							<td align="left">El Libro de las Canciones</td>
						</tr>
						<tr>
							<td align="left">438</td>
							<td align="left">40 Can&#xe7;ons Populars Catalanes</td>
							<td align="left">1909</td>
							<td align="left">&#xa0;</td>
							<td align="left">(4 libros n.&#xba; 90, 100, 110, 143)</td>
						</tr>
						<tr>
							<td align="left">439</td>
							<td align="left">S&#xe1;nchez Fraile, An&#xed;bal</td>
							<td align="left">1943</td>
							<td align="left">Salamanca</td>
							<td align="left">Nuevo Cancionero Salmantino</td>
						</tr>
						<tr>
							<td align="left">440</td>
							<td align="left">Verdi, J.</td>
							<td align="left">19??</td>
							<td align="left">Murcia</td>
							<td align="left">Colecci&#xf3;n de Cantos Populares de Murcia</td>
						</tr>
						<tr>
							<td align="left">441</td>
							<td align="left">Ledesma, D&#xe1;maso</td>
							<td align="left">1907</td>
							<td align="left">Imprenta Alemana. Madrid</td>
							<td align="left">Cancionero Salmantino</td>
						</tr>
						<tr>
							<td align="left">442</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">1966</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Antonio de Cabez&#xf3;n (obras de m&#xfa;sica para tecla, arpa ...)</td>
						</tr>
						<tr>
							<td align="left">443</td>
							<td align="left">Goyenechea e Iturria, Hilario</td>
							<td align="left">&#xa0;</td>
							<td align="left">Uni&#xf3;n Musical Espa&#xf1;ola. Madrid</td>
							<td align="left">Ramillete de Cantos Charros. Vol II</td>
						</tr>
						<tr>
							<td align="left">444</td>
							<td align="left">Schneider, Marius</td>
							<td align="left">1969</td>
							<td align="left">Tutzing</td>
							<td align="left">Geschichte der Mehrstimmigkeit</td>
						</tr>
						<tr>
							<td align="left">445</td>
							<td align="left">Gayano Lluch, Rafael</td>
							<td align="left">1944</td>
							<td align="left">Edit. TODO Valencia</td>
							<td align="left">La l&#xed;rica y la declamaci&#xf3;n en Valencia</td>
						</tr>
						<tr>
							<td align="left">446</td>
							<td align="left">Cabanillas, Ram&#xf3;n</td>
							<td align="left">1951</td>
							<td align="left">Edit. Galaxia. Vigo</td>
							<td align="left">Ant&#xed;fona da Cantiga</td>
						</tr>
						<tr>
							<td align="left">447</td>
							<td align="left">Luna, Jose Carlos de</td>
							<td align="left">1960</td>
							<td align="left">Centro de Estudios Hist&#xf3;ricos Jerezanos. Jerez de la Frontera</td>
							<td align="left">La Canci&#xf3;n Andaluza</td>
						</tr>
						<tr>
							<td align="left">448</td>
							<td align="left">Preciado, Dionisio</td>
							<td align="left">1973</td>
							<td align="left">Editorial Alpuerto</td>
							<td align="left">Quiebros y Redobles en F. Correa de Araujo</td>
						</tr>
						<tr>
							<td align="left">449</td>
							<td align="left">Mendoza, Vicente</td>
							<td align="left">1948</td>
							<td align="left">Hispanic Institute. New York</td>
							<td align="left">Canciones Mexicanas</td>
						</tr>
						<tr>
							<td align="left">450</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">1946</td>
							<td align="left">Emec&#xe9; Editores. S.A. Buenos Aires</td>
							<td align="left">M&#xfa;sica Sudamericana</td>
						</tr>
						<tr>
							<td align="left">451</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1948</td>
							<td align="left">Edit. Mill&#xe1;. Barcelona</td>
							<td align="left">Can&#xe7;ons Populars Catalanes</td>
						</tr>
						<tr>
							<td align="left">452</td>
							<td align="left">Beranger, P.J. de</td>
							<td align="left">1845</td>
							<td align="left">Perrotin Libraire. Par&#xed;s</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">453</td>
							<td align="left">Linares, M&#xaa; Teresa</td>
							<td align="left">1975</td>
							<td align="left">Edit. Pueblo y Educaci&#xf3;n. La Habana</td>
							<td align="left">La M&#xfa;sica y el Pueblo</td>
						</tr>
						<tr>
							<td align="left">454</td>
							<td align="left">G&#xe1;usac, F.</td>
							<td align="left">1906</td>
							<td align="left">Fuenterrab&#xed;a</td>
							<td align="left">La M&#xfa;sica Popular Vascongada</td>
						</tr>
						<tr>
							<td align="left">455</td>
							<td align="left">Sociedad Folkl&#xf3;rica de M&#xe9;xico</td>
							<td align="left">1953</td>
							<td align="left">Imp. Universitaria. M&#xe9;xico</td>
							<td align="left">Aportaciones a la Investigaci&#xf3;n Folkl&#xf3;rica de M&#xe9;xico</td>
						</tr>
						<tr>
							<td align="left">456</td>
							<td align="left">Olmeda, Federico</td>
							<td align="left">1903</td>
							<td align="left">Librer&#xed;a-editorial Mar&#xed;a Auxiliadora. Sevilla</td>
							<td align="left">Cancionero Popular de Burgos</td>
						</tr>
						<tr>
							<td align="left">457</td>
							<td align="left">Arnauas Larrond&#xe9;, Miguel</td>
							<td align="left">1927</td>
							<td align="left">Zaragoza</td>
							<td align="left">Colecci&#xf3;n Cantos Populares de la provincia de Teruel</td>
						</tr>
						<tr>
							<td align="left">458</td>
							<td align="left">Ruiz de Lihory, Jos&#xe9;</td>
							<td align="left">1903</td>
							<td align="left">Valencia</td>
							<td align="left">La M&#xfa;sica en Valencia: Diccionario biogr&#xe1;fico y Cr&#xed;tico</td>
						</tr>
						<tr>
							<td align="left">459</td>
							<td align="left">Torner, Eduardo M.</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">La canci&#xf3;n Tradicional Espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">460</td>
							<td align="left">Inzenga, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Barcelona</td>
							<td align="left">Ecos de Espa&#xf1;a. Colecci&#xf3;n cantos y bailes populares</td>
						</tr>
						<tr>
							<td align="left">461</td>
							<td align="left">Inzenga, Jos&#xe9;</td>
							<td align="left">1888</td>
							<td align="left">Madrid</td>
							<td align="left">Cantos y Bailes Populares de Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">462</td>
							<td align="left">Ocon, Eduardo</td>
							<td align="left">1874</td>
							<td align="left">M&#xe1;laga</td>
							<td align="left">Cantos Espa&#xf1;oles</td>
						</tr>
						<tr>
							<td align="left">463</td>
							<td align="left">Marazuela Albornos, Agapito</td>
							<td align="left">1964</td>
							<td align="left">Edit. Jefatura Provincial del Movimiento. Segovia</td>
							<td align="left">Cancionero Segoviano</td>
						</tr>
						<tr>
							<td align="left">464</td>
							<td align="left">Calleja, Rafael</td>
							<td align="left">1901</td>
							<td align="left">Madrid</td>
							<td align="left">Cantos de la Monta&#xf1;a. Canciones populares de la provincia de Santander</td>
						</tr>
						<tr>
							<td align="left">465</td>
							<td align="left">Verd&#xfa;, F</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Orfeo Tracio Madrid</td>
							<td align="left">Colecci&#xf3;n de cantos populares de Murcia</td>
						</tr>
						<tr>
							<td align="left">466</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edt. Isidro Torres. Barcelona</td>
							<td align="left">Diccionario T&#xe9;cnico de la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">467</td>
							<td align="left">Gil Garcia, Bonifacio</td>
							<td align="left">1931</td>
							<td align="left">E. Castells Impresor. Valls-Catalu&#xf1;a</td>
							<td align="left">Cancionero Popular de Extremadura</td>
						</tr>
						<tr>
							<td align="left">468</td>
							<td align="left">Liszt Frans</td>
							<td align="left">1881</td>
							<td align="left">Leipzig</td>
							<td align="left">Des Bohemiens et de leur musique en Hongrie</td>
						</tr>
						<tr>
							<td align="left">469</td>
							<td align="left">N&#xfa;&#xf1;ez Robres L.</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edt. Casa Dotesio. Madrid</td>
							<td align="left">La M&#xfa;sica del Pueblo. Colecci&#xf3;n de cantos espa&#xf1;oles</td>
						</tr>
						<tr>
							<td align="left">470</td>
							<td align="left">N&#xfa;&#xf1;ez Robres, L&#xe1;zaro</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edt. Casa Dotesio. Madrid</td>
							<td align="left">La M&#xfa;sica del Pueblo</td>
						</tr>
						<tr>
							<td align="left">471</td>
							<td align="left">Cotarelo y Mori, Emilio</td>
							<td align="left">1917</td>
							<td align="left">Madrid</td>
							<td align="left">La &#xd3;pera en Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">472</td>
							<td align="left">Mil&#xe1; y Fontanals, Manuel</td>
							<td align="left">1889</td>
							<td align="left">Librer&#xed;a &#xc1;lvaro Verdaguer. Barcelona</td>
							<td align="left">De los Trovadores en Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">473</td>
							<td align="left">Hoyos S&#xe1;inz, Luis de, y Nieves de Hoyos</td>
							<td align="left">1947</td>
							<td align="left">RV. De Occidente. Madrid</td>
							<td align="left">Manual de Folklore</td>
						</tr>
						<tr>
							<td align="left">474</td>
							<td align="left">Alexandre Kraus</td>
							<td align="left">1879</td>
							<td align="left">Florence</td>
							<td align="left">La Musique au Japon</td>
						</tr>
						<tr>
							<td align="left">475</td>
							<td align="left">Cotarelo y Mori, Emilio</td>
							<td align="left">1911</td>
							<td align="left">Edt. Bailly Bailli&#xe9;re. Madrid</td>
							<td align="left">Colecci&#xf3;n de entremeses, loas, bailes, j&#xe1;caras. Tomo 1</td>
						</tr>
						<tr>
							<td align="left">476</td>
							<td align="left">Cotarelo y Mori, Emilio</td>
							<td align="left">1911</td>
							<td align="left">Edt. Bailly Bailli&#xe9;re. Madrid</td>
							<td align="left">Colecci&#xf3;n de entremeses. loas, bailes j&#xe1;caras. Tomo 2</td>
						</tr>
						<tr>
							<td align="left">477</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1947</td>
							<td align="left">Salvat Editores, S.A. Barcelona, Madrid</td>
							<td align="left">Historia de la M&#xfa;sica. Tomo I</td>
						</tr>
						<tr>
							<td align="left">478</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1947</td>
							<td align="left">Salvat Editores, S.A. Barcelona, Madrid</td>
							<td align="left">Historia de la M&#xfa;sica. Tomo II</td>
						</tr>
						<tr>
							<td align="left">479</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1951</td>
							<td align="left">Salvat Editores, S.A. Barcelona, Madrid</td>
							<td align="left">Historia de la M&#xfa;sica Espa&#xf1;ola e Hispanoamericana</td>
						</tr>
						<tr>
							<td align="left">480</td>
							<td align="left">Mart&#xed;nez Torner, Eduardo</td>
							<td align="left">&#xa0;</td>
							<td align="left">Instituto Escuela. Madrid</td>
							<td align="left">Cancionero Musical</td>
						</tr>
						<tr>
							<td align="left">481</td>
							<td align="left">Capdevielle, Angela</td>
							<td align="left">&#xa0;</td>
							<td align="left">Diputaci&#xf3;n de C&#xe1;ceres</td>
							<td align="left">Cancionero de C&#xe1;ceres y su provincia</td>
						</tr>
						<tr>
							<td align="left">482</td>
							<td align="left">Mart&#xed;nez Torner, Eduardo</td>
							<td align="left">1919</td>
							<td align="left">Oviedo</td>
							<td align="left">Cancionero musical de Asturias</td>
						</tr>
						<tr>
							<td align="left">483</td>
							<td align="left">Campos M, Rub&#xe9;n</td>
							<td align="left">1930</td>
							<td align="left">Talleres Lino-tipogr&#xe1;ficos. M&#xe9;xico</td>
							<td align="left">El folklore musical de las ciudades</td>
						</tr>
						<tr>
							<td align="left">484</td>
							<td align="left">Pereira Salas, Eugenio</td>
							<td align="left">1941</td>
							<td align="left">Universidad de Chile</td>
							<td align="left">Los Or&#xed;genes del Arte Musical de Chile</td>
						</tr>
						<tr>
							<td align="left">485</td>
							<td align="left">Ram&#xf3;n y Rivera, Luis Felipe</td>
							<td align="left">1969</td>
							<td align="left">Monte &#xc1;vila. Editores. Caracas</td>
							<td align="left">La M&#xfa;sica Folkl&#xf3;rica de Venezuela</td>
						</tr>
						<tr>
							<td align="left">486</td>
							<td align="left">Campos M, Rub&#xe9;n</td>
							<td align="left">1928</td>
							<td align="left">Talleres gr&#xe1;ficos de la Naci&#xf3;n. M&#xe9;xico</td>
							<td align="left">El Folklore y la M&#xfa;sica Mexicana</td>
						</tr>
						<tr>
							<td align="left">487</td>
							<td align="left">Campos M, Rub&#xe9;n</td>
							<td align="left">1929</td>
							<td align="left">M&#xe9;xico D.F.</td>
							<td align="left">El Folklore Literario de M&#xe9;xico</td>
						</tr>
						<tr>
							<td align="left">488</td>
							<td align="left">Garay, Narciso</td>
							<td align="left">1930</td>
							<td align="left">Panam&#xe1;</td>
							<td align="left">Tradiciones y Cantares de Panam&#xe1;</td>
						</tr>
						<tr>
							<td align="left">489</td>
							<td align="left">Mendoza T, Vicente</td>
							<td align="left">1951</td>
							<td align="left">M&#xe9;xico</td>
							<td align="left">L&#xed;rica Infantil de M&#xe9;xico</td>
						</tr>
						<tr>
							<td align="left">490</td>
							<td align="left">Mendoza T, Vicente</td>
							<td align="left">1964</td>
							<td align="left">Universidad Aut&#xf3;noma de M&#xe9;xico. M&#xe9;xico</td>
							<td align="left">L&#xed;rica Narrativa de M&#xe9;xico: el corrido</td>
						</tr>
						<tr>
							<td align="left">491</td>
							<td align="left">Mendoza T, Vicente</td>
							<td align="left">1956</td>
							<td align="left">Imprenta Universitaria. M&#xe9;xico</td>
							<td align="left">Panorama de la m&#xfa;sica Tradicional de M&#xe9;xico</td>
						</tr>
						<tr>
							<td align="left">492</td>
							<td align="left">Mendoza T, Vicente</td>
							<td align="left">1939</td>
							<td align="left">Universidad de M&#xe9;jico. M&#xe9;xico</td>
							<td align="left">Romance y Corrido</td>
						</tr>
						<tr>
							<td align="left">493</td>
							<td align="left">Mendoza T, Vicente</td>
							<td align="left">1947</td>
							<td align="left">Establecimientos Gr&#xe1;ficos E.G.L.H. Buenos Aires</td>
							<td align="left">La D&#xe9;cima en M&#xe9;xico: glosas y valonas</td>
						</tr>
						<tr>
							<td align="left">494</td>
							<td align="left">&#xa0;</td>
							<td align="left">1955</td>
							<td align="left">La Habana</td>
							<td align="left">Miscel&#xe1;nea de Estudios dedicados a Fernando Ortiz. Vol. I</td>
						</tr>
						<tr>
							<td align="left">495</td>
							<td align="left">&#xa0;</td>
							<td align="left">1956</td>
							<td align="left">La Habana</td>
							<td align="left">Miscel&#xe1;nea de Estudios dedicados a Fernando Ortiz. Vol. II</td>
						</tr>
						<tr>
							<td align="left">496</td>
							<td align="left">&#xa0;</td>
							<td align="left">1957</td>
							<td align="left">La Habana</td>
							<td align="left">Miscel&#xe1;nea de Estudios dedicados a Fernando Ortiz Vol. III</td>
						</tr>
						<tr>
							<td align="left">497</td>
							<td align="left">&#xa0;</td>
							<td align="left">1971</td>
							<td align="left">Universidad Nacional Aut&#xf3;noma de M&#xe9;xico</td>
							<td align="left">25 Estudios de Folklore (homenaje a Vicente Mendoza y Virginia R. Rivera)</td>
						</tr>
						<tr>
							<td align="left">498</td>
							<td align="left">Azkue, Resurrecci&#xf3;n M&#xaa; de</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Boileau &amp; Bernasconi. Barcelona</td>
							<td align="left">Cancionero Popular Vasco, tomo I</td>
						</tr>
						<tr>
							<td align="left">499</td>
							<td align="left">Azkue, Resurrecci&#xf3;n M&#xaa; de</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Boileau &amp; Bernasconi. Barcelona</td>
							<td align="left">Cancionero Popular Vasco, tomo IV</td>
						</tr>
						<tr>
							<td align="left">500</td>
							<td align="left">Azkue, Resurrecci&#xf3;n M&#xaa; de</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Boileau &amp; Bernasconi. Barcelona</td>
							<td align="left">Cancionero Popular Vasco, tomo VIII</td>
						</tr>
						<tr>
							<td align="left">501</td>
							<td align="left">Gil Garc&#xed;a, Bonifacio</td>
							<td align="left">1956</td>
							<td align="left">Imp. Diputaci&#xf3;n de Badajoz</td>
							<td align="left">Cancionero Popular de Extremadura, tomo II</td>
						</tr>
						<tr>
							<td align="left">502</td>
							<td align="left">Schindler, Kurt</td>
							<td align="left">1941</td>
							<td align="left">Hispanic Institute in the United States. New York</td>
							<td align="left">Folkl Music and Poetry of Spain and Portugal</td>
						</tr>
						<tr>
							<td align="left">503</td>
							<td align="left">Sampaio, Gon&#xe7;alo</td>
							<td align="left">1940</td>
							<td align="left">P&#xf4;rto</td>
							<td align="left">Cancioneiro Minhoto</td>
						</tr>
						<tr>
							<td align="left">504</td>
							<td align="left">Schaeffer, Andr&#xe9;</td>
							<td align="left">1936</td>
							<td align="left">Payot. Par&#xed;s</td>
							<td align="left">Origine des Instruments de Musique</td>
						</tr>
						<tr>
							<td align="left">505</td>
							<td align="left">C&#xf3;rdova y O&#xf1;a, Sixto</td>
							<td align="left">1948</td>
							<td align="left">Aldus S.A. Artes Gr&#xe1;ficas. Santander</td>
							<td align="left">Cancionero Popular de la Provincia de Santander Libro I (Cancionero Infantil)</td>
						</tr>
						<tr>
							<td align="left">506</td>
							<td align="left">C&#xf3;rdova y O&#xf1;a, Sixto</td>
							<td align="left">1949</td>
							<td align="left">&#xa0;</td>
							<td align="left">Cancionero Popular de la Provincia de Santander Libro II (Cantos de labores y ronda)</td>
						</tr>
						<tr>
							<td align="left">507</td>
							<td align="left">C&#xf3;rdova y O&#xf1;a, Sixto</td>
							<td align="left">1952</td>
							<td align="left">&#xa0;</td>
							<td align="left">Cancionero Popular de la Provincia de Santander Libro III (Cantos romeros, marineros, de quintos, etc)</td>
						</tr>
						<tr>
							<td align="left">508</td>
							<td align="left">C&#xf3;rdova y O&#xf1;a, Sixto</td>
							<td align="left">1955</td>
							<td align="left">&#xa0;</td>
							<td align="left">Cancionero Popular de la Provincia de Santander Libro IV (marzas, picayos, bailes, danzas, romances y cantos religiosos)</td>
						</tr>
						<tr>
							<td align="left">509</td>
							<td align="left">Caba&#xf1;ero Garc&#xed;a, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Gr&#xe1;ficas Carrasco</td>
							<td align="left">Rapsodia Manchega</td>
						</tr>
						<tr>
							<td align="left">510</td>
							<td align="left">Tradiciones Populares</td>
							<td align="left">1944</td>
							<td align="left">Instituto de Estudios Canarios. La Laguna de Tenerife</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">511</td>
							<td align="left">Calleja, R.</td>
							<td align="left">&#xa0;</td>
							<td align="left">Editor Rodr&#xed;guez Calleja: Madrid</td>
							<td align="left">Colecci&#xf3;n de Canciones Populares de la Provincia de Santander</td>
						</tr>
						<tr>
							<td align="left">512</td>
							<td align="left">Llorens de Serra, Sara</td>
							<td align="left">1931</td>
							<td align="left">Barcelona</td>
							<td align="left">El Can&#xe7;oner de Pineda. Vol. I</td>
						</tr>
						<tr>
							<td align="left">513</td>
							<td align="left">Juan del &#xc1;guila J.</td>
							<td align="left">1966</td>
							<td align="left">Uni&#xf3;n Musical Espa&#xf1;ola. Madrid</td>
							<td align="left">Las Canciones del Pueblo Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">514</td>
							<td align="left">Juan del &#xc1;guila J.</td>
							<td align="left">1966</td>
							<td align="left">Uni&#xf3;n Musical Espa&#xf1;ola. Madrid</td>
							<td align="left">Lo que canta el Pueblo Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">515</td>
							<td align="left">Gil Garc&#xed;a, Bonifacio</td>
							<td align="left">1944</td>
							<td align="left">Diputaci&#xf3;n Provincial. Badajoz</td>
							<td align="left">Romances Populares de Extremadura</td>
						</tr>
						<tr>
							<td align="left">516</td>
							<td align="left">Arozamena, Jes&#xfa;s M&#xaa; de, y Garbizu, Tomas</td>
							<td align="left">1971</td>
							<td align="left">Edit. Caja de Ahorros de San Sebasti&#xe1;n</td>
							<td align="left">Viejas Canciones Donostiarras</td>
						</tr>
						<tr>
							<td align="left">517</td>
							<td align="left">L&#xf3;pez Cruz, Francisco</td>
							<td align="left">1967</td>
							<td align="left">Trutman Press. Connecticut</td>
							<td align="left">La M&#xfa;sica Folkl&#xf3;rica de Puerto Rico</td>
						</tr>
						<tr>
							<td align="left">518</td>
							<td align="left">Gallop, Rodney</td>
							<td align="left">1930</td>
							<td align="left">Macmillan and Co., Limited London</td>
							<td align="left">A Book of the Basque</td>
						</tr>
						<tr>
							<td align="left">519</td>
							<td align="left">Mingote, Angel</td>
							<td align="left">1950</td>
							<td align="left">Instituci&#xf3;n Fernando el Cat&#xf3;lico (CSIC) Zaragoza</td>
							<td align="left">Cancionero Musical de la Provincia de Zaragoza</td>
						</tr>
						<tr>
							<td align="left">520</td>
							<td align="left">Arco y Garay, Ricardo del</td>
							<td align="left">1943</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Notas del Folkore Altoaragon&#xe9;s</td>
						</tr>
						<tr>
							<td align="left">521</td>
							<td align="left">Gella Iturriaga, Jos&#xe9;</td>
							<td align="left">1972</td>
							<td align="left">Edit. El Noticiero. Zaragoza</td>
							<td align="left">Romancero Aragones</td>
						</tr>
						<tr>
							<td align="left">522</td>
							<td align="left">Galan Vergua, Demetrio</td>
							<td align="left">1966</td>
							<td align="left">Zaragoza</td>
							<td align="left">El Libro de la Jota Aragonesa</td>
						</tr>
						<tr>
							<td align="left">523</td>
							<td align="left">Le&#xe7;a, Armando</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Domingos Barreira. Porto</td>
							<td align="left">M&#xfa;sica Popular Portuguesa</td>
						</tr>
						<tr>
							<td align="left">524</td>
							<td align="left">Arozamena, Jes&#xfa;s M&#xaa; de</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Colecci&#xf3;n Vasco-Navarra</td>
						</tr>
						<tr>
							<td align="left">525</td>
							<td align="left">Cancionero Berciano</td>
							<td align="left">1977</td>
							<td align="left">Inst. de Estudios Bercianos. Madrid</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">526</td>
							<td align="left">Larrea Palac&#xed;n, Arcadio</td>
							<td align="left">1954</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Canciones rituales Hispano-Jud&#xed;as</td>
						</tr>
						<tr>
							<td align="left">527</td>
							<td align="left">Larrea Palac&#xed;n, Arcadio</td>
							<td align="left">1952</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Romances de Tetuan. Vol I</td>
						</tr>
						<tr>
							<td align="left">528</td>
							<td align="left">Larrea Palac&#xed;n, Arcadio</td>
							<td align="left">1952</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Romances de Tetuan. Vol II</td>
						</tr>
						<tr>
							<td align="left">529</td>
							<td align="left">Echevarr&#xed;a Bravo, Pedro</td>
							<td align="left">1951</td>
							<td align="left">CSIC Sociedad General de Autores de Espa&#xf1;a. Madrid</td>
							<td align="left">Cancionero Musical Popular Manchego</td>
						</tr>
						<tr>
							<td align="left">530</td>
							<td align="left">Garc&#xed;a Escudero, Ricardo</td>
							<td align="left">1953</td>
							<td align="left">Astorga</td>
							<td align="left">Por Tierras Maragatas</td>
						</tr>
						<tr>
							<td align="left">531</td>
							<td align="left">Alin, Jos&#xe9; Mar&#xed;a</td>
							<td align="left">1968</td>
							<td align="left">Taurus Ediciones. S.A. Madrid</td>
							<td align="left">El Cancionero Espa&#xf1;ol de tipo tradicional</td>
						</tr>
						<tr>
							<td align="left">532</td>
							<td align="left">Bart&#xf3;k B&#xe9;la</td>
							<td align="left">1935</td>
							<td align="left">Universal Edition A.G. Wien</td>
							<td align="left">Melodien der Rum&#xe4;nischen Colinde</td>
						</tr>
						<tr>
							<td align="left">533</td>
							<td align="left">Alan, Lomax</td>
							<td align="left">1968</td>
							<td align="left">Penguin Box Ltd. London</td>
							<td align="left">American Folk Songs</td>
						</tr>
						<tr>
							<td align="left">534</td>
							<td align="left">Teixeira D&#x2019;Assump&#xe7;ao, Jos&#xe9;</td>
							<td align="left">1967</td>
							<td align="left">Livraria Freitas. Rio de Janeiro</td>
							<td align="left">Curso de Folklore Musical Brasileiro</td>
						</tr>
						<tr>
							<td align="left">535</td>
							<td align="left">Mart&#xed;nez Hern&#xe1;ndez, Antonio</td>
							<td align="left">1930</td>
							<td align="left">Isart Duran Editores. Barcelona</td>
							<td align="left">Antolog&#xed;a Musical de Cantos Populares Espa&#xf1;oles</td>
						</tr>
						<tr>
							<td align="left">536</td>
							<td align="left">Tiersot, Julien</td>
							<td align="left">1889</td>
							<td align="left">&#xc9;diteur Henri Heugel. Paris</td>
							<td align="left">Histoire de La Chanson Populaire en France</td>
						</tr>
						<tr>
							<td align="left">537</td>
							<td align="left">Mendoza T. Vicente</td>
							<td align="left">1944</td>
							<td align="left">M&#xe9;xico</td>
							<td align="left">50 Corridos Mexicanos</td>
						</tr>
						<tr>
							<td align="left">538</td>
							<td align="left">Bal y Gay, Jes&#xfa;s</td>
							<td align="left">1939</td>
							<td align="left">La Casa de Espa&#xf1;a en M&#xe9;xico</td>
							<td align="left">Romances y Villancicos Espa&#xf1;oles del siglo XVI</td>
						</tr>
						<tr>
							<td align="left">539</td>
							<td align="left">Reyes Aquino, Francisca</td>
							<td align="left">1962</td>
							<td align="left">Manila</td>
							<td align="left">Philippine Folk Dances. Vol.I</td>
						</tr>
						<tr>
							<td align="left">540</td>
							<td align="left">Reyes Aquino, Francisca</td>
							<td align="left">1953</td>
							<td align="left">Manila</td>
							<td align="left">Philippine Folk Dances. Vol.II</td>
						</tr>
						<tr>
							<td align="left">541</td>
							<td align="left">Reyes Aquino, Francisca</td>
							<td align="left">1960</td>
							<td align="left">Manila</td>
							<td align="left">Philippine Folk Dances. Vol.III</td>
						</tr>
						<tr>
							<td align="left">542</td>
							<td align="left">Reyes Aquino, Francisca</td>
							<td align="left">1960</td>
							<td align="left">Manila</td>
							<td align="left">Philippine Folk Dances. Vol.IV</td>
						</tr>
						<tr>
							<td align="left">543</td>
							<td align="left">Reyes Aquino, Francisca</td>
							<td align="left">1966</td>
							<td align="left">Manila</td>
							<td align="left">Philippine Folk Dances. Vol.V</td>
						</tr>
						<tr>
							<td align="left">544</td>
							<td align="left">Carpentier, Alejo</td>
							<td align="left">1946</td>
							<td align="left">Fondo de Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">La M&#xfa;sica en Cuba</td>
						</tr>
						<tr>
							<td align="left">545</td>
							<td align="left">Alvarenga Oneyda</td>
							<td align="left">1947</td>
							<td align="left">Fondo Cultura Econ&#xf3;mica. M&#xe9;xico</td>
							<td align="left">Musica Popular Brasile&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">546</td>
							<td align="left">Heitor, Luiz</td>
							<td align="left">1956</td>
							<td align="left">Rio de Janeiro</td>
							<td align="left">150 anos de M&#xfa;sica no Brasil</td>
						</tr>
						<tr>
							<td align="left">547</td>
							<td align="left">Wilkes, Josu&#xe9; T.</td>
							<td align="left">1946</td>
							<td align="left">Buenos Aires</td>
							<td align="left">Formas Musicales Rioplatenses</td>
						</tr>
						<tr>
							<td align="left">548</td>
							<td align="left">Ortiz, Fernando</td>
							<td align="left">1965</td>
							<td align="left">Editora Universitaria. La Habana</td>
							<td align="left">Aficana de la M&#xfa;sica Folkl&#xf3;rica de Cuba</td>
						</tr>
						<tr>
							<td align="left">549</td>
							<td align="left">Canino Salgado, Marcelino</td>
							<td align="left">1968</td>
							<td align="left">S. Juan de Puerto Rico</td>
							<td align="left">La copla y el romance populares en la tradici&#xf3;n oral de Puerto Rico</td>
						</tr>
						<tr>
							<td align="left">550</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">1944</td>
							<td align="left">Edit. Losada, S.A. Buenos Aires</td>
							<td align="left">Panorama de la M&#xfa;sica Popular Argentina</td>
						</tr>
						<tr>
							<td align="left">551</td>
							<td align="left">Garrido de Boggs, Edna</td>
							<td align="left">1955</td>
							<td align="left">Ed. Cultura Hisp&#xe1;nica. Madrid</td>
							<td align="left">Folklore Infantil de Santo Domingo</td>
						</tr>
						<tr>
							<td align="left">552</td>
							<td align="left">Schianca, Arturo C</td>
							<td align="left">&#xa0;</td>
							<td align="left">Buenos Aires</td>
							<td align="left">Historia de la M&#xfa;sica Popular Argentina</td>
						</tr>
						<tr>
							<td align="left">553</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">1960</td>
							<td align="left">Edit. Nova. Buenos Aires</td>
							<td align="left">La Ciencia del Folklore</td>
						</tr>
						<tr>
							<td align="left">554</td>
							<td align="left">Corso, Raffaele</td>
							<td align="left">1963</td>
							<td align="left">Edit. Universitaria. Buenos Aires</td>
							<td align="left">El Folklore</td>
						</tr>
						<tr>
							<td align="left">555</td>
							<td align="left">Imbelloni, J.</td>
							<td align="left">1943</td>
							<td align="left">Edit. Humanior Buenos Aires</td>
							<td align="left">Concepto y Praxis del Folkore como Ciencia</td>
						</tr>
						<tr>
							<td align="left">556</td>
							<td align="left">Sanchez de Fuentes, Eduardo</td>
							<td align="left">1928</td>
							<td align="left">La Habana</td>
							<td align="left">Folklorismo (art&#xed;culos, notas y cr&#xed;ticas musicales)</td>
						</tr>
						<tr>
							<td align="left">557</td>
							<td align="left">Zarate, Manuel y Perez de Zarate, Dora</td>
							<td align="left">1953</td>
							<td align="left">Panama</td>
							<td align="left">La D&#xe9;cima y la Copla en Panama</td>
						</tr>
						<tr>
							<td align="left">558</td>
							<td align="left">Torner, Eduardo M</td>
							<td align="left">1935</td>
							<td align="left">Edt. Faustino Fuentes. Madrid</td>
							<td align="left">Temas Folkl&#xf3;ricos</td>
						</tr>
						<tr>
							<td align="left">559</td>
							<td align="left">Alden Mason, J</td>
							<td align="left">1960</td>
							<td align="left">San Juan de Puerto Rico</td>
							<td align="left">Folklor Puertorrique&#xf1;o</td>
						</tr>
						<tr>
							<td align="left">560</td>
							<td align="left">Barros, Raquel- Dannemann, Manuel</td>
							<td align="left">1970</td>
							<td align="left">Universidad de Chile</td>
							<td align="left">El Romancero Chileno</td>
						</tr>
						<tr>
							<td align="left">561</td>
							<td align="left">Aretz, Isabel</td>
							<td align="left">1952</td>
							<td align="left">Ricordi Americana. Buenos Aires</td>
							<td align="left">El Folklore Musical Argentino</td>
						</tr>
						<tr>
							<td align="left">562</td>
							<td align="left">Raventos, J.</td>
							<td align="left">1951</td>
							<td align="left">La Habana</td>
							<td align="left">Historia de la M&#xfa;sica Cubana</td>
						</tr>
						<tr>
							<td align="left">563</td>
							<td align="left">Donostia, Jose Antonio de</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Uni&#xf3;n Musical Espa&#xf1;ola</td>
							<td align="left">Cancionero Vasco (Euskel Eres Sorta)</td>
						</tr>
						<tr>
							<td align="left">564</td>
							<td align="left">Blasco, Francisco Javier</td>
							<td align="left">1896</td>
							<td align="left">Alicante</td>
							<td align="left">La M&#xfa;sica en Valencia</td>
						</tr>
						<tr>
							<td align="left">565</td>
							<td align="left">Ortiz Oderigo, Nestor</td>
							<td align="left">1944</td>
							<td align="left">Edit. Claclaridad. Buenos Aires</td>
							<td align="left">Panorama de la M&#xfa;sica Afroamericana</td>
						</tr>
						<tr>
							<td align="left">566</td>
							<td align="left">Melo, Guilherme de</td>
							<td align="left">1947</td>
							<td align="left">Imprenta Nacional. Rio de Janeiro</td>
							<td align="left">A M&#xfa;sica no Brasil</td>
						</tr>
						<tr>
							<td align="left">567</td>
							<td align="left">Serra y Bold&#xfa;, Valeri</td>
							<td align="left">1914</td>
							<td align="left">Lleida</td>
							<td align="left">Calendari Folkl&#xf3;ric d&#x2019; Urgell</td>
						</tr>
						<tr>
							<td align="left">568</td>
							<td align="left">Carrizo, Juan Alfonso</td>
							<td align="left">1939</td>
							<td align="left">Espasa Calpe Argentina</td>
							<td align="left">Cantares Tradicionales de Tucum&#xe1;n</td>
						</tr>
						<tr>
							<td align="left">569</td>
							<td align="left">Gonz&#xe1;lez Climent, Anselmo</td>
							<td align="left">1959</td>
							<td align="left">Edit. Del Atl&#xe1;ntico S.A. Buenos Aires</td>
							<td align="left">Argentina sin Am&#xe9;rica</td>
						</tr>
						<tr>
							<td align="left">570</td>
							<td align="left">Laval, Ram&#xf3;n. A</td>
							<td align="left">1916</td>
							<td align="left">Madrid</td>
							<td align="left">Contribuci&#xf3;n al Folklore de Carahue (Chile)</td>
						</tr>
						<tr>
							<td align="left">571</td>
							<td align="left">Plath, Oreste</td>
							<td align="left">1966</td>
							<td align="left">Ediciones Platur. Santiago de Chile</td>
							<td align="left">Folklore Religioso Chileno</td>
						</tr>
						<tr>
							<td align="left">572</td>
							<td align="left">Salaberr&#xed;a, Jose Mar&#xed;a</td>
							<td align="left">1932</td>
							<td align="left">Espasa Calpe, S.A. Madrid</td>
							<td align="left">Iparraguirre el &#xfa;ltimo bardo</td>
						</tr>
						<tr>
							<td align="left">573</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">1918</td>
							<td align="left">Valencia</td>
							<td align="left">Las Formas Pian&#xed;sticas</td>
						</tr>
						<tr>
							<td align="left">574</td>
							<td align="left">S&#xe1;nchez Zinny, E.F.</td>
							<td align="left">1968</td>
							<td align="left">Edit. Stilcograf. Buenos Aires</td>
							<td align="left">Integraci&#xf3;n del Folklore Argentino</td>
						</tr>
						<tr>
							<td align="left">575</td>
							<td align="left">Colomb, Casimiro</td>
							<td align="left">1885</td>
							<td align="left">Bibliot. Maravillas. Barcelona</td>
							<td align="left">La M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">576</td>
							<td align="left">Garc&#xed;a-Lomas y Cancio Jes&#xfa;s</td>
							<td align="left">1931</td>
							<td align="left">Pasajes</td>
							<td align="left">Del Solar y la Raza Tradi. y Folklore de la Monta&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">577</td>
							<td align="left">&#xa0;</td>
							<td align="left">1934</td>
							<td align="left">Sosi&#xe9;t&#xe9; des Nations. Par&#xed;s</td>
							<td align="left">Musique &amp; Chan&#xe7;on Populaires</td>
						</tr>
						<tr>
							<td align="left">578</td>
							<td align="left">Pahissa, Jaime</td>
							<td align="left">1955</td>
							<td align="left">Buenos Aires</td>
							<td align="left">Sendas y Cumbres de la M&#xfa;sica Espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">579</td>
							<td align="left">Esluitza, Juan B. de</td>
							<td align="left">1917</td>
							<td align="left">Sevilla</td>
							<td align="left">Estudios Musicales</td>
						</tr>
						<tr>
							<td align="left">580</td>
							<td align="left">Dani&#xe9;lu, Alain</td>
							<td align="left">1959</td>
							<td align="left">Hermann. Hermann Par&#xed;s</td>
							<td align="left">Trait&#xe9; de Musicologie Compar&#xe9;e</td>
						</tr>
						<tr>
							<td align="left">581</td>
							<td align="left">Carpentier, Alejo</td>
							<td align="left">1980</td>
							<td align="left">La Habana</td>
							<td align="left">Ese m&#xfa;sico que llevo dentro. Tomos I, II, III</td>
						</tr>
						<tr>
							<td align="left">582</td>
							<td align="left">Sope&#xf1;a Iba&#xf1;ez, Federico</td>
							<td align="left">1973</td>
							<td align="left">Edit. Moneda y Cr&#xe9;dito. Madrid</td>
							<td align="left">El Lied rom&#xe1;ntico</td>
						</tr>
						<tr>
							<td align="left">583</td>
							<td align="left">Sope&#xf1;a Iba&#xf1;ez, Federico</td>
							<td align="left">1953</td>
							<td align="left">Edit. Uni&#xf3;n Musical Espa&#xf1;ola. Madrid</td>
							<td align="left">La M&#xfa;sica Europea Contempor&#xe1;nea</td>
						</tr>
						<tr>
							<td align="left">584</td>
							<td align="left">Pe&#xf1;a y Go&#xf1;i, Antonio</td>
							<td align="left">1967</td>
							<td align="left">Alianza Editorial. Madrid</td>
							<td align="left">Espa&#xf1;a desde la &#xf3;pera a la zarzuela</td>
						</tr>
						<tr>
							<td align="left">585</td>
							<td align="left">Mart&#xed;nez, S. J, Antonio</td>
							<td align="left">1955</td>
							<td align="left">Ediciones Studium</td>
							<td align="left">Canciones de Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">586</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Labor, S.A.</td>
							<td align="left">La Tonadilla Esc&#xe9;nica</td>
						</tr>
						<tr>
							<td align="left">587</td>
							<td align="left">Schaeffer, Pierre</td>
							<td align="left">1959</td>
							<td align="left">Edit. Nueva Visi&#xf3;n. Buenos Aires</td>
							<td align="left">&#xbf;Qu&#xe9; es la m&#xfa;sica concreta?</td>
						</tr>
						<tr>
							<td align="left">588</td>
							<td align="left">Cortazar, Augusto Ra&#xfa;l</td>
							<td align="left">1959</td>
							<td align="left">Edit. Columba. Buenos Aires</td>
							<td align="left">Esquema del Folklore</td>
						</tr>
						<tr>
							<td align="left">589</td>
							<td align="left">Lachmann, Robert</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Labor. Barcelona</td>
							<td align="left">La M&#xfa;sica de Oriente</td>
						</tr>
						<tr>
							<td align="left">590</td>
							<td align="left">Bayo, Ciro</td>
							<td align="left">1913</td>
							<td align="left">Librer&#xed;a Victoriano S&#xfa;arez. Madrid</td>
							<td align="left">Romancerillo del Plata</td>
						</tr>
						<tr>
							<td align="left">591</td>
							<td align="left">Nuevas aportaciones a la M&#xfa;sica Folkl&#xf3;rica de M&#xe9;xico</td>
							<td align="left">1958</td>
							<td align="left">M&#xe9;xico, S.A.</td>
							<td align="left">&#xa0;</td>
						</tr>
						<tr>
							<td align="left">592</td>
							<td align="left">Molho, Michael</td>
							<td align="left">1950</td>
							<td align="left">CSIC Madrid-Barcelona</td>
							<td align="left">Usos y Costumbres de los sefard&#xed;es de Sal&#xf3;nica</td>
						</tr>
						<tr>
							<td align="left">593</td>
							<td align="left">Gomez Tabanera, Jose Manuel</td>
							<td align="left">1968</td>
							<td align="left">Centropress, S.L. Madrid</td>
							<td align="left">El Folklore Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">594</td>
							<td align="left">Asensio, Eugenio</td>
							<td align="left">1957</td>
							<td align="left">Edit. Gredos. Madrid</td>
							<td align="left">Po&#xe9;tica y Realidad en el Cancionero Peninsular de la Edad Media</td>
						</tr>
						<tr>
							<td align="left">595</td>
							<td align="left">Aguilera, Ana Margarita</td>
							<td align="left">1960</td>
							<td align="left">La Habana</td>
							<td align="left">El Cancionero Infantil de Hispano-Am&#xe9;rica</td>
						</tr>
						<tr>
							<td align="left">596</td>
							<td align="left">Aretz, Isabel</td>
							<td align="left">&#xa0;</td>
							<td align="left">Italgr&#xe1;fica. Caracas</td>
							<td align="left">El Tamunangue</td>
						</tr>
						<tr>
							<td align="left">597</td>
							<td align="left">Palau, Jos&#xe9;</td>
							<td align="left">1951</td>
							<td align="left">Edit. Seix Barral. Barcelona</td>
							<td align="left">Historia de la &#xd3;pera</td>
						</tr>
						<tr>
							<td align="left">598</td>
							<td align="left">Moya, Ismael</td>
							<td align="left">1948</td>
							<td align="left">Editor El Ateneo. Buenos Aires</td>
							<td align="left">Did&#xe1;ctica del Folklore</td>
						</tr>
						<tr>
							<td align="left">599</td>
							<td align="left">Uribe Echevarr&#xed;a, Juan</td>
							<td align="left">&#xa0;</td>
							<td align="left">Universidad Cat&#xf3;lica de Chile</td>
							<td align="left">Fiesta de la Tirana de Tarapac&#xe1;</td>
						</tr>
						<tr>
							<td align="left">600</td>
							<td align="left">Uribe Echevarr&#xed;a</td>
							<td align="left">1974</td>
							<td align="left">Universidad Cat&#xf3;lica de Chile</td>
							<td align="left">La Virgen de Andacollo</td>
						</tr>
						<tr>
							<td align="left">601</td>
							<td align="left">B&#xfc;cher, K</td>
							<td align="left">1914</td>
							<td align="left">Daniel Jorro Editor. Madrid</td>
							<td align="left">Trabajo y Ritmo</td>
						</tr>
						<tr>
							<td align="left">602</td>
							<td align="left">Clement, Felix</td>
							<td align="left">1908</td>
							<td align="left">Barcelona</td>
							<td align="left">M&#xfa;sicos C&#xe9;lebres</td>
						</tr>
						<tr>
							<td align="left">603</td>
							<td align="left">Chailley, Jacques</td>
							<td align="left">1958</td>
							<td align="left">Presses Universitaires de France. Par&#xed;s</td>
							<td align="left">Pr&#xe9;cis de Musicologie</td>
						</tr>
						<tr>
							<td align="left">604</td>
							<td align="left">Schneider, Marius</td>
							<td align="left">1946</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">El Origen Musical de los animales-s&#xed;mbolos en la mitolog&#xed;a y la escultura antiguas</td>
						</tr>
						<tr>
							<td align="left">605</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1971</td>
							<td align="left">Inst. de Estudios Madrile&#xf1;os. CSIC Madrid</td>
							<td align="left">Temas Musicales Madrile&#xf1;os</td>
						</tr>
						<tr>
							<td align="left">606</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1950</td>
							<td align="left">CSIC Inst. de Musicolog&#xed;a. Madrid</td>
							<td align="left">El Teatro del Real Palacio</td>
						</tr>
						<tr>
							<td align="left">607</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1930</td>
							<td align="left">Int. del Teatro Nacional. Barcelona</td>
							<td align="left">La Participaci&#xf3;n Musical en el Antiguo Teatro Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">608</td>
							<td align="left">Sope&#xf1;a, Federico</td>
							<td align="left">1958</td>
							<td align="left">Ediciones Rialp. Madrid</td>
							<td align="left">Historia de la m&#xfa;sica Espa&#xf1;ola Contempor&#xe1;nea</td>
						</tr>
						<tr>
							<td align="left">609</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1946</td>
							<td align="left">Ediciones Mil&#xe1;. Barcelona</td>
							<td align="left">La &#xd3;pera en los Teatros de Barcelona</td>
						</tr>
						<tr>
							<td align="left">610</td>
							<td align="left">Salvador, Daniel</td>
							<td align="left">1879</td>
							<td align="left">Libraire-Editeur Alger</td>
							<td align="left">La Musique Arabe</td>
						</tr>
						<tr>
							<td align="left">611</td>
							<td align="left">Chailley, Jacques</td>
							<td align="left">1970</td>
							<td align="left">Editor. Luis Caralt. Barcelona</td>
							<td align="left">40.000 A&#xf1;os de M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">612</td>
							<td align="left">Wiora, Walter</td>
							<td align="left">1961</td>
							<td align="left">Biblotheque Payot. Par&#xed;s</td>
							<td align="left">Les Quatre Ages de la Musique</td>
						</tr>
						<tr>
							<td align="left">613</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1973</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Variadas Versiones de Libretos Oper&#xed;sticos</td>
						</tr>
						<tr>
							<td align="left">614</td>
							<td align="left">Rodr&#xed;guez Moi&#xf1;o, Antonio</td>
							<td align="left">1965</td>
							<td align="left">Diputaci&#xf3;n de Badajoz. Madrid</td>
							<td align="left">Diccionario Geogr&#xe1;fico-Popular de Extremadura</td>
						</tr>
						<tr>
							<td align="left">615</td>
							<td align="left">&#xa0;</td>
							<td align="left">1958-1961</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">&#xa0;Miscel&#xe1;nea en Homenaje a Mons. Higinio Angl&#xe9;s Vol. I</td>
						</tr>
						<tr>
							<td align="left">616</td>
							<td align="left">&#xa0;</td>
							<td align="left">1958-1961</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Miscel&#xe1;nea en Homenaje a Mons. Higinio Angl&#xe9;s Vol. II</td>
						</tr>
						<tr>
							<td align="left">617</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1949</td>
							<td align="left">CSIC Vol. I. Barcelona</td>
							<td align="left">El Compositor Iriarte y el Mel&#xf3;logo</td>
						</tr>
						<tr>
							<td align="left">618</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1949</td>
							<td align="left">CSIC Vol. II. Barcelona</td>
							<td align="left">El Compositor Iriarte y el Mel&#xf3;logo</td>
						</tr>
						<tr>
							<td align="left">619</td>
							<td align="left">Angl&#xe9;s, Higinio y Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1946</td>
							<td align="left">Barcelona</td>
							<td align="left">Cat&#xe1;logo Musical de la Biblioteca Nacional de Madrid, Vol. I</td>
						</tr>
						<tr>
							<td align="left">620</td>
							<td align="left">Angl&#xe9;s, Higinio y Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1949</td>
							<td align="left">Barcelona</td>
							<td align="left">Cat&#xe1;logo Musical de la Biblioteca Nacional de Madrid, Vol. II</td>
						</tr>
						<tr>
							<td align="left">621</td>
							<td align="left">Angl&#xe9;s, Higinio y Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1951</td>
							<td align="left">Barcelona</td>
							<td align="left">Cat&#xe1;logo Musical de la Biblioteca Nacional de Madrid, Vol. III</td>
						</tr>
						<tr>
							<td align="left">622</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1965</td>
							<td align="left">Madrid</td>
							<td align="left">Cat&#xe1;logo de la Secci&#xf3;n de M&#xfa;sica. (Tonadillas y Sainetes) de la Biblioteca Municipal de Madrid</td>
						</tr>
						<tr>
							<td align="left">623</td>
							<td align="left">Cat&#xe1;logo de la Biblioteca Musical</td>
							<td align="left">1954</td>
							<td align="left">Ayuntamiento de Madrid</td>
							<td align="left">Ap&#xe9;ndice I</td>
						</tr>
						<tr>
							<td align="left">624</td>
							<td align="left">Cat&#xe1;logo de la Biblioteca Musical</td>
							<td align="left">1973</td>
							<td align="left">Ayuntamiento de Madrid</td>
							<td align="left">Ap&#xe9;ndice II</td>
						</tr>
						<tr>
							<td align="left">625</td>
							<td align="left">Cat&#xe1;logo de la Biblioteca Musical</td>
							<td align="left">1946</td>
							<td align="left">Ayuntamiento Madrid</td>
							<td align="left">Edici&#xf3;n Ilustrada</td>
						</tr>
						<tr>
							<td align="left">626</td>
							<td align="left">Rojo, Casiano y Prado, Germ&#xe1;n</td>
							<td align="left">1929</td>
							<td align="left">Diput. de Barcelona</td>
							<td align="left">El Canto Moz&#xe1;rabe</td>
						</tr>
						<tr>
							<td align="left">627</td>
							<td align="left">Le&#xf3;n Tello, Jos&#xe9;</td>
							<td align="left">1962</td>
							<td align="left">CSIC Madrid</td>
							<td align="left">Estudios de Historia de la Teor&#xed;a Musical</td>
						</tr>
						<tr>
							<td align="left">628</td>
							<td align="left">Della Corte, A. y Gatti, G.M.</td>
							<td align="left">1958</td>
							<td align="left">Ricordi Americana. Buenos Aires</td>
							<td align="left">Diccionario de la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">629</td>
							<td align="left">Wagner, Richard</td>
							<td align="left">1869</td>
							<td align="left">Imprimerie de J. Sannes. Bruxelles</td>
							<td align="left">Le Juda&#xef;sme dans la Musique</td>
						</tr>
						<tr>
							<td align="left">630</td>
							<td align="left">Bertrand, J. Ed.G</td>
							<td align="left">1860</td>
							<td align="left">Par&#xed;s</td>
							<td align="left">Essai sur la Musique</td>
						</tr>
						<tr>
							<td align="left">631</td>
							<td align="left">Beaulieu, D.</td>
							<td align="left">1859</td>
							<td align="left">Niort</td>
							<td align="left">Sur L&#x2019; Origine de la Musique</td>
						</tr>
						<tr>
							<td align="left">632</td>
							<td align="left">Herzfeld, Friedrich</td>
							<td align="left">1961</td>
							<td align="left">Edit. Labor, S.A. Barcelona</td>
							<td align="left">T&#xfa; y la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">633</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1949</td>
							<td align="left">Salvat Editores, S.A. Madrid</td>
							<td align="left">LA M&#xda;SICA: Etapas y aspectos</td>
						</tr>
						<tr>
							<td align="left">634</td>
							<td align="left">Haraszti, Emile</td>
							<td align="left">1933</td>
							<td align="left">Henri Laurens, &#xc9;diteur. Par&#xed;s</td>
							<td align="left">La Musique Hongroise</td>
						</tr>
						<tr>
							<td align="left">635</td>
							<td align="left">Ribera, Juli&#xe1;n</td>
							<td align="left">1927</td>
							<td align="left">Edit. Voluntad. Madrid</td>
							<td align="left">La M&#xfa;sica &#xc1;rabe Medieval y su influencia en la Espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">636</td>
							<td align="left">Berrueta, Mariano</td>
							<td align="left">1941</td>
							<td align="left">Le&#xf3;n</td>
							<td align="left">Del Cancionero Leon&#xe9;s</td>
						</tr>
						<tr>
							<td align="left">637</td>
							<td align="left">Pfandl, Ludwig</td>
							<td align="left">1929</td>
							<td align="left">Edit. Araluche. Barcelona</td>
							<td align="left">Cultura y Costumbres del Pueblo Espa&#xf1;ol de los siglos XVI y XVII</td>
						</tr>
						<tr>
							<td align="left">638</td>
							<td align="left">Turina, Joaqu&#xed;n</td>
							<td align="left">1917</td>
							<td align="left">Edt. Renacimiento. Madrid</td>
							<td align="left">Enciclopedia abreviada de M&#xfa;sica. Tomo I</td>
						</tr>
						<tr>
							<td align="left">639</td>
							<td align="left">Turina, Joaqu&#xed;n</td>
							<td align="left">1917</td>
							<td align="left">Edt. Renacimiento. Madrid</td>
							<td align="left">Enciclopedia abreviada de M&#xfa;sica. Tomo II</td>
						</tr>
						<tr>
							<td align="left">640</td>
							<td align="left">P&#xe9;rez Pastor, Crist&#xf3;bal</td>
							<td align="left">1901</td>
							<td align="left">Madrid</td>
							<td align="left">Histrionismo Espa&#xf1;ol de los siglos XVI y XVII</td>
						</tr>
						<tr>
							<td align="left">641</td>
							<td align="left">Mart&#xed;nez Torner, Eduardo</td>
							<td align="left">1928</td>
							<td align="left">Inst. Escuela. Madrid</td>
							<td align="left">Cancionero Musical. Tomo III</td>
						</tr>
						<tr>
							<td align="left">642</td>
							<td align="left">Pich Santasusana, Juan</td>
							<td align="left">1964</td>
							<td align="left">Gass&#xf3; Editores. Barcelona</td>
							<td align="left">Enciclopedia de la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">643</td>
							<td align="left">Mitjana, Rafael</td>
							<td align="left">1905</td>
							<td align="left">Edit. Prometeo. Valencia</td>
							<td align="left">Discantes y Contrapuntos</td>
						</tr>
						<tr>
							<td align="left">644</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">1891</td>
							<td align="left">Barcelona</td>
							<td align="left">Por Nuestra M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">645</td>
							<td align="left">Noguera, A.</td>
							<td align="left">1893</td>
							<td align="left">Barcelona</td>
							<td align="left">Memoria de los Cantos, bailes y tocatas de la Isla de Mallorca</td>
						</tr>
						<tr>
							<td align="left">646</td>
							<td align="left">Volbach, Fritz</td>
							<td align="left">1928</td>
							<td align="left">Edit Labor, S.A. Barcelona</td>
							<td align="left">La Orquesta Moderna</td>
						</tr>
						<tr>
							<td align="left">647</td>
							<td align="left">Valois, Jean de</td>
							<td align="left">1965</td>
							<td align="left">Edit Universitaria Buenos Aires</td>
							<td align="left">El Canto Gregoriano</td>
						</tr>
						<tr>
							<td align="left">648</td>
							<td align="left">Deleito y Pi&#xf1;uela, Jos&#xe9;</td>
							<td align="left">1944</td>
							<td align="left">Espasa Calpe, S.A. Madrid</td>
							<td align="left">...Tambi&#xe9;n se divierte el Pueblo</td>
						</tr>
						<tr>
							<td align="left">649</td>
							<td align="left">Gil Garc&#xed;a, Bonifacio</td>
							<td align="left">1958</td>
							<td align="left">Ediciones Acies. Madrid</td>
							<td align="left">La Fama de Madrid</td>
						</tr>
						<tr>
							<td align="left">650</td>
							<td align="left">Prieberg, Fred</td>
							<td align="left">1961</td>
							<td align="left">Eudeba. Editorial. Buenos Aires</td>
							<td align="left">M&#xfa;sica de la era T&#xe9;cnica</td>
						</tr>
						<tr>
							<td align="left">651</td>
							<td align="left">Sach, Curt</td>
							<td align="left">1966</td>
							<td align="left">Edit Universitaria. Buenos Aires</td>
							<td align="left">Musicolog&#xed;a Comparada</td>
						</tr>
						<tr>
							<td align="left">652</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1954</td>
							<td align="left">Compa&#xf1;&#xed;a Bibliogr&#xe1;fica S.A. Madrid</td>
							<td align="left">Compendio de Historia de la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">653</td>
							<td align="left">Abell&#xe1;n, Antonio M.</td>
							<td align="left">&#xa0;</td>
							<td align="left">Barcelona</td>
							<td align="left">La Espiritualidad de la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">654</td>
							<td align="left">Machabey, Armand</td>
							<td align="left">1962</td>
							<td align="left">Presses Universitaires. Par&#xed;s</td>
							<td align="left">La Musicologie</td>
						</tr>
						<tr>
							<td align="left">655</td>
							<td align="left">Barraqu&#xe9;, Jean</td>
							<td align="left">&#xa0;</td>
							<td align="left">Francia</td>
							<td align="left">Debussy</td>
						</tr>
						<tr>
							<td align="left">656</td>
							<td align="left">Citron, Pierre</td>
							<td align="left">&#xa0;</td>
							<td align="left">Francia</td>
							<td align="left">Bartok</td>
						</tr>
						<tr>
							<td align="left">657</td>
							<td align="left">Siohan, Robert</td>
							<td align="left">&#xa0;</td>
							<td align="left">Francia</td>
							<td align="left">Stravinsky</td>
						</tr>
						<tr>
							<td align="left">658</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1882</td>
							<td align="left">Sevilla</td>
							<td align="left">Cantos Populares Espa&#xf1;oles. Tomo I</td>
						</tr>
						<tr>
							<td align="left">659</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1882</td>
							<td align="left">Sevilla</td>
							<td align="left">Cantos Populares Espa&#xf1;oles. Tomo II</td>
						</tr>
						<tr>
							<td align="left">660</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1882</td>
							<td align="left">Sevilla</td>
							<td align="left">Cantos Populares Espa&#xf1;oles. Tomo III</td>
						</tr>
						<tr>
							<td align="left">661</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1882</td>
							<td align="left">Sevilla</td>
							<td align="left">Cantos Populares Espa&#xf1;oles. Tomo IV</td>
						</tr>
						<tr>
							<td align="left">662</td>
							<td align="left">Rodr&#xed;guez Mar&#xed;n, Francisco</td>
							<td align="left">1882</td>
							<td align="left">Sevilla</td>
							<td align="left">Cantos Populares Espa&#xf1;oles. Tomo V</td>
						</tr>
						<tr>
							<td align="left">663</td>
							<td align="left">Machado y &#xc1;lvarez, Antonio</td>
							<td align="left">1883</td>
							<td align="left">Sevilla</td>
							<td align="left">Biblioteca de las Tradiciones Populares. Tomo I</td>
						</tr>
						<tr>
							<td align="left">664</td>
							<td align="left">Machado y &#xc1;lvarez, Antonio</td>
							<td align="left">1883</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. de Tradiciones Espa&#xf1;olas. Tomo II</td>
						</tr>
						<tr>
							<td align="left">665</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1884</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. de Tradiciones Espa&#xf1;olas. Tomo III</td>
						</tr>
						<tr>
							<td align="left">666</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1884</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. de Tradiciones Espa&#xf1;olas. Tomo IV</td>
						</tr>
						<tr>
							<td align="left">667</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1884</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. de Tradiciones Espa&#xf1;olas. Tomo VI</td>
						</tr>
						<tr>
							<td align="left">668</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1886</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. de Tradiciones Espa&#xf1;olas. Tomo VIII</td>
						</tr>
						<tr>
							<td align="left">669</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1886</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. de Tradiciones Espa&#xf1;olas: Tomo IX</td>
						</tr>
						<tr>
							<td align="left">670</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1886</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. Tradiciones Espa&#xf1;olas. Tomo X</td>
						</tr>
						<tr>
							<td align="left">671</td>
							<td align="left">Machado y &#xc1;lvarez, Francisco</td>
							<td align="left">1886</td>
							<td align="left">Sevilla</td>
							<td align="left">Bibliot. De Tradiciones Espa&#xf1;olas. Tomo XI</td>
						</tr>
						<tr>
							<td align="left">672</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Boileau. Barcelona</td>
							<td align="left">Cancionero Musical Popular Espa&#xf1;ol. Tomo I</td>
						</tr>
						<tr>
							<td align="left">673</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">&#xa0;</td>
							<td align="left">Barcelona</td>
							<td align="left">Cancionero Musical Popular Espa&#xf1;ol. Tomo II</td>
						</tr>
						<tr>
							<td align="left">674</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Boileau.</td>
							<td align="left">Cancionero Musical Popular Espa&#xf1;ol. Tomo III</td>
						</tr>
						<tr>
							<td align="left">675</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. Boileau. Barcelona</td>
							<td align="left">Cancionero Musical Popular Espa&#xf1;ol. Tomo IV</td>
						</tr>
						<tr>
							<td align="left">676</td>
							<td align="left">Soriano Fuertes, Mariano</td>
							<td align="left">1855</td>
							<td align="left">Madrid</td>
							<td align="left">Historia de la M&#xfa;sica Espa&#xf1;ola. Tomo I</td>
						</tr>
						<tr>
							<td align="left">677</td>
							<td align="left">Soriano Fuertes, Mariano</td>
							<td align="left">1856</td>
							<td align="left">Madrid</td>
							<td align="left">Historia de la M&#xfa;sica Espa&#xf1;ola. Tomo II</td>
						</tr>
						<tr>
							<td align="left">678</td>
							<td align="left">Soriano Fuertes, Mariano</td>
							<td align="left">1856</td>
							<td align="left">Madrid</td>
							<td align="left">Historia de la M&#xfa;sica Espa&#xf1;ola. Tomo III</td>
						</tr>
						<tr>
							<td align="left">679</td>
							<td align="left">Soriano Fuertes, Mariano</td>
							<td align="left">1859</td>
							<td align="left">Madrid</td>
							<td align="left">Historia de la M&#xfa;sica Espa&#xf1;ola. Tomo IV</td>
						</tr>
						<tr>
							<td align="left">680</td>
							<td align="left">Saldoni, Baltasar</td>
							<td align="left">1868</td>
							<td align="left">Imp. A P&#xe9;rez Dubrull. Madrid</td>
							<td align="left">Diccionario Biogr&#xe1;fico-Bibliogr&#xe1;fico de M&#xfa;sicos Espa&#xf1;oles. Tomo I</td>
						</tr>
						<tr>
							<td align="left">681</td>
							<td align="left">Saldoni, Baltasar</td>
							<td align="left">1880</td>
							<td align="left">Imp. A P&#xe9;rez. Madrid</td>
							<td align="left">Diccionario Biogr&#xe1;fico-Bibliogr&#xe1;fico de M&#xfa;sicos Espa&#xf1;oles. Tomo II</td>
						</tr>
						<tr>
							<td align="left">682</td>
							<td align="left">Saldoni, Baltasar</td>
							<td align="left">1880</td>
							<td align="left">Madrid</td>
							<td align="left">Diccionario Biogr&#xe1;fico-Bibliogr&#xe1;fico de M&#xfa;sicos Espa&#xf1;oles. Tomo III</td>
						</tr>
						<tr>
							<td align="left">683</td>
							<td align="left">Saldoni, Baltasar</td>
							<td align="left">1881</td>
							<td align="left">Madrid</td>
							<td align="left">Diccionario Biogr&#xe1;fico-Bibliogr&#xe1;fico de M&#xfa;sicos Espa&#xf1;oles. Tomo IV</td>
						</tr>
						<tr>
							<td align="left">684</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1928</td>
							<td align="left">Archiv. Ol&#xf3;zaga. Madrid</td>
							<td align="left">La Tonadilla Esc&#xe9;nica. Tomo I</td>
						</tr>
						<tr>
							<td align="left">685</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1929</td>
							<td align="left">Archiv. Ol&#xf3;zaga. Madrid</td>
							<td align="left">La Tonadilla Esc&#xe9;nica. Tomo II</td>
						</tr>
						<tr>
							<td align="left">686</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1930</td>
							<td align="left">Archiv. Ol&#xf3;zaga. Madrid</td>
							<td align="left">La Tonadilla Esc&#xe9;nica. Tomo III</td>
						</tr>
						<tr>
							<td align="left">687</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1932</td>
							<td align="left">Archiv. Ol&#xf3;zaga. Madrid</td>
							<td align="left">Tonadillas Teatrales In&#xe9;ditas</td>
						</tr>
						<tr>
							<td align="left">688</td>
							<td align="left">Lafuente y Alc&#xe1;ntara, Emilio</td>
							<td align="left">1865</td>
							<td align="left">Edit. Bailly-Bailliere. Madrid</td>
							<td align="left">Cancionero Popular</td>
						</tr>
						<tr>
							<td align="left">689</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">1941</td>
							<td align="left">Imp. Universidad. Buenos Aires</td>
							<td align="left">La M&#xfa;sica Popular Argentina. Tomo I</td>
						</tr>
						<tr>
							<td align="left">690</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">1914</td>
							<td align="left">Imp. Universidad. Buenos Aires</td>
							<td align="left">La M&#xfa;sica Popular Argentina. Tomo II</td>
						</tr>
						<tr>
							<td align="left">691</td>
							<td align="left">Tracey, Hugh</td>
							<td align="left">1949</td>
							<td align="left">Imprenta Nacional. Mo&#xe7;ambique</td>
							<td align="left">A M&#xfa;sica Chope</td>
						</tr>
						<tr>
							<td align="left">692</td>
							<td align="left">Amades, Joan</td>
							<td align="left">1951</td>
							<td align="left">Edit Selecta, S.A. Barcelona</td>
							<td align="left">Folklore de Catalunya, Can&#xe7;oner</td>
						</tr>
						<tr>
							<td align="left">693</td>
							<td align="left">Moreira, Joan</td>
							<td align="left">1934</td>
							<td align="left">Imp. Querol, Tortosa</td>
							<td align="left">Del Folklore Tortos&#xed;</td>
						</tr>
						<tr>
							<td align="left">694</td>
							<td align="left">Piguet, Edgar</td>
							<td align="left">1930</td>
							<td align="left">Lausanne</td>
							<td align="left">Les Chanssons Populaires de Suisse Romande</td>
						</tr>
						<tr>
							<td align="left">695</td>
							<td align="left">Piguet, Edgar</td>
							<td align="left">1931</td>
							<td align="left">Lausanne</td>
							<td align="left">Les Chanssons Populaires de Suisse Romande</td>
						</tr>
						<tr>
							<td align="left">696</td>
							<td align="left">Gonz&#xe1;lez Rodr&#xed;guez, Daniel</td>
							<td align="left">1963</td>
							<td align="left">Orense</td>
							<td align="left">As&#xed; Canta Galicia (Cancionero Popular Gallego)</td>
						</tr>
						<tr>
							<td align="left">697</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">1898</td>
							<td align="left">La Coru&#xf1;a</td>
							<td align="left">Teatro L&#xed;rico Espa&#xf1;ol anterior al siglo XIX</td>
						</tr>
						<tr>
							<td align="left">698</td>
							<td align="left">Barbieri Asenjo, Francisco</td>
							<td align="left">1890</td>
							<td align="left">Madrid</td>
							<td align="left">Cancionero Musical de los siglos XV y XVI</td>
						</tr>
						<tr>
							<td align="left">699</td>
							<td align="left">Ayestar&#xe1;n, Lauro</td>
							<td align="left">1950</td>
							<td align="left">Montevideo</td>
							<td align="left">La Primitiva Poes&#xed;a Gauchesca en el Uruguay</td>
						</tr>
						<tr>
							<td align="left">700</td>
							<td align="left">La Musique</td>
							<td align="left">1965</td>
							<td align="left">Larousse. Par&#xed;s</td>
							<td align="left">Tomo I</td>
						</tr>
						<tr>
							<td align="left">701</td>
							<td align="left">La Musique</td>
							<td align="left">1965</td>
							<td align="left">Larousse. Par&#xed;s</td>
							<td align="left">Tomo II</td>
						</tr>
						<tr>
							<td align="left">702</td>
							<td align="left">Canteloube, Joseph</td>
							<td align="left">1953</td>
							<td align="left">Durand &amp; &#xc9;diteurs. Par&#xed;s</td>
							<td align="left">Anthologie des Chants Populaires Fran&#xe7;ais. Tome I</td>
						</tr>
						<tr>
							<td align="left">703</td>
							<td align="left">Canteloube, Joseph</td>
							<td align="left">1953</td>
							<td align="left">Durand &amp; &#xc9;diteurs. Par&#xed;s</td>
							<td align="left">Anthologie des Chants Populaires Fran&#xe7;ais. Tome II</td>
						</tr>
						<tr>
							<td align="left">704</td>
							<td align="left">Canteloube, Joseph</td>
							<td align="left">1953</td>
							<td align="left">Durand &amp; &#xc9;diteurs. Par&#xed;s</td>
							<td align="left">Anthologie des Chants Populaires Fran&#xe7;ais. Tome III</td>
						</tr>
						<tr>
							<td align="left">705</td>
							<td align="left">Canteloube, Joseph</td>
							<td align="left">1953</td>
							<td align="left">Durand &amp; &#xc9;diteurs. Par&#xed;s</td>
							<td align="left">Anthologie des Chants Populaires Fran&#xe7;ais. Tome IV</td>
						</tr>
						<tr>
							<td align="left">706</td>
							<td align="left">Querol Gavald&#xe1;, Miguel</td>
							<td align="left">1948</td>
							<td align="left">Ediciones Comtalia. Barcelona</td>
							<td align="left">La M&#xfa;sica en las Obras de Cervantes</td>
						</tr>
						<tr>
							<td align="left">707</td>
							<td align="left">Batlle Llibreret: Joan B.</td>
							<td align="left">1924</td>
							<td align="left">Imp. Alt&#xe9;s. Barcelona</td>
							<td align="left">Los Goigs de Catalunya</td>
						</tr>
						<tr>
							<td align="left">708</td>
							<td align="left">Rosa y L&#xf3;pez, Ram&#xf3;n de la</td>
							<td align="left">1904</td>
							<td align="left">Sevilla</td>
							<td align="left">Los Seises de la Catedral de Sevilla</td>
						</tr>
						<tr>
							<td align="left">709</td>
							<td align="left">Sanchis Guarner, M.</td>
							<td align="left">1946</td>
							<td align="left">Diput. de Valencia</td>
							<td align="left">El Cant de la Sibila</td>
						</tr>
						<tr>
							<td align="left">710</td>
							<td align="left">Manzano Alonso, Miguel</td>
							<td align="left">1991</td>
							<td align="left">Edit. M&#xfa;sica Mundana. Madrid</td>
							<td align="left">Cancionero Leon&#xe9;s Tomo I</td>
						</tr>
						<tr>
							<td align="left">711</td>
							<td align="left">Manzano Alonso, Miguel</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edit. M&#xfa;sica Mundana</td>
							<td align="left">Cancionero Leon&#xe9;s. Tomo II</td>
						</tr>
						<tr>
							<td align="left">712</td>
							<td align="left">Stuart Blackie, John</td>
							<td align="left">1889</td>
							<td align="left">Edinburgh and London</td>
							<td align="left">Scottish Song</td>
						</tr>
						<tr>
							<td align="left">713</td>
							<td align="left">Sharp, Cecil J.</td>
							<td align="left">1932</td>
							<td align="left">London</td>
							<td align="left">English Folk Songs from the Southern Appalachians. Tomo I</td>
						</tr>
						<tr>
							<td align="left">714</td>
							<td align="left">Sharp, Cecil J.</td>
							<td align="left">1932</td>
							<td align="left">London</td>
							<td align="left">English Folk Songs from the Southern Appalachians. Tomo II</td>
						</tr>
						<tr>
							<td align="left">715</td>
							<td align="left">Barbeau, Marius</td>
							<td align="left">1962</td>
							<td align="left">Ottawa-Canada</td>
							<td align="left">Le Rossignol y Chante:</td>
						</tr>
						<tr>
							<td align="left">716</td>
							<td align="left">Bas, Julio</td>
							<td align="left">&#xa0;</td>
							<td align="left">Ricordi Americana. Buenos Aires</td>
							<td align="left">Tratado de la Forma Musical</td>
						</tr>
						<tr>
							<td align="left">717</td>
							<td align="left">Bouasse, H.</td>
							<td align="left">1929</td>
							<td align="left">Librairie Delagrave. Par&#xed;s</td>
							<td align="left">Tuyaux et R&#xe9;sonateurs</td>
						</tr>
						<tr>
							<td align="left">718</td>
							<td align="left">Halpern, Rev. M.</td>
							<td align="left">1915</td>
							<td align="left">The Boston Music Company. Boston</td>
							<td align="left">A Synagogue Hymnal</td>
						</tr>
						<tr>
							<td align="left">719</td>
							<td align="left">Jim&#xe9;nez de Arag&#xf3;n, Juan Jos&#xe9;</td>
							<td align="left">&#xa0;</td>
							<td align="left">Zaragoza</td>
							<td align="left">Cancionero de Arag&#xf3;n</td>
						</tr>
						<tr>
							<td align="left">720</td>
							<td align="left">List, George, y Orrego-Salas, Juan</td>
							<td align="left">1967</td>
							<td align="left">Indiana University</td>
							<td align="left">Music in the Americas</td>
						</tr>
						<tr>
							<td align="left">721</td>
							<td align="left">Violant i Simorra, Ramon</td>
							<td align="left">1953</td>
							<td align="left">Bibliot. Folkl&#xf3;rica Barcino. Barcelona</td>
							<td align="left">Els Pastors y la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">722</td>
							<td align="left">Mart&#xed;nez Torner, Eduardo</td>
							<td align="left">1946</td>
							<td align="left">Edit.Losada, S.A. Buenos Aires</td>
							<td align="left">El Folklore en la Escuela</td>
						</tr>
						<tr>
							<td align="left">723</td>
							<td align="left">Tom&#xe1;s, Juan, y Romeu Figueras, Juan</td>
							<td align="left">1954</td>
							<td align="left">CSIC Barcelona</td>
							<td align="left">Cancionero Escolar Espa&#xf1;ol</td>
						</tr>
						<tr>
							<td align="left">724</td>
							<td align="left">Alvin, Juliette</td>
							<td align="left">1967</td>
							<td align="left">Talleres Didot. Buenos Aires</td>
							<td align="left">Musicoterapia</td>
						</tr>
						<tr>
							<td align="left">725</td>
							<td align="left">Subir&#xe1;, Jos&#xe9;</td>
							<td align="left">1974</td>
							<td align="left">Compa&#xf1;&#xed;a Bibliografica Espa&#xf1;ola, S.A. Madrid</td>
							<td align="left">Compendio de Historia de la M&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">726</td>
							<td align="left">Bart&#xf3;k, Bela, y Kod&#xe1;ly Zoltan</td>
							<td align="left">1966</td>
							<td align="left">Akad&#xe9;miai Kiad&#xf3;. Budapest</td>
							<td align="left">Sirat&#xf3;k Laments</td>
						</tr>
						<tr>
							<td align="left">727</td>
							<td align="left">Baldell&#xf3;, Francesc</td>
							<td align="left">1932</td>
							<td align="left">Barcelona</td>
							<td align="left">Can&#xe7;oner Popular Religi&#xf3;s de Catalunya</td>
						</tr>
						<tr>
							<td align="left">728</td>
							<td align="left">Ram&#xf3;n y Rivera, Luis Felipe</td>
							<td align="left">1972</td>
							<td align="left">Maracaibo-Venezuela</td>
							<td align="left">La Canci&#xf3;n Venezolana</td>
						</tr>
						<tr>
							<td align="left">729</td>
							<td align="left">Mendoza, Vicente T.</td>
							<td align="left">1971</td>
							<td align="left">Int&#xb0;. de Investigaciones Est&#xe9;ticas. M&#xe9;xico</td>
							<td align="left">La Canci&#xf3;n Mexicana</td>
						</tr>
						<tr>
							<td align="left">730</td>
							<td align="left">Aramburu, Julio</td>
							<td align="left">1944</td>
							<td align="left">Edit. Ateneo. Buenos Aires</td>
							<td align="left">El Folklore de los Ni&#xf1;os</td>
						</tr>
						<tr>
							<td align="left">731</td>
							<td align="left">Lafuente y Alc&#xe1;ntara, Emilio</td>
							<td align="left">1865</td>
							<td align="left">Edit. Bailly-Bailliere. Madrid</td>
							<td align="left">Cancionero Popular (seguidillas y coplas)</td>
						</tr>
						<tr>
							<td align="left">732</td>
							<td align="left">Lauro, Ayestar&#xe1;n</td>
							<td align="left">1953</td>
							<td align="left">Montevideo</td>
							<td align="left">La M&#xfa;sica en el Uruguay</td>
						</tr>
						<tr>
							<td align="left">733</td>
							<td align="left">Salazar, Adolfo</td>
							<td align="left">1930</td>
							<td align="left">Ednes. La Nave. Madrid</td>
							<td align="left">La M&#xfa;sica Contempor&#xe1;nea en Espa&#xf1;a</td>
						</tr>
						<tr>
							<td align="left">735</td>
							<td align="left">Sachs, Curt</td>
							<td align="left">1947</td>
							<td align="left">Edit. Centuri&#xf3;n, Buenos Aires</td>
							<td align="left">Historia Universal de los Instrumentos Musicales</td>
						</tr>
						<tr>
							<td align="left">736</td>
							<td align="left">Zamora, Eugenio M.</td>
							<td align="left">&#xa0;</td>
							<td align="left">Artes Gr&#xe1;ficas Seprisa, Oviedo</td>
							<td align="left">Instrumentos musicales de la tradici&#xf3;n asturiana</td>
						</tr>
						<tr>
							<td align="left">737</td>
							<td align="left">Buchner, Alexandre</td>
							<td align="left">1969</td>
							<td align="left">Ed. Gr&#xfc;nd, Par&#xed;s</td>
							<td align="left">Instruments de Musique Populaires</td>
						</tr>
						<tr>
							<td align="left">738</td>
							<td align="left">Cobas Pazos, V.</td>
							<td align="left">1955</td>
							<td align="left">Editores Porto y C&#xed;a. Santiago de Compostela</td>
							<td align="left">La gaita gallega</td>
						</tr>
						<tr>
							<td align="left">739</td>
							<td align="left">Olazaran de Estella, P.</td>
							<td align="left">1972</td>
							<td align="left">Diput. Foral de Navarra, Pamplona</td>
							<td align="left">Tratado de Txistu y Gaita</td>
						</tr>
						<tr>
							<td align="left">740</td>
							<td align="left">Tejero Cobos, Isidoro</td>
							<td align="left">1981</td>
							<td align="left">Segovia</td>
							<td align="left">La Dulzaina de Castilla</td>
						</tr>
						<tr>
							<td align="left">741</td>
							<td align="left">Coscollar Santaleistra, Blas</td>
							<td align="left">1987</td>
							<td align="left">Ayunt. De Zaragoza</td>
							<td align="left">El libro de la Dulzaina aragonesa, m&#xe9;todo y repertorio</td>
						</tr>
						<tr>
							<td align="left">742</td>
							<td align="left">Pedrell, Felipe</td>
							<td align="left">1901</td>
							<td align="left">Juan Gili, Librero, Barcelona</td>
							<td align="left">Organograf&#xed;a musical antigua espa&#xf1;ola</td>
						</tr>
						<tr>
							<td align="left">743</td>
							<td align="left">Stauder, Wilhelm</td>
							<td align="left">1963</td>
							<td align="left">Petit Biblioth&#xe8;que Payot, Par&#xed;s</td>
							<td align="left">Les Instruments de Musique</td>
						</tr>
						<tr>
							<td align="left">744</td>
							<td align="left">Aretz, Isabel</td>
							<td align="left">&#xa0;</td>
							<td align="left">Universidad Oriente de Venezuela</td>
							<td align="left">Instrumentos Musicales de Venezuela</td>
						</tr>
						<tr>
							<td align="left">745</td>
							<td align="left">Lacunza hermanos (Dulzaineros- Gaiteros)</td>
							<td align="left">1968</td>
							<td align="left">Diput. Foral de Navarra, Pamplona</td>
							<td align="left">M&#xe9;todo de Gaita Navarra</td>
						</tr>
						<tr>
							<td align="left">746</td>
							<td align="left">Viggiano Esain</td>
							<td align="left">1948</td>
							<td align="left">Imp. Universidad de C&#xf3;rdoba (Argentina)</td>
							<td align="left">Instrumentolog&#xed;a Musical Popular Argentina</td>
						</tr>
						<tr>
							<td align="left">747</td>
							<td align="left">Escudero, Rosario</td>
							<td align="left">1959</td>
							<td align="left">AA. Gr&#xe1;ficas Azar, San Sebasti&#xe1;n</td>
							<td align="left">M&#xe9;todo de Casta&#xf1;uelas</td>
						</tr>
						<tr>
							<td align="left">748</td>
							<td align="left">Vega, Carlos</td>
							<td align="left">&#xa0;</td>
							<td align="left">Edic. Centuri&#xf3;n, Buenos Aires</td>
							<td align="left">Los instrumentos musicales abor&#xed;genes y criollos de la Argentina</td>
						</tr>
						<tr>
							<td align="left">749</td>
							<td align="left">Cano Tamayo, Manuel</td>
							<td align="left">1986</td>
							<td align="left">Ediciones Anel, Granada</td>
							<td align="left">La Guitarra. Historia, estudios y aportaciones al arte Flamenco</td>
						</tr>
						<tr>
							<td align="left">750</td>
							<td align="left">Garc&#xed;a-Matos, Manuel, y Porro, Carlos</td>
							<td align="left">2012</td>
							<td align="left">Segovia</td>
							<td align="left">Repertorio segoviano para dulzaina</td>
						</tr>
						<tr>
							<td align="left">751</td>
							<td align="left">Andr&#xe9;s, Ram&#xf3;n</td>
							<td align="left">1995</td>
							<td align="left">Bibliograf, S.A. Barcelona</td>
							<td align="left">Diccionario de Instrumentos Musicales</td>
						</tr>
						<tr>
							<td align="left">752</td>
							<td align="left">Generale de Banque et les auteurs</td>
							<td align="left">1985</td>
							<td align="left">Bruxelles</td>
							<td align="left">Instruments de Musique Espagnols du XVI au XIX si&#xe8;cle</td>
						</tr>
						<tr>
							<td align="left">753</td>
							<td align="left">Valverde, Joaqu&#xed;n</td>
							<td align="left">&#xa0;</td>
							<td align="left">&#xa0;</td>
							<td align="left">La Flauta, su historia su estudio</td>
						</tr>
						<tr>
							<td align="left">754</td>
							<td align="left">Buchner, Alexander</td>
							<td align="left">1972</td>
							<td align="left">GR&#xdc;ND, Par&#xed;s</td>
							<td align="left">Les Instruments de Musique a Travers les &#xc2;ges</td>
						</tr>
						<tr>
							<td align="left">755</td>
							<td align="left">Jambrina Leal, Alberto y Cid Cebri&#xe1;n, J.R</td>
							<td align="left">1989</td>
							<td align="left">Diputaci&#xf3;n de Salamanca</td>
							<td align="left">La Gaita y el Tamboril</td>
						</tr>
						<tr>
							<td align="left">756</td>
							<td align="left">Ferandiere, Fernando</td>
							<td align="left">1816</td>
							<td align="left">Imp. Viuda de Aznar, Madrid</td>
							<td align="left">Arte de tocar la guitarra espa&#xf1;ola por m&#xfa;sica</td>
						</tr>
						<tr>
							<td align="left">757</td>
							<td align="left">Florencio, Francisco Agust&#xed;n</td>
							<td align="left">1792</td>
							<td align="left">Madrid-Valencia</td>
							<td align="left">Crotalog&#xed;a o ciencia de las casta&#xf1;uelas</td>
						</tr>
						<tr>
							<td align="left">758</td>
							<td align="left">Europalia Espa&#xf1;a</td>
							<td align="left">1985</td>
							<td align="left">Bruselas</td>
							<td align="left">Instruments de Musique Espagnols du XVI au XIX si&#xe8;cle</td>
						</tr>
					</tbody>
				</table>
			</table-wrap>
			<list list-type="bullet" id="lst-1-637">
				<list-item>
					<p>Impresos - Revistas. Colecci&#xf3;n de 313 fasc&#xed;culos de revistas especializadas en m&#xfa;sica y folklore. </p>
				</list-item>
				<list-item>
					<p>Partituras. Colecci&#xf3;n de 651 partituras.</p>
				</list-item>
				<list-item>
					<p>Discos de vinilo. Colecci&#xf3;n de 382 discos de vinilo (148 son de 45 rpm y 234 son LPs y &#xe1;lbumes de 33 rpm) de m&#xfa;sica folkl&#xf3;rica espa&#xf1;ola y de diversos pa&#xed;ses, cancioneros populares, danzas, colecci&#xf3;n de m&#xfa;sica espa&#xf1;ola abarcando los siglos XII-XVI, antolog&#xed;as del flamenco, y m&#xfa;sica cl&#xe1;sica. </p>
				</list-item>
				<list-item>
					<p>1 caja de documentaci&#xf3;n variada; v&#xe9;anse Ejemplos 1 y 2. Apuntes y cuadernos manuscritos de trabajo personal, borradores de transcripciones, textos de canciones, tres carpetas con material original de las &#xab;misiones folkl&#xf3;ricas&#xbb; del CSIC, separatas de revistas, res&#xfa;menes y actas de distintos congresos, homenajes y fotos de temas folcl&#xf3;ricos. </p>
				</list-item>
			</list>
			<fig id="fig-1-637">
				<label>Figura 1</label>
				<caption>
					<title>Falsetas 1 y 2 para guitarra de un cuaderno manuscrito in&#xe9;dito de Manuel Garc&#xed;a Matos cuya portada dice: &#xab;Alegr&#xed;as &#x2018;mi&#x2019;&#xbb;. Garc&#xed;a Matos recogi&#xf3; 542 falsetas del guitarrista malague&#xf1;o Juan Navas Salas y coment&#xf3; que ten&#xed;a muchas otras in&#xe9;ditas; v&#xe9;ase la Misi&#xf3;n 15a del Fondo de M&#xfa;sica Tradicional: <ext-link ext-link-type="uri" xlink:href="https://musicatradicional.imf.csic.es/source/26401" id="exl-2-637">https://musicatradicional.imf.csic.es/source/26401</ext-link>. IMF-CSIC, Biblioteca Manuel Garc&#xed;a Matos.</title>
				</caption>
				<graphic xlink:href="AMUS-80-637-gf1.png" id="gra-1-637"/>
			</fig>
			<fig id="fig-2-637">
				<label>Figura 2</label>
				<caption>
					<title>Cuaderno manuscrito in&#xe9;dito de Manuel Garc&#xed;a Matos con descripciones de costumbres de la provincia de Madrid recogidas en 1945; v&#xe9;ase la Misi&#xf3;n 8 del Fondo de M&#xfa;sica Tradicional: <ext-link ext-link-type="uri" xlink:href="https://musicatradicional.imf.csic.es/source/126" id="exl-3-637">https://musicatradicional.imf.csic.es/source/126</ext-link>. IMF-CSIC, Biblioteca Manuel Garc&#xed;a Matos.</title>
				</caption>
				<graphic xlink:href="AMUS-80-637-gf2.png" id="gra-2-637"/>
			</fig>
		</sec>
	</body>
</article>